Mary, Queen Of Families: The Forgotten Apparition Of Le Ghiaie di Bonate

Last summer, during a brief break in the pandemic, I was sitting at a family dinner, close to my aunt, Emma (90 years old), and casually the conversation turned to St. John Paull II and the Holy Virgin’s apparition at Fatima.

All of a sudden my aunt Emma said, “Well, I was present at a Virgin apparition when I was young…”

“Sorry auntie, you were what?”

“Yes, I was present at two of the 13 apparitions that took place at Le Ghiaie di Bonate. I remember very well. It was spring 1944, because the war was still raging in our region, and it was very difficult to get there.”

“But auntie you never told us anything like that before!”

“When you grow old, you have very little concern about daily life in the present, and remembrance of old times comes back very easily and strong.”

And she briefly recounted to the amazed party her experience.
The apparition site was some 15 miles north of our home and the word spread instantly, despite censorship and harsh war-time. She and her friends first went on a small horse-cart from the farm, along adjacent country roads. But they did not get too far because all the roads were clogged with people; and so they had to walk the last 4 miles, thus ending up very far from the place where the seer was receiving the apparition.

Adelaide Roncalli in ecstasy at Le Ghiaie di Bonate, with doctors surrounding her.

Then she went a second time, two days later, and this time she and her friends rode their bicycles at night, so they could reach the apparition site. They made their way to the precise spot where my aunt could see the event from a very short distance.

Adelaide Roncalli among the faithful at Le Ghiaie di Bonate.

The seer was seven-year-old Adelaide Roncalli, a blonde girl of humble origins, who wore a white ribbon in her hair. She was standing on a podium and after some minutes she went into a trance glancing at a remote point. And thus she stood, despite the doctors crowding around her tiny body, piercing her arms and cheeks and monitoring her blood pressure and heart beat.

After few minutes, the seer came around and briefly released a short summary of the message received from the Holy Virgin to the surrounding crowd and then she was taken away by the police force that was in charge of her security.

Here aunt Emma finished her story; and she could not tell me what happened afterwards, and why this apparition has had so little recognition from the official Church.

I had driven tens of times through the village of Bonate and had seen the brown tourism road sign, showing the way to the “Site of the 1944 Apparitions.” (Yes, the road sign actually does say, “Site of the 1944 Apparitions,” but no mention of any sanctuary of the Virgin). And so now, the surprising revelation by aunt Emma ignited my desire to learn more about this event.

My research was not easy because most of the publications were written and published by local authors for use only by the supporters of the apparition. However, thanks to the help of my many Christian friends around Lombardy, I could put together enough details to arrive at a reasonable understanding of the events of that fateful May in 1944.

Most, if not all, Marian apparitions are marked by common features: One or more seer; very often young, but certainly always very simple persons, a message entrusted to the seer for universal revelation and miracles. Le Ghiaie was by no means less in this “standard.”

The Seer

Adelaide Roncalli (her grandfather was a relative of Angelo Roncalli, better known today as, St. John XXIII) was a country girl of seven at the time of the apparition. On May 13, she was playing with her siblings in the field close to her parents’ farm at Le Ghiaie (literally, “The Gravels” because it is located by the side of the Brembo river) when her aunt, Annunciata, asked her to gather some wildflowers to adorn the small Madonna altar at the farmhouse.

While Adelaide was picking some elder flowers she suddenly stood still, as if lost to the world. Her siblings immediately ran home yelling, “Come quickly, Adelaide is standing dead!” But her parents did not do anything.

Adelaide Roncalli on her first Communion.

Adelaide then recovered, eagerly walked home and told her siblings, “Do not tell anybody, but I have just seen the Holy Virgin.” Her younger sister, Palmina, however, told their parents about what had happened. They did not believe Adelaide and punished her. But the news spread like wildfire.

The Holy Virgin appeared to this very young girl, speaking in plain Bergamasco accent, over two successive periods: From 13 to 21 of May and, after one week of announced hiatus, from 28 to 31 of May. Most of the times, she was accompanied by St. Joseph and the Child Jesus, and a large part of the message received by Adelaide concerned the challenging time the Christian family was facing and on the importance of a faithful and honest life of the spouses as the key to a happy and virtuous life. The Holy Virgin also gave Adelaide some news about the war and the current times and predicted for her a troubled life, but for which She would compensate with eternal life in Paradise.

Poor Adelaide dearly paid for her visions of the celestial Mother. Due to the immense resonance of the Le Ghiaie facts, she was separated from her family and put into a religious boarding school for more than one year.

A priest (we will not disclose his name for mercy’s sake) entrusted by the bishop of Bergamo to stay close to the girl and prepare the evidences for the oncoming trial, exerted all possible psychological and moral pressure on the girl and literally dictated to her the terrible abjure memo that the child finally wrote and signed: “I am a liar I did not see the Holy Virgin and I made up the story myself.” Based on this forced confession, in 1948 the diocesan court of Bergamo ruled that there was no evidence of supernatural intervention at Le Ghiaie and forbade any type of Marian cult.

Adelaide spent the successive ten years wandering from one religious boarding school to another to keep her away from Le Ghiaie. Then at age 15, she entered the Sacramentine cloister as the Virgin had promised her. But after a few years of persistent gossip, and because she was held suspect when not in open hostility by the official Church and the other sisters, Adelaide was forced to quit the habit and returned to a secular life. She became a nurse, married, had children, lived in anonymity in Milan, and died in 2014. She disappeared from public life; and only in the late 1980s did she release a notarized declaration, in which she stated once and for all that she genuinely had had the apparitions of the Holy Virgin, in May 1944.

The Message

The apparitions occurred over 13 meetings, in which the Holy Virgin spoke of several subjects to Adelaide, including the then terrible war-conditions in Italy, fear for the life of the Holy Father who, at that time was made almost a prisoner in Rome by the German army. But without question the focus of the messages was on a few, core themes: Family, repentance and sanctification of suffering.

All the scholars that have studied the texts of the revelations to Adelaide are unanimous in understanding the three themes as being tightly interlinked, since the sins (THOSE SINS, as the Virgin told the seven-year-old girl) committed by mothers and fathers bring disruption to the family and open the door to sorrows and disgrace. Hence repentance from sins, a return to the sanctity of the family, and incessant prayer to restore disordered family life. It is also very notable that the last apparition of the first cycle (May 21) was purely a speechless vision which many analysts interpret as a fine theological sermon on the Christian family.

This was the vision: Adelaide saw the Holy Family sitting in a temple, together with some praying animals (a donkey, a dog, a sheep and a horse). All of sudden the horse left the temple through the wide-open door and began stomping a beautiful white lily field nearby. St. Joseph went for the horse and brought him back to the temple where he joined the praying group again. The horse is the father who is free (the temple is open) to destroy marital fidelity (the white lily): only the perseverance of prayer and the Christian life can sustain and keep the ordered life of the family. And yes, of course, according to the diocesan court this was the invention of a seven-year-old girl!

Well, you do not need to be an educated theologian to appreciate that the family-focused message of Le Ghiaie came right at the beginning of probably the very first period in the history of humanity when the destruction of the traditional family became a priority: Sexual revolution, divorce, abortion, homosexuality and its derivatives. It is to be remembered that the seer of Fatima, Lucia dos Santos, predicted that the last fight of the devil for the domination of the earth would be against the family.

The Miracles

As in all Marian events, the most glorious miracle of all generated by the apparition was the grand awakening of the people’s faith. Just from May to July of 1944, a multitude estimated at 3 million (3 million!) flooded the crumbled roads and the precarious railroads of North Italy to Le Ghiaie, to pray at the place where Adelaide saw the Holy Virgin. The pilgrims asked for the safe return of sons and husbands from Russia, for the end of the civil war, for healing of diseases; but most of all they prayed for the conversion of their households.

We have positive evidence of all this because a lot of visitors wrote their prayers on small slips of paper and left them at the apparition spot. A few thousand of them were happily preserved by Don Cesare Vitali, then the parish priest of Le Ghiaie, and lately studied by Ermenegilda Poli who confirmed that two appeals to the Virgin predominate: Bring back my husband/son from the war and convert my father/husband/son to the true religion. The endless processions marched day and night to the tempo of rosary and Marian chants and it is recorded in the newspapers that the bystanders at café terraces stood up and took their hats off at the passage of the pilgrims.

Spring 1944 was a severe war-time period for the North of Italy, with daily air raids, aimed at destroying the heavy war industry, as well as the morale of the population by massive bombing of cities. Nothing happened to Le Ghiaie, nor to any of the pilgrims heading there, though once back home they had to suffer the raids of allied aircrafts. Several times airplanes were seen and heard above the crowd gathered to attend the apparitions, but no harm came to the people.

According to Mons. Vittorio Bonomelli, a priest who acted as allied intelligence during most of the war, the news of the apparition quickly spread among the allied forces and particular attention and instructions were given to the pilots operating in the sector. He also disclosed that the apparitions of the Virgin saved the city of Bergamo from a massive bombing the allied HQ had already planned, one of the few cities in North Italy to be spared from a common and terrible fate.

Miracles are frequently, if not always, associated with healing from chronic disease or deformity, and Le Ghiaie was no exception to the rule of Marian apparition. During the two cycles of apparitions and for the first months afterwards unexpected and inexplicable healings happened at a very frequent pace: paralytics stood up and left their wheelchairs or crutches; children with impaired hearing returned to hear, totally or partially blinds recovered the sight and a lot of other healings occurred to youngsters, adults and elders alike. Many of the priests that were present at the time reported this incredible season of grace in their diary with the word of Matthew 11, 4-5 “The blind receive sight, the lame walk, those who have leprosy are cleansed, the deaf hear, the dead are raised, and the good news is proclaimed to the poor.”

Among the tens of reported and evidenced graces during the first period of Le Ghiaie, I wish to single out the story of Bianca Nicoletti, a young girl of five, suffering of Pott’s disease, a tuberculosis of the spine, leading to the degeneration of the intervertebral joints and very often of the vertebrae. In 1944 there was very little chance to cure the disease; and the doctors of Udine treated the young girl with a cast back brace for her entire upper body, in the hope of a possible surgery when (and if) the girl turned 12.

In July 1944, her mother heard about the apparitions of the Virgin to Adelaide and decided to go there. Udine is approximately 200 miles from Le Ghiaie and mother and girl alone did the entire journey, travelling by railroad, in freight wagons when necessary. The girl could not walk, and the mother literally carried her for all the journey. And when the railroads were stopped because of the wreckage caused by air raids, they went by stealing passage on the few trucks that dared to defy the allied road bombing and strafing.

It took them some days, but eventually they made it to Le Ghiaie where, during a prayer session, the girl asked her mother to put her on the ground. The cast simply burst and she started walking, recovered forever. A lot of people witnessed the miracle, and all their records were collected, together with the incredible results of the new specialized medical examination back at home. The Holy Virgin had promised Adelaide that the pains of the infirm would always be compensated, if asked through prayers, perseverance and repentance of sins. The mother of Bianca is the perfect example of true devotion that leads to redemption.

Many observers see Le Ghiaie as the completion of the revelation of Fatima; and as at Fatima, thousands of people had the opportunity to appreciate the “sun dance” on May 21, at the occasion of the last apparition of the first cycle; and these people then left accurate records of the miracle of the sun, when it spun around fast, opaque white in color, which did not hurt the eyes to look at, and which radiated a light of many colors. The phenomenon was visible for ten minutes in many different places around Bergamo and was positively confirmed by the media of the time.

The Present

Despite the large quantity of evidence and the endless stream of pilgrims in the first ten years after the apparitions, the church is still denying the event and remains anchored to the extorted confession of a persecuted seven-year-old girl: “I am liar.” As a matter of fact, a lot of eminent churchmen were fully convinced of the truth of Le Ghiaie di Bonate, among them Pope St. John XXIII (who wrote a letter, stating that the confession of Adelaide was invalid from a canonical perspective). There was Blessed Cardinal Ildefonso Schuster, Archbishop of Milan, who sent Father Agostino Gemelli, a physician and psychologist and founder of the Catholic University of Milan, to examine Adelaide whom he found perfectly normal and unable to make up this story. And there was Pope St. John Paul II, who introduced in 1986, in the Litany of Loreto, the invocation to the Queen of Families.

All bishops of Bergamo, from the time of the event up to now, are firm believers of Le Ghiaie, though none of them had enough courage to start a revision of the 1948 trial. Nowadays, at Le Ghiaie, there is still the old, small chapel that was built before 1948, surrounded by a little gallery and a lot of trees and greenery. Recently in 2019, the bishop of Bergamo, Francesco Beschi, authorized the cult of Mary Queen of Families at the small chapel, where flocks of believers still come to implore the Mother of the Family.

Le Ghiaie di Bonate chapel today.

At the end of this incredible story, I guess the readers will share the same simple questions that haunt all believers of Le Ghiaie: Why such a perseverance in rejecting the evidence? Why deprive the People of God of the comforting company and motherly care of the Holy Virgin? I am sure there might be hundreds of good answers, starting with the current preference of the Church for pastoral issues rather than supernatural events, or of smelling “the smoke of Satan in the temple of God,” as prophetically announced by Pope St. Paul VI. But I am not a theologian nor a cleric scholar. I am a believer and can suggest a couple of insights.

Sometimes the devil’s advocate wins the lawsuit, and in the case of Le Ghiaie this is particularly evident and true, when you look at the dramatic disruption that the family has endured over the last 50 years. The Virgin came to warn us about a terrible incumbent danger; but we simply shrugged our shoulders and went the easy way the devil had planned for us.

The faithful at Le Ghiaie di Bonate chapel.

No matter how powerful and formidable the intervention of heaven is, without man’s cooperation, nothing can be achieved on earth in virtue of the supreme liberty God has awarded to us. And this brings to my mind the Gospel of Luke (16, 19-31) when the dead and condemned rich man asks Lazarus to go back to his brothers and warn them, and Abraham replies, “If they did not listen to Moses and the Prophets, they will not be convinced even if someone rises from the dead.”

Note: Most of this essay was outlined and meditated upon, on May 13, the anniversary of the first apparition of the Virgin to Adelaide, while I was walking alone the 15 miles from my home to Le Ghiaie, to thank Our Lady Queen of the Families, for the unexpectedly fast and complete recovery of a very close friend of mine who had been struck by a life-threatening case of Covid.

Completed on May 26, Feast of Our Lady of the Fountain at Caravaggio.

Maurizio Mandelli is a businessman by trade and enthusiastic amateur scholar of local history and the arts. He has published two books (War of the Spanish Succession in Lombardy and The Italian Campaign of Napoleon III). He is a regular contributor to local magazines on religion, ethics, society, history and the arts.

The featured image shows, Our Lady of Le Ghiaie di Bonate. The painting of the Virgin in a red robe, with two grey doves in her hands, was made under the instruction of Adelaide herself.

Cathoscope 2021

The craving for foreseeing future events is a temptation as old as humankind and can be regarded as the continuation of the sin of Adam and Eve trying to equal man to God. In modern times, everything is readily available, cheap and easy, and forecasting the future through a horoscope for some people is a daily exercise. However, at the beginning of every year, fortune tellers and astrologists are so pervasive in the media that you can hardly escape charlatans telling you what the new year will look like for health, money and love.

It is some centuries now that the Church has officially condemned astrology, the horoscope and future divination in general as contrary to genuine Catholic teaching. Nevertheless, it is connatural with the gift of prophecy we receive in the Baptism for reading and interpreting the signs of the present age to surely and safely take our way through future events.

By reading recent and present events in the light of our faith, we can outline the Cathoscope for the year 2021, that is, the Catholic horoscope. We are believers and we know that our fate does not belong to the hectic movement of gipsy planets and stars, so it does not make any difference as to the date, month and year in which you were born; the Cathoscope is good for all individuals alike, since our ephemeris (God, Christ, the angels, the Virgin and the saints) are forever fixed and immutable.

Let us see what we can expect in the year 2021.

Health And Wellness

In 2021, the Covid pandemic will still preside over our lives; so, take care of your health. Be cautious; respect confinement and general hygienic prescription – but above all, do not forget to pray for your health and for your dear ones.

During plagues and epidemics in the past centuries, Christianity has always called upon the strong advocacy of Saint Michael, our Lady of Sorrows, Saint Sebastian and Saint Roch. And do not forget to worry about your eternal health, more and more important in time when death is knocking on every other door. It is not by chance that the Latin word for salvation, Salus, means either earthly health and eternal deliverance – taking care of both is the winning choice.

Love And Relationship

This is the very year when you have the possibility to make your own choice in matters of the heart and love. At the outburst of the pandemic last March, Italy was fully packed with handmade many-colored signs hanging from every single window in the country: We will do it: we love our heroes, nurses and doctors. Do not be afraid. Everything is going to be all right. Even ads on TV displayed compassionate and loving communications of mutual support and brotherly love. Everybody conceded, from the Pope to the Italian Premier, from artists to my neighbour, that anything will be the same after Covid – and this thing has changed our lives for the better and forever.

One year later the picture is depressing and disheartening at the very best. We got used to the pandemic and to the daily death toll and we went back to our usual quarrelsome lifestyle. All the colours of those signs have faded away, and ads on TV have reverted to showing how to make easy and quick money through stocks. Compassion, support and shared affection cannot be found any longer anywhere.

We do not need Venus entering Scorpio to revive love and compassion – just look up at our older brothers and sisters, who exercised and taught love and mercy their entire lives: Saint Teresa of Calcutta, Saint Maximilian Kolbe, Saint Vincent de Paul, and legions of others. Let us start modelling our lives after their teachings under the shelter of our Lady of Mercy.

Career And Money

Unless you are among the lucky 1% possessing 40% of western wealth, the coming year is going to be very tough on the business side. Pandemic pending, the unemployment rate will continue to grow, ushering a vast portion of the middle class into poverty.

When hopefully Covid is defeated, the economy will certainly rally back, providing relief to the exhausted western working class, and at the same time putting billions of billions in the coffers of the new superpowers of third millennium (the lucky 1%, as you know them). When you feel Saturn is particularly unfair opposing your natal point, think of your children and grandchildren, who will pay the whopping price tag of the gigantic subsidiary programs most countries have put in place.

Greed is our nemesis star, not Saturn. Think of Saint Martin of Tours who tore his cloak into two halves to provide a little comfort to himself and to the poor. Remember the words of St. John Paul II after the fall of the Berlin wall and the end of the Cold War: communism was defeated but capitalism is not the response to an equal and just distribution of the wealth in our world. May Saint Joseph the Carpenter and his Holy Assistant inculcate into us the way of honest economy and shared wealth.

Considering the vast interest that escalated after Pope Francis encyclical, Laudato si’, we feel it is necessary to add a new column dedicated to:

The Environment

Mixed expectations in year 2021 on the environment front. Despite rampant Thunbergism, the fight against the pandemic has called and will call for a lot of extra pollution (face mask, disposable personal protection gears, etc.) and even the massive vaccine production and distribution will have an environmental cost.

On the other hand, Covid 19 will continue to reduce human mobility, and this is a great news for the environment, because it is without question that tourism and travel are among the greatest polluting human activities. Bad news for airways and those countries who heavily rely on tourism (Italy included) – but maybe it is the right time to ponder the abused adjective sustainable, which the predominant mainstreamers understand as exclusive.

I can hardly believe that crossing the Atlantic on board a multimillion carbon-fiber, hypertech, solar-powered sailing boat can be regarded as the future of sustainable tourism. Unless we want to go back to the good old days when English aristocracy solely toured across Europe for diversion -and thus invented tourism. As the only remedy against noxious elite environmentalism (the notorious 1%) – we claim the intercession of Saint Francis and urge everyone to spread his message, the whole message, glorifying God, man and nature. In that order.

And as a final footnote to our Year 2021 Cathoscope, we send a special greeting to all the children that will be born in this new year: whatever is the belief or disbelief of your parents, you are heartly welcome into this world – we badly need you. And a prayer for those conceived but not born in the current year, your aid from heaven is even more precious and more needed.

Maurizio Mandelli is a businessman by trade and enthusiastic amateur scholar of local history and the arts. He has published two books (War of the Spanish Succession in Lombardy and The Italian Campaign of Napoleon III). He is a regular contributor to local magazines on religion, ethics, society, history and the arts.

The featured image shows, “Mary Help of Christians,” located in the Basilica of Our Lady Help of Christians, Turin, Italy, painted by Tommaso Andrea Lorenzone, ca. 1867.

The Painter And The Poet

Now that the disgraceful year 2020 is finally gone, with its endless stream of deaths and grievance, we can properly look at what it brought us (Covid, lockdown, unemployment, etc.) and also what it stole from us. I firmly believe that like health and food, culture too is an essential nourishment for our lives, and any time we are deprived of it, we feel miserable and sick.

In Italy two great cultural events had been set for 2020 that were either cancelled or went unnoticed: the 500th anniversary of the death of Raphael Sanzio, and the introduction of Dante Day (Dante Dì), the official day to celebrate the immortal creator of the Divine Comedy. Yes, you read that right – until last year, in Italy, there was no official day to celebrate Italy’s greatest poet, and arguably one the greatest poet of all time.

The official dates were the 6th of April to celebrate the anniversary of Raphael, and the 25th of March to remember Dante. Now, these dates were very interesting because both men, by a surprising coincidence, have a connection to Good Friday. According to Giorgio Vasari’s Lives, Raphael was born on the night of Good Friday March 28, 1483 and died on Good Friday April 6, 1520. What an amazing coincidence for a man whose family name was Santi (Saints), which was then latinized into Sancti, and from this to the current Sanzio. And of course, almost all scholars agree that Dante began his fictitious travel into the Three Realms on Good Friday March 25 of the jubilee year 1300. Luckily enough, the official Italian committee discarded the death date of the bard on September 14 because it did not fit properly into the school time calendar. Sometimes obtuse bureaucracy helps!

As for the Raphael celebration, the best painting exhibition ever, collecting the greatest works of the master from museums all over the world, was organized in Rome at the Quirinal Palace. But, alas, it opened just few days before the first Covid outburst and was then sadly shut down a couple of weeks later in the midst of the first terrible stint of the pandemic in Italy. There will not be a second chance for this gorgeous Raphael show.

For Dante Day plenty of cultural events were planned involving scholars, school students, TV actors and ordinary citizens. Readings from the Divine Comedy should have taken place in the most iconic Italian piazze, where schools were invited to feature exhibitions on Dante, and TV was expected to provide huge coverage of the widespread festivities.

All these events were simply obliterated by the surging of the pandemic. In the only event downsized permitted, single citizens were invited to recite, from their windows or balconies, a few tercets of “Paolo and Francesca,” all together at 6:00 PM on March 25. I did that, and posted the recording to social media – and found out that the anniversary was not that popular among my connections. Never mind, next year marks the 700th anniversary of the death of Dante and luckily enough Covid 19 will give us a break by September 14.

Dante in the savage wood (Inferno, Canto 1). Engraving by Gustave Doré, 1885.

But it is not only the sheer coincidence of calendar dates that links these two undisputed geniuses – men of different centuries, genuine children of their time and culture, with very different characters. But both also contributed immensely to elevate our poor humanity towards the perception and appreciation of divinity.

Raphael is unanimously considered the peak of Renaissance painting, capable of shifting Leonardo’s sfumato technique into astonishingly natural and beautiful reality. If ever the Italian Renaissance has meant grace, beauty, harmony, naturality, Raphael is the true and complete achievement of it. Just imagine, from the moment he died in 1520 until the Impressionist revolution in the mid-19th century, his work was the inspiration and touchstone for all painting academies in all countries of the western world. His cycle of Madonna and child Jesus simply set forever the iconographic standard for this holy representation, and you can find a copy of one of them in almost any Italian Christian home. But Raphael is also the creator of the Stanze di Raffaello (the Raphael Rooms), where he mastered his refined art into a theological and compositional complexity that attained unequalled heights in the history of art.

Raphael was a good Christian, and this must not be taken for grant, even in the pope-ruled Rome of the early 16th century. The story goes that on Good Friday 1520, sensing his end, Raphael asked that his last masterpiece, The Transfiguration, be brought into his room and hung on the wall in front of him. There is no doubt about the reason – looking at the beautiful radiant Christ, he was already savouring the glory of his encounter with Him. When you survey the entirety of western Christian figurative production, it is hard to find as glorious and serene an image of the defeat of death, of which The Transfiguration is both a pledge and promise.

I do not know Raphael’s biography so well as to appraise the depth of his religious feeling and belief. However, it is unquestionable that the Holy Spirit guided his hand and heart in the short span of his life.

Unveiling the presence of divinity in Dante is a much easier job, starting from the very title of his masterpiece The Comedy soon after labelled as Divine by his great contemporary, Giovanni Boccaccio, partially because of the theme of the composition but mostly for the unrivalled poetic heights the work accomplished. Some passages warmed our youthful reading (“Paolo and Francesca,” “the voyage of Ulysses,” “Count Ugolino,” and the “Hymn to the Virgin”), others led and transformed our mature-years through a more Christian and mediated reading of Purgatory and Paradise canticles.

And we really do not care if, in praising the institution of Dante Day, the complete host of Italian intelligentsia saluted “The Father of the Italian Language,” “The very first Italian,” and “The founder of European identity.” For us he will be forever the poet who amazingly translated the truths of our faith into exultations of the heart and tears of love: “l’amor che muove il sole e l’altre stelle.” The work of Dante is always so divinely inspired and filled with poetical miracles that he deserves to stay on the calendar regardless of a questionable civil beatification. In this terrible pandemic times we all, we believers first, should start back from where he commenced his journey: “Miserere di me”.

God is a loving Father and an excellent Teacher; He can use many different ways to show us the path to paradise. Among them all, the human longing for beauty sublimely initiates our earthly journey to the glory of celestial infinity. Bless Him for spreading our road with so many friendly and inspiring companions!

Maurizio Mandelli is a businessman by trade and enthusiastic amateur scholar of local history and the arts. He has published two books (War of the Spanish Succession in Lombardy and The Italian Campaign of Napoleon III). He is a regular contributor to local magazines on religion, ethics, society, history and the arts.

The image shows, “The Transfiguration,” by Raphael, painted ca. 1518-1520.