Gerson Moreno-Riaño recently stated, “American colleges and universities have always positioned themselves as the bastions of knowledge and truth for the moral formation of their students. Regardless of intellectual debates surrounding the meaning of such terms, universities in America have never rejected implicit commitment to moral formation.”
By simply using the word “moral,” President Moreno-Riaño is already sending a message that he stands against the trend in modern institutions of higher education. The word “moral” connotes right and wrong within a Judeo-Christian matrix of understanding. The Ten Commandments, the Golden Rule, and loving one’s neighbor as oneself are increasingly portrayed by the apostles of heteronormative reality as covers for a hidden malignancy of exploitation and rejection that is unbecoming of civilized persons.
Instead, we are increasingly told by campus pundits and other self-proclaimed prophets of post-modernism that LGBT+Q (a couple of hundred varieties of sexuality come under the “Q”), feminism, anti-racism, and anti-white, male gender hegemony, are hallmarks of needed change in society.
To this crowd of miscreants – many of whom hold PhDs and teach at leading institutions of higher education – our entire society is living a lie. Our legal system is infected with racism from top to bottom which is why we see proportionally so many more African-Americans and Latinos in prisons than white people. The promotion of whiteness is the historical essence of American society, according to the proponents of the 1619 Project. These non-historians want to claim that the very founding of the USA was to glorify whiteness and to heap contempt on the non-white people of the Earth. We were not founded on true Christian or democratic principles like the furthering of “life, liberty, and the pursuit of happiness.”
The Fundamental Orders of Connecticut that was the first constitution of Connecticut (1642) did not, according to those intent on demonizing whiteness, define the principles of government by which a people living in a state might enjoy self-government. Rather, that constitution like all the mores of colonial America, was a cover for a more sinister cover-up of an inherent, cancerous white supremacy. The underlying motive was not as might appear to be the case: “We deserve to rule ourselves because the principles of self-government are Biblical, and the affirmation of freedom is part of God’s plan for the universe;” but, according to the 1619 Project, that we are only claiming these goods because we are white and based on our racial superiority can and ought to claim them.
Everything we have been and are as a society is merely a rationalization to cover the sense of racial superiority and macho sexuality that underlies anything and everything we have done and achieved, anything and everything we take pride in having accomplished – politically, educationally, economically, medically, scientifically, socially, and legally. Straight male white society has built this monolith called the USA on the suffering of people of color, the oppression of women, the cruel suppression of non-heterosexual persons, and the rejection of Marxist ideology, even though, according to its proponents, that ideology would bring about the betterment of the greatest number of people in our society.
President Moreno-Riaño in the same article quoted above recommends, “the re-integration of the true, beautiful, and good within a context of pervasive and consistent open inquiry.” He also recommends the removal of funding from colleges that fail to do this. This writer found his shift to this position surprising since his article acknowledges that the teaching of Western Civ courses in colleges and universities has been decimated. Instead, this writer would cry out for a re-institution of those courses.
Western Civ encompasses the powerful traditions of Reason, beginning with ancient Greece and Rome; the power of Love via the great Christian commandments of loving one’s neighbor as oneself and loving the Lord our God with all our hearts, minds, souls, and strength; the love of Beauty and Truth in our great literature and art works (John Keats’ “Ode To A Grecian Urn” says it better than this writer); and the great trans-racial and supra-racial achievements of Science, such as humankind has enjoyed since the 16th century. Without acknowledging the highest ideals embodied in Western Civ as being valued above all other ideals, we are doomed to demoralization, disruption, and decay.
Together with St. Gregory the Dialogist (Gregory the Great, according to the Western tradition), the Pope of Rome, St. Augustine (also Austin) is venerated as “the Apostle of the English”. He was most probably born in Sicily in the mid-sixth century and became a friend of the future Pope Gregory. In his youth St. Augustine led the monastic life at St. Andrew’s monastery in Rome, which had been founded by St. Gregory, and later became its prior (the abbot’s assistant; with St. Gregory as its abbot). St. Gregory praised Augustine for his brilliant knowledge of the Scriptures and excellent administrative abilities.
Around the year 596 St. Gregory sent Augustine at the head of the mission of forty Italian monks to England. The history of this crucial mission of English and even European history is well-documented and, specifically, described by Venerable Bede in his History of the English Church and People. The prehistory of this mission is also remarkable. Once St. Gregory happened to visit a slave market in Rome where he spotted three young male slaves with fair hair from northern England. He asked the slave trader who they were and where they came from. The latter answered that they were Angles and brought from Deira (then a kingdom in northern England). The future Pope with all his heart wished that these Angles would became like angels and come from the wrath of God (“de ira” in Latin) to eternal bliss.
So, when the time came, St. Gregory decided to fulfil his great ambition: to re-establish Orthodox Christianity in the now English land (we use here the word “re-establish” knowing that Christianity had existed in Britain during the Roman occupation perhaps from the first century till 410—when the Roman legions withdrew from Britain—but soon after almost completely and rapidly disappeared until the Augustinian mission; while in Wales, Dumnonia,1 Ireland, and Scotland, inhabited by Celtic peoples, a developed Church and monastic life was already flourishing by that time).
On their journey to Albion the missionaries stopped in Gaul, present-day France, where, it is said, St. Augustine performed his first miracle in Anjou: through his prayers a well with miraculous properties gushed forth there. The companions first stopped at the famous Lerins monastery in southern Gaul. Monks in Gaul told the missionaries about the life and customs of the Angles, especially that they were for the most part ferocious and cruel heathen. The fellow-missionaries of Augustine were scared and rather hesitant to go ahead, so it was decided to send St. Augustine back to Rome and ask the Pope Gregory what they should do further. The Pope encouraged Augustine, blessed him to go back, and commanded other brethren not to lose heart, but to go forward without any hesitation. He promised to pray hard for the success of their mission.
In spring 597 the Italian monks, accompanied by a number of Frankish priest-interpreters, arrived on the shores of Kent in the south-easternmost corner of England. According to tradition, they landed in or very near Ebbsfleet in Kent, on the Isle of Thanet which then was separated from the mainland England by a small river or channel, but now is part of the mainland (a memorial cross still stands on the site to commemorate the arrival of the missionaries). At that time Kent was the most influential of all the early English kingdoms and it had mostly been settled by the Germanic tribe of Jutes.
From the year 562 Kent had been ruled by the pagan Ethelbert (later to become St. Ethelbert). Fortunately, his spouse, Queen Bertha—a Frankish princess—was a Christian. Kent had permanent trade links with Gaul and communication with the continent and the Christian world, unlike other local kingdoms. Born in Gaul, Bertha had agreed to marry Ethelbert on condition that she was allowed to practice her Christian faith in England and to take her confessor, the priest Liudhard (+ c. 603) with her. Not only did Ethelbert consent to this condition, but even provided her with a small and ancient church of St. Martin of Tours in Canterbury (though it has since been rebuilt, this very ancient church, which is about 1700 years old, survives to this day).
King Ethelbert knew about the Christian faith and thus received St. Augustine very kindly, but at the same time with caution. He did not invite the saint to his palace, but preferred to talk with him “under an oak tree”, obviously hoping in this way to protect himself from “Christian magic”. The royal residence of the Kentish king was situated in Canterbury, which then was called Durovernum. Tradition tells that the first official meeting between the King and Augustine took place in Richborough near Ramsgate on the Isle of Thanet. Augustine was accompanied by his monks: all of them sang beautiful Christian hymns, and welcomed the king with a large silver cross and a large icon of Christ the Savior.
Ethelbert was impressed by the look of the monks and by their speech. There St. Augustine preached his first sermon to Ethelbert through an interpreter, and a chapel was later built there to commemorate the event. St. Ethelbert was more interested in Christ, though confessed he was not yet prepared to embrace the new faith. However, he allowed Augustine and all his brethren to be accommodated in Canterbury (the capital of Kent), to preach Christianity among his subjects freely, and provided them with the church of St. Martin.
According to tradition, on Pentecost Sunday of the same year, 5972, King Ethelbert was baptized at St. Martin’s church, together with many representatives of his nobility. Soon afterwards some 10,000 people of Kent voluntarily resolved to follow their ruler and be illumined by holy baptism. The mass baptism took place in the small River Swale in Kent. It was the first mass conversion to Orthodoxy in the English part of post-Roman Britain. This remarkable event was accompanied by numerous healings and miracles. It is noteworthy that neither Augustine nor King Ethelbert forced any of them to accept baptism—it was the voluntary decision of the people. Among those baptized were Jutes, Angles and Saxons. The monks began to live in Canterbury near the present-day Staplegate, to fast, pray, keep vigil, imitate Christ in their life, to go out to the people and preach the Good News to them. Soon further miracles followed. It was evident that the abundant grace of God had descended on this corner of the future England.
Meanwhile, in the following year of 598, St. Augustine travelled to Gaul for a short time where he was consecrated archbishop. Thus, he became the first Archbishop of Canterbury and primate of the English Church. The city of Canterbury ever since has been considered to be the English ecclesiastical capital. On account of his success in his mission in Kent and partly in neighbouring parts of England, St Augustine has been regarded as the enlightener of the Angles, and he shares this title with St. Gregory.
Among the monks who came with Augustine to England there were several other saints: St. Laurence, the second Archbishop of Canterbury (+ 619); St. Honorius, the fifth Archbishop of Canterbury (+ 653); St. Peter, the first Abbot of Canterbury (+ 607); and, probably, St. James (d. late seventh century), an illustrious deacon in York. In the year 601 new missionaries were sent from Rome by St. Gregory, some of whom later became saints as well: the future St. Mellitus, third Archbishop of Canterbury (+ 624); St. Justus, the fourth Archbishop of Canterbury (+ 627); and St. Paulinus, the first Bishop of York (+644). They brought relics, liturgical books, church vessels and vestments from Rome.
St. Augustine founded his Cathedral in Canterbury and dedicated it to Christ the Savior. It was said that an earlier church had existed on the same site, perhaps from Roman times. The present Canterbury Cathedral, the main Cathedral of the Church of England, is the successor of the Cathedral founded by St. Augustine. It is known that the archbishop began building a monastery in honor of Sts. Peter and Paul near the walls of Canterbury, which was completed after his repose. That was the first monastery in England. In Canterbury St. Augustine also built a school where many Christians of that period came to study, and produced many future saints and Church figures. A generation after St. Augustine’s repose this school had already sent missionaries to help enlighten the Kingdom of the East Angles.
St. Peter, mentioned above, became the monastery’s first abbot; but he unfortunately drowned during his journey to Gaul in 607 near Ambleteuse, not far from Boulogne, where his relics are still venerated. Among old Christian churches restored by Augustine in Canterbury let us mention the church of St. Pancras (an early Orthodox boy-martyr in Rome, some of whose relics were later translated to England, where, for example, one of London’s railway stations is called St. Pancras in his honor to this day). Of this once splendid church only ruins survive today.
St. Augustine also founded the diocese of Rochester in the kingdom of Kent. The first bishop of Rochester was St. Justus, who was afterwards raised to the rank of Archbishop of Canterbury. The first Cathedral at Rochester was dedicated to St. Andrew the Apostle. One of his subsequent bishops in the seventh century was St. Ithamar, the first English-born bishop, from whose relics miracles were reported. The present Norman Cathedral in the port town of Rochester on the River Medway’s estuary is dedicated to Christ and the Mother of God. It is possible that under St. Augustine a fine church dedicated to St. Sophia, the Wisdom of God, was established in Reculver in Kent. Ruins of this church can be seen to this day.
By the end of his life St. Augustine had founded another diocese—in London, in the Kingdom of the East Saxons, which was at that time also under the control of Kent as St. Ethelbert was recognized as the supreme ruler of all the English lands situated to the south of the river Humber. In all his labors to spread Christianity and establish the Church throughout Kent, St. Augustine was helped by king Ethelbert. The holy king along with his wife Bertha were highly praised by St. Gregory from Rome, who in one of his letters even compared them to Sts. Constantine and Helen, Equal-to-the-Apostles.
During his ministry in England St. Augustine corresponded regularly with Pope Gregory. Their correspondence, all of which is considered by the majority of researchers to be authentic, survives to this day. Both hierarchs discussed numerous liturgical, pastoral and ritual matters, and methods of missionary work. On the Pope’s advice it was decided to bring the English people to the true faith gradually and not to force anybody to embrace Orthodoxy. All the idols were removed from pagan temples, but the temples themselves were not demolished – they were converted into Christian churches. The missionaries acted little by little.
In order to make the English people give up their old pagan habits, new Christian festivals were established, and the days of their celebration often coincided with the former heathen ones. However, the local customs and traditions which had nothing to do with paganism were not abolished, but were instead preserved and transformed in the light of the Christian life, so that the English people might cultivate their own distinctive Christian culture. The English Church thus was developed after the model of the Roman Orthodox Church but with local customs in mind.
It was recorded that during one of his journeys across the country St. Augustine healed a dumb girl by prayer in Chilham in Kent, and through his prayers, in the settlement of Cerne Abbas in Dorset a stream gushed forth which had healing powers. St. Augustine tried to reconcile the native British people—Britons3 who had a relatively developed Church life—with Angles and Saxons who had come to England from the continent. But despite his efforts, the Britons still regarded Angles as their invaders and enemies—they did not wish to reconcile themselves with them or communicate with them, although the Angles began to come to Christ in numbers. They also refused to recognize St. Augustine as their bishop. It was only closer to the end of the seventh century that the great archpastor, the Greek Archbishop Theodore of Canterbury, succeeded in reconciling and bringing together these two peoples—the British and the English.
Augustine’s mission played a huge role in the conversion of Angles and Saxons to Christianity, though the same can be said of that of St. Aidan, the Celtic monk from Ireland who organized a very successful mission from northeastern England some three decades after St. Augustine. The role of both these saints in introducing and spreading Orthodoxy in seventh-century England cannot be overestimated—they lived in somewhat different yet complementary traditions, in the same pure Orthodox spirit. The existence of these two different types of post-Roman Christianity in England enriched the Church and made it more diverse.
St. Augustine lived in England for only seven or eight years but by the end of his life could see the formation of the early English Church with his own eyes. Shortly before his repose, the Savior Himself appeared in a vision to St. Augustine. The holy archbishop passed away soon after his beloved teacher St. Gregory, either in 604 or 605, and was buried at the monastery he had built in Canterbury. It is known that he performed miracles in his lifetime. In the year 747 the official veneration of St. Augustine was confirmed by an English Church Synod in Clovesho.
Miracles continued especially in 1091 after his relics were translated to the new Norman church of the Canterbury monastery (it was at that time that the learned monk Goscelin wrote his famous Life of St. Augustine in two parts, and an account of the translation of his relics). There they were kept until the Reformation, when most of the relics were destroyed. However, small portions of them survived and later were translated to Chilham church in Kent where, unfortunately, they were destroyed as well. A tiny portion of St. Augustine’s relics is kept at the Orthodox Church of St. John of Shanghai in Colchester (Essex) and another small part of a bone was not ago acquired by St. Augustine’s Roman Catholic Church in Ramsgate (Kent) which also houses a relic of St. Laurence of Canterbury.
Many Catholic and Anglican parish churches are dedicated to St. Augustine of Canterbury in England, though more are dedicated to Blessed Augustine of Hippo. Only two of the eight ancient manuscripts brought to England by the Italian missionaries 1400 years ago still survive. One of them is a fragment of the Rule of St. Benedict from the early seventh century, which is kept at the Bodleian Library in Oxford (Oxford also has a mid-seventh-century Gospel book associated with St. Augustine), and another is the illumined “St. Augustine’s Gospel” from the early seventh century, which well may have belonged to the saint himself (this is kept at the library of the Corpus Christi College, Cambridge). This Gospel is used at the enthronements of the Archbishops of Canterbury to this day (and each time is taken to Canterbury on this occasion).
There are ancient depictions of St. Augustine on a fourteenth-century stained glass window at Christ Church Cathedral in Oxford, at Canterbury Cathedral (c. 1470), on the miniatures of “the Breviaries of the Duke of Bedford” (1424) as well as on fourteenth-century frescoes at St. Gregory’s Church in Rome. For their contribution to spreading Orthodoxy in England and great support of the Augustine’s mission both King Ethelbert and Queen Bertha were venerated as saints after their repose in 616 and c. 603 (or 612) respectively, though no information on the official feast day of St. Bertha survives. Although after St. Augustine’s death a number of pagan reactions occurred in various parts of southern England, his mission revitalized life in the country and began the long process of its re-Christianization. This mission brought spirituality, learning, art, literature, music, and medicine to the English people who had been in isolation and regress for around two centuries before Augustine.
Let us now talk about the holy sites in Canterbury associated with St. Augustine.
The little church of St. Martin of Tours is one of the oldest Christian churches in the world still in use. A part of it dates back to the late Roman period. Though most of it was rebuilt, part of its construction still includes Roman brickwork. A section of a wall on the south side of its sanctuary is purely Roman. The doorway dates to the Saxon era. The church was obviously enlarged with time (because the number of the faithful townsfolk increased) as the original church was tiny even in comparison with the present structure. It was used as St. Bertha’s private chapel—her confessor, St. Liudhard, served here; after the arrival of Augustine it was restored, and the hierarch himself worshipped here before his main cathedral was completed. Both Sts. Ethelbert (who was baptized here) and Bertha are commemorated in this church: St. Ethelbert is depicted in stained glass which shows his baptism, and St. Bertha in a statue on the Roman wall.
The church font’s upper part is mainly from the twelfth century, while its lower part is much older, and it is quite possible that it was used for the king’s baptism. A curious find was made in St. Martin’s churchyard in the 1840s. A Saxon gold coin, or medal, which was probably used as a medallion, was found here in a woman’s grave. The name of St. Liudhard was inscribed on one side of the coin and a patriarchal cross is depicted on the other side. Thus the existence of St. Liudhard was confirmed for those academics who by that time had begun to doubt it. Now the unique relic is housed at the World Museum in the city of Liverpool.
The ruins of Canterbury Abbey, founded by St. Augustine, is another precious gem. They are located not far from the Cathedral and are now attached to Canterbury’s Kings School. Some consider this school to be the heir of the great school opened by Augustine himself. That school grew into one of the most important in the whole country. It was developed especially under St. Theodore of Canterbury and the Holy Abbot Hadrian of Canterbury (he was a Berber from Africa who ruled the monastery for over forty years until his repose in c.710). For a long time this monastery was the burial site of the abbots and Archbishops of Canterbury and Kings of Kent. It had a huge library and a scriptorium for copying manuscripts. The monastery, originally dedicated to Sts. Peter and Paul, was rededicated in the tenth century by St. Dunstan in honor of its founder, St. Augustine.
The medieval monastery was so large that it could be compared with the present huge Canterbury Cathedral. Unfortunately, it was dissolved by Henry VIII in 1538 and gradually ruined—after over 900 years of permanent monastic life, education and learning on this site. Now the ruins are cared for by English Heritage. Large-scale excavation work was carried out here recently and there is a museum/visitors’ center nearby that tells the story of this site—indeed one of the most significant sites in English history. Remains of the Church of Sts. Peter and Paul and that of St. Pancras can be distinguished among the ruins. Big bronze statues of Sts. Ethelbert and Bertha stand by the ruins. This is a very holy place also because more early saints were buried here even than at the Cathedral. Lately English Heritage has put markers (some of them symbolic) on the supposed graves of the early saints on the territory of the abbey. (Who knows, maybe the relics of some still lie in the ground under them).
The names of the saints buried at the St. Augustine’s abbey are: St. Augustine (first Archbishop of Canterbury), St. Laurence (second Archbishop of Canterbury), St. Mellitus (third Archbishop of Canterbury), St. Justus (fourth Archbishop of Canterbury), St. Honorius (fifth Archbishop of Canterbury), St. Deusdedit (Frithona in baptism: the first English-born and sixth Archbishop of Canterbury; + 664), St. Theodore of Tarsus (eighth Archbishop of Canterbury; + 690), St. Berhtwald (ninth Archbishop of Canterbury; + 731), St. Tatwine (tenth Archbishop of Canterbury; + 734), St. Nothelm (eleventh Archbishop of Canterbury; + 739), St. Jambert (fourteenth Archbishop of Canterbury; + 792), St. Hadrian of Canterbury, St. Ethelbert of Kent, St. Bertha of Kent, St. Mildred of Minster on Thanet (d. early eighth century; some of her relics were translated here in the first half of the eleventh century to rescue them from the pagan Danes), St. Mildgyth (St. Mildred’s sister, late seventh century).
The Cathedral of Christ the Savior in Canterbury, the current edifice of which is mainly from the twelfth century and built of Caen stone, is one of the most visited buildings in England, and the historic heart of the English land. The first Cathedral was built by St. Augustine by the year 602. Not long ago part of the Saxon building was discovered under the nave of the present Cathedral. The earliest part of the Cathedral is the crypt—some of it is from the eleventh century. The Cathedral has very many memorials and artefacts, though most of its treasures were barbarously destroyed during the Reformation initiated by Henry VIII nearly 500 years ago. The Cathedral precincts are entered through the impressive Christ Church gates with the splendid figure of Christ above you. The west towers of the Cathedral along with the famous Bell Harry Tower are magnificent. The beautiful huge West Window of the Cathedral is reputedly the oldest surviving stained glass in England (dating to the 1170s).
The twelfth-century murals inside St. Gabriel’s Chapel depict scenes from the life of St. John the Baptist. The high altar at the end of the Cathedral choir is dedicated to St. Thomas Becket who was murdered in 1170 by knights of King Henry II (the latter then tried to atone for his sin, walking to the Cathedral as a simple pilgrim, praying for his forgiveness at Becket’s tomb and even allowing the Canterbury brethren to whip him). On both sides of the high altar are markers showing the sites of the former shrines of Sts. Dunstan and Alphege, great Orthodox Archbishops of Canterbury. Many sites within the Cathedral are still dedicated to the memory of Thomas Becket, who is venerated by the Catholic Church—his shrine at this Cathedral attracted millions of pilgrims in the Middle Ages, as he was the most venerated Catholic saint of England and one of the most venerated post-schism saints in the whole of Western Europe. Though his shrine and major relics were destroyed during the Reformation, a tiny portion of his relics still survives at the Catholic Church of Thomas a Becket in Canterbury to this day.
Among other treasures of the Cathedral are thirteenth-century stained glass windows with images of various saints (for example, a twelfth-century image of St. Paul the Apostle with a snake), depictions from the life of Christ and, notably, the thirteenth-century Purbeck “St. Augustine’s Chair” on which each Archbishop of Canterbury is officially enthroned. There is also a remarkable chapel dedicated to all the modern martyrs of major Christian denominations, called “the Corona Chapel”. Here is the list of the saints buried within Canterbury Cathedral (nobody knows whether the relics of any of them still rest concealed there or not, though the Lord may reveal it one day):
St. Cuthbert (twelfth Archbishop of Canterbury; +760), St. Bregwin (thirteenth Archbishop of Canterbury; +764), St. Ethelhard (fifteenth Archbishop of Canterbury; +805), St. Plegmund (twentieth Archbishop of Canterbury; + c.923), St. Athelm, or Athelhelm (twenty-first Archbishop of Canterbury; + c. 927), St. Odo, or Oda the Good, or Severe (twenty-third Archbishop of Canterbury; + c.958), St. Dunstan (twenty-sixth Archbishop of Canterbury; + 988), St. Aelfric (twenty-ninth Archbishop of Canterbury; not to be confused with the learned abbot, scholar and spiritual writer Aelfric of Eynsham; +1005), St. Alphege the Martyr (thirtieth Archbishop of Canterbury; +1012), St. Aethelnoth the Good (thirty-second Archbishop of Canterbury; +1038), St. Eadsige (thirty-third Archbishop of Canterbury; + c.1050), St. Swithin of Winchester (his head relic rested here; +862), St. Wulganus (an eighth century British missionary who enlightened the Atrebati in Gaul and lived as hermit in Arras; a portion of his relics rested here).
As we can see, twenty-two early (and Orthodox) Archbishops of Canterbury were canonized—and St. Augustine is at the head of them. During the Second World War Canterbury was heavily damaged by Luftwaffe bombs but the cathedral was rescued by the city residents and, of course, through intercession of St. Augustine. As we know, a similar miraculous event happened in Durham in 1943: St. Cuthbert whose relics rest there saved the city of Durham and its cathedral from Luftwaffe bombs by hiding them in thick fog!
“The Way of St. Augustine” is a pilgrimage trail from Ramsgate to Canterbury embracing some 20 miles and covering places associated with St. Augustine. It begins from the Catholic church-shrine of St. Augustine in Ramsgate and passes, among other places, through the village of Cliffsend (according to one version, it was here that the saint first landed in England; the Saxon leaders Hengist and Horsa also landed here in 449 A.D. to settle in England), St. Augustine’s cross, Minster-on-Thanet, and Fordwich near Canterbury (claiming to be the smallest English town; it has the old St. Mary’s church which houses a tomb believed to be the one that once contained St. Augustine’s relics).
The society in which we live, a liberal democracy, is the result not of events that happened all over the world – rather, it is the result of events that happened in just one country, ancient Greece. We are who we are not because of what happened in ancient China, Mesopotamia, ancient Egypt or India (essential as the histories of these places are to our knowledge of the world).
Despite the passage of millennia, we still live in the world invented by the ancient Greeks. And because of the influence and spread of western technology, the entire globe has now been impacted by these Greeks of long ago. There is a reason why we want all people to be free; why we think more democracy is a good thing; why we worry about the environment; why we have immense faith in our ability to come up with solutions no matter how great the problem; why we believe education to be crucial to building a good life; why we seek self-respect. And this reason is simply stated: we have inherited – not created – a particular habit of mind, a way of looking at the world.
We live within a set of values that constantly encourage us to depend on reason, to seek out moderation and distrust excess, to live a disciplined life, to demand responsibility in politics, to strive for clarity of thought and ideas, to respect everyone and everything, including nature and the environment, and most of all to cherish and promote freedom. This is our inheritance from the ancient Greeks. We need to study them in order to learn and relearn about our intellectual, esthetic and moral inheritance – so that we might meaningfully add to them so that they may continue in the vast project of building the goodness of our society. This is why we need to study the Greeks, because through them we come to study ourselves.
And what about the Romans? They were the people that allowed Greek learning to be made available to the world. The ancient Romans adopted the Greek habit of mind and through their empire, which stretched from the borders of Scotland to the borders of Iran, they passed on this inheritance to all the people that lived within these borders. Thus, in studying the Romans, we come to understand how very difficult it has been for ideas, which we may take for granted, to come down to us. Whereas the ancient Greeks created the world we live in, the ancient Romans facilitated it by giving universality to the Greek habit of mind. Thus, to study both these civilizations is to begin to fully understand our own.
Earliest History of Greece
Prehistoric human settlement in the Greek peninsula stretches back to the Paleolithic and Neolithic periods. By the time of the Bronze Age, different types of pottery helps us to demarcate the various phases of material culture. For the sake of convenience, historians have used these various types of pottery to work out a chronology of Greek prehistory. And because Greece is not only the peninsular mainland, but also the various islands in the Mediterranean and Aegean Seas, the pottery is sorted out by different regions.
Thus, the Bronze Age in the mainland is classified as Helladic (from 1550 B.C. to 1000 B.C.). On the island of Crete, the Bronze Age is labeled Minoan (from 3000 B.C. to about 1450 B.C.). And on the various islands of the Aegean, the Bronze Age is referred to as Cycladic, where it begins around 3000 B.C. and lasts until about 2000 B.C., at which time the culture of the Cyclades is absorbed into the greater Minoan civilization.
The earliest expression of Bronze Age civilization in Europe is found on the island of Crete, where a brilliant culture flourished from about 2700 B.C. to around 1450 B.C. It was brought to light in 1900 by the English archaeologist, Sir Arthur Evans, who excavated a large complex at Knossos, which he called a “palace.” But the “palace” he found was different from what we might imagine. It was a warren of maze-like adjoining rooms, where people lived and worked, and where oil, wine and grain were stored in massive clay jars, some as high as six feet. It was because of the labyrinthine nature of the palace’s layout that Evans called the civilization that he discovered, “Minoan,” after the Greek myth of King Minos of Crete, who had built a labyrinth to hide the Minotaur, the half-man, half-bull offspring of his wife, Pasiphae, who had fallen in love, and coupled, with a white bull.
The many wall-paintings from the palace give indication that the cult of the bull was prevalent among the ancient Cretans – the best example being the ritual or sport of “bull-leaping,” in which young men and women grasped the horns of a charging bull and leaped over its back to land behind the animal. It is difficult to say whether this was done as sport, or perhaps even as a religious dance. We cannot know since we have no contemporary written explanation for it.
Evans also found thousands of clay tablets with writing on them. The writing was in two versions of the same script. The first version he labeled Linear A, and the second he called Linear B. The only problem was that he could read neither. It would not be until 1952 when Michael Ventris finally deciphered Linear B and found the many texts in this script to be the earliest form of the Greek language. When the rules of decipherment were applied to Linear A, however, it was found to be a curious language that was not Greek, nor was it a language that could be placed in any known family group. Perhaps as further work is done on Linear A, it might disclose more of its secrets. But for now, the Minoan world is mysterious to us, because all we have are its material remains.
However, the more intriguing question that arises from the evidence we have is – how did the earliest form of the Greek language get mixed with a non-Greek language in the palace at Knossos? This question points us northwards to the mainland of Greece, and to a city known as Mycenae.
The Mycenaean Age
The speakers of the earliest form of Greek were the Mycenaeans, who were given their name from the city they inhabited, namely, Mycenae, where the German archaeologist, Heinrich Schliemann, in 1876, found a well-developed civilization, with a ruling warrior aristocracy who lived in fortified towns built on hilltops. Aside from Mycenae, the towns of Athens (a relatively unimportant place at this early time), Pylos, Tiryns, Iolkos and Orchomenus were also part of Mycenaean culture, which established itself around 1900 B.C. and endured until 1200 B.C.
Schliemann’s excavations revealed a circle of shaft-graves, in which the dead were buried standing up, and in which were found large quantities of weapons as well as gold objects, from funerary masks to goblets and jewelry. He also found evidence for the domesticated horse and the chariot – and, most important of all, there were found clay tablets with Linear B written on them, which would be deciphered as the earliest form of the Greek language. All these discoveries led to an important question – where did the Greeks come from because their language ultimately is not native to the land they came to inhabit.
If we examine the archaeological record of the time just before the Mycenaean age, we find massive destruction that lasted about a hundred years from 2200 B.C. to about 2100 B.C. And the material remains of the people that established themselves after the destruction were markedly different from those that lived in these same areas before. It is to this deep destruction that we can link the “coming of the Greeks,” a phrase much used by the historians of this era.
So, where did the Greeks come from?
The clues before us are two-fold: material and intellectual culture. The excavations at Mycenae yield several essential clues: chariot parts, horse tack, skeletal remains of horses, weapons and pottery; plus, there is also the fact that these people were speakers of early Greek, as demonstrated by the Linear B texts.
These clues points to one conclusion. The Mycenaeans came as invaders, likely from the north, and they destroyed what they found and took control and began to build their own fortified towns. And we know that they are invaders because of their language, which is a member of the Indo-European group of languages – and this tells us that these early Greeks came from elsewhere, since the origin of the Indo-European languages is in a place quite a bit distant from Greece. In the latter years of the third millennium, there were Indo-European invasions throughout Eurasia.
The origin of the Indo-Europeans is likely in the Pontic-Caspian steppe, what historians call the “Kurgan culture.” “Kurgan” refers to the grave mounds under which these early Indo-Europeans buried their dead. From this point of origin, the Indo-Europeans overran large parts of Europe and some parts of Asia. The languages they spoke were closely related and to this day comprise the largest family group in the world.
Thus, the indo-European languages consist of the ancient languages (and their descendents) of northern India (Vedic and Sanskrit) and Persia (Avestan and modern Persian), the Slavic languages, the Baltic languages (Lithuanian and Latvian), the Celtic and the Italic (Latin and its descendents, such as, French and Italian), the Germanic languages (such as, German and English), and of course Greek.
This affinity between languages extends further into intellectual culture, since there is a pronounced similarity, for example, between the myths of the various Indo-European peoples. The branch of Indo-Europeans that veered into Greece called themselves Achaeans, who spoke a very early form of Greek.
The Achaeans subdued the various non-Indo-European peoples that were living in Greece and set up suzerainty over them. The outcome of this process was what we call the Mycenaean civilization, which Schliemann excavated, as noted earlier. The Mycenaeans were known for their warrior culture, in which the chariot and the horse were much valued. By 1600 B.C. they had established a thriving culture, attested by the rich finds in the shaft-graves of Mycenae.
Around 1450 B.C. these Mycenaeans struck southward and conquered Crete and destroyed the Minoan civilization. But they were not above learning civilized ways from the people they had conquered – for it was soon after they had conquered Crete that the Mycenaeans adopted the art of writing invented by the Minoans, but they had adapt it to their own language, since the alphabet was not really useful for an Indo-European language which had many consonantal clusters, whereas the alphabet of the Minoans (Linear A) was syllablic (each letter represented a consonant and a vowel together).
It is for this reason that Sir Arthur Evans found texts written in both Linear A and Linear B at Knossos, since the Mycenaeans assumed control of this palace structure after their take-over of Crete; and in time they came to use the Linear alphabet.
The Bronze Age Collapse
The rule of the Mycenaeans in Greece and in Crete was fated. It was destroyed during a catastrophic period in Eurasian history known as “the Bronze Age Collapse,” during which a total of forty-seven important cities were attacked, their inhabitants either killed or enslaved, and the places burned to the ground. The swath of burned down cities is large and covers Syria, the Levant, Anatolia, Cyprus, Crete and Greece. From 1200 B.C. to about 1150 B.C., there were destructive raids by newer groups of Indo-European peoples, who had developed an innovative method of warfare, which gave them a greater advantage over the armies that these doomed cities could muster.
We have to keep in mind that the first Indo-European invasions, which saw the establishment of the Mycenaeans in Greece and Crete, were the result of the chariot and the composite bow.
The invasions which put an end to the Bronze Age were also successful because of a new type of warfare – the use of infantry armed with a long lance and a broad sword. The metal for these weapons was iron. Bronze weapons were no match for these iron lances and swords, and the chariots became useless, too, since the foot-soldiers could easily disable a charioteer with their long lances by spearing the warriors that rode inside. The Bronze Age was violently brought to an end by iron weapons.
Thus, the Iron Age begins with an enormous catastrophe – a total collapse of civilization. Once the large cities and palaces were destroyed, they were replaced by small communities of a few individuals; and these were often located not in the plains, but high in the uplands.
The Iron Age is also known as the Ancient Dark Age, because civilization, or city life, disappeared. The group of Indo-Europeans, who invaded Greece in the twelfth century B.C. and put an end to the Mycenaeans, are known as the Dorians; their name likely derives from the early Greek word, doru, which was the long wooden lance that they carried. It is from the various dialects of these new invaders that the Greek language developed.
The Ancient Dark Age
The invading people destroyed civilization and did not value living in palaces or large cities. Instead, they chose to live in smaller communities that had fewer luxuries and fineries which we usually associate with civilization. There is also evidence of depopulation since the settlements that replace the burned cities and palaces tend to be small and few. Pottery is no longer finely and elaborately decorated but has simple geometric patterns. The Dark Age lasted from 1200 B.C. to 800 B.C. and can be summarized as a period of petty tribalism.
However, we know a lot about this period because of two significant literary works that describe the people involved in these invasions. They are the two poems by the legendary poet Homer, namely, The Iliad and The Odyssey. In fact, the story of the siege of Troy may be a memory of the Bronze Collapse.
It is with Homer that we enter into recorded Greek history, known as the Archaic period.
The Archaic Period
From 800 B.C. to 480 B.C., Greece underwent revolutionary changes and began to emerge from its tribal era. This period saw the growth of cities once more, which was fueled by an increase in population and the expansion of commercial trade. The idea of people being ruled by kings vanished and was replaced by a new form of government, the city-state, in which people sought not to be warrior-heroes, but good citizens. As a result, there was a focus on refining city life, which led to great achievements in architecture, sculpture, art, commercial relations and trade, politics, and intellectual and cultural life.
Because of a greater population, colonies were established outside of Greece: in Sicily, southern Italy, eastern parts of Spain, along the southern coastline of France, at Cyrenaica in North Africa, in the Hellespont, and along the Black Sea. All this was possible because of the growth of technological knowledge, especially in the areas of shipbuilding and seafaring, as well as developments of a new form of government, the polis, or the city-state, which came about as a result of synoecism, or the gathering of various villages into single political entities or units.
It was because of advances in the archaic period that Greek city-states prepared themselves for the maturity and perfection that they would achieve in the fifth century B.C. And the most important of these cities was Athens, whose citizens radically and permanently changed the world around them – so much so that the ideas implemented by these men and the structures established by them are the very ones in which we still live. Civilization would never really look back, because of what was achieved in Athens in the fifth century B.C.
C.B. Forde lives, thinks, dreams in a rural setting.
The featured image shows, “Dance in ancient Greece,” by Johan Raphael Smith ca. 19th century.
Here is an excerpt from Richard Pope’s intriguing new book about man’s long fascination with birds and flight. It’s called, Flight from Grace, and the little sample that follows wonderfully demonstrates the genius of early man. The book takes wing immediately with little-known facts, supplemented by astonishing images of artifacts that stand testament to the human spirit.
Portable art, which includes carvings, figurines, and engravings on ivory, stone, bone, and antler, is found often, but not exclusively, in caves. Bird representations are not uncommon in this art, particularly in the Magdalenian period (15,000–10,000 BCE). In French Palaeolithic art alone, out of 121 possible bird representations, Dominique Buisson and Geneviève Pinçon accept 81 as certain. Of these 81 sure bird representations, 15 (19 per cent) are on cave walls and 67 (81 per cent) are portable. Birds are much more common in portable art everywhere during the Palaeolithic. It is also striking that of the 81 sure French birds, almost half of which are not identifiable to species (47.6 per cent), 37 per cent represent either web-footed birds like ducks, geese, and swans or crane-like waders, and 10 per cent are raptors. The popularity of these waterbirds and raptors is also attested throughout Palaeolithic bird art in general. R. Dale Guthrie is right to point out that not all of these representations are masterpieces. Often carved in difficult materials, they range from the relatively crude to the superb. The artistic quality of these birds would not, however, have affected their function as amulets, pendants, charms, and ex-votos.
At the mention of mammoth-ivory sculpture of the Palaeolithic, one’s first thought is of the numerous figurines of plump females – the so-called Palaeolithic Venuses – found from Spain right across to Lake Baikal in eastern Siberia. What is interesting for us, however, is the common association of these Venuses with carvings of birds. Although these early Venuses are never bird-headed, as they often are in the Neolithic, these cult objects are often found in association with bird figurines and pendants. The Palaeolithic Venuses are thought by many to be figures with cult significance, and I believe that the bird figurines generally reflect the same cult status and represent various early forms of bird worship.
Perhaps our oldest known bird sculpture, dating from at least 28,000 BCE, is a mammoth-ivory carving found in the Hohle Fels Cave in the Swabian Jura mountain range in Germany – a charming representation of a flying waterbird, thought by some (not birders, I suspect) to be a cormorant but almost certainly some kind of duck. You can even see the feathers carved on the bird’s side. The only representation of a bird that is older is the Chauvet engraved owl and perhaps a partridge/quail engraving on a flint flake, discussed below.
Before considering this bird’s significance, it is interesting to note what else was found in the Hohle Fels Cave in the period dating from before or around 30,000 BCE. There is an ivory Löwenmensch similar to, although less exquisite and smaller than, the famous one found in the Stadel Cave, which is known to date from about 38,000 BCE. Significantly, these Löwenmensch figurines are not carvings of humans wearing lion masks but of human figures with lion heads. They are monstrous hybrids that could exist only in the human imagination but must have been part of the local belief structure, as we can deduce from the fact that we have two such figurines from two different caves in the Swabian Jura, where one of the earliest settlements of human beings in Europe took place. Our oldest Palaeolithic Venus, possibly a pendant, was unearthed here in 2008 and found to be at least 37,000 years old; fragments of a second one were discovered in 2015. Although it seems slightly younger, dating from about 26,000 BCE, we also have a carved stone phallus measuring nearly 8 inches (20 centimetres), almost certainly associated with some kind of ritual or ceremony concerning procreation and fertility, as are the Palaeolithic Venuses. A stunning find was a fivehole flute made from the wing bone of a griffon vulture dating from about 33,000 BCE – an object suggestive of the dance floor, which is so closely connected to the origins of the sacred. Lastly, dating from about 28,000 BCE, there is a carving of the head of a horse, notably not a major food item for these humans, that is reminiscent of the horses in cave wall art. Clearly, this cave was some kind of sanctuary where religious beliefs were manifested. So, although we can never know the meaning of any Palaeolithic work of art for certain, the fact that the bird carving was found in the same cave as carvings of naked women, a Löwenmensch, a phallus, a horse, and a flute suggests that something more than art classes was taking place in this early cave and that our bird very likely had some kind of cult importance in the belief structure of these early humans.
We also have a number of exquisite flying-bird pendants (and three that are not flying) from the incredible Mal’ta site in Siberia northwest of Lake Baikal, excavated by the Russian archaeologist Mikhail Mikhaylovich Gerasimov. Most of them were found in connection with hearths, and cult status is nearly certain. Several of them were found in the famous grave of a four-year-old child, the same child who clinched the genetic link between the Mal’ta-Buret’ people and North American Indigenous peoples. These mammoth-ivory flying-bird pendants were originally thought to date from 23,000–19,000 BCE, although more recent radiocarbon dating has suggested a somewhat later Magdalenian date around 15,000 BCE.
Most of the Mal’ta bird figurines represent flying waterfowl, probably swans judging by the long necks. Thirteen of them are very similar in shape and are both phallic and snakelike in form, suggesting connections between the bird deity and two other potent symbols of the sacred.
In western Europe, echoing Mal’ta, we again find representations of waterfowl: a carving of waterfowl with young at the Mas d’Azil Cave, a swan engraved on stone at the Gourdan Cave and one at the Teyjat Cave, a duck/goose engraved on horn at Gourdan and one at the Caves of Nerja, and a duck engraved on stone at the Cave of Espélugues in Lourdes. Michèle Crémades and colleagues illustrate several ducks from the Parapalló and Escabasses Caves and geese from the Labastide and Gourdan Caves.
Waterbirds, such as grebes, loons, ducks, geese, and swans, were sacred to subsistence-hunting peoples in the Palaeolithic and still revered in the Neolithic and historic periods. Diving birds, like the zhingibis (grebe and the maang (loon), still play an important role to this day in Ojibwe trickster stories and creation legends, as well as in the Ojibwe clan system, where we find Crane, Loon, Black Duck, and Goose among the totems. You might well ask, why diving birds? But think about it: grebes, loons, and diving ducks are perhaps the only creatures that are at home in the murky depths of lakes and rivers, nest on dry land, and are at home in the sky, being strong migratory fliers. The ability to survive in all three elements makes them obvious candidates for magical status.
Equally important, ducks, geese, swans, and cranes are markers of the retreat and reappearance of winter; they are among the last to leave in autumn and the first to arrive in spring. Migration must have been very mysterious and seemed magical, like eclipses and solstices; birds, the sun, and the seasons disappear and then, hopefully, reappear – a source of major anxiety. Wherever did these mysterious beings go? What if they did not reappear? Hence the reverence for waterbirds, the sun, and the spring, along with the need to devise rituals in order to ensure their return. And last but not least, ducks, geese, and swans were a crucial food source for the people who hunted them, collected their eggs, and reaped them in great numbers during the flightless period of the moult. It is natural to revere fellow creatures that you rely on for food. These are birds you would not want to offend lest they abandon you. Perhaps indicative of their power is the touching, late-Neolithic burial at Vedbaek in Denmark of a tiny baby boy next to its young mother, the baby cradled in a whooper swan’s wing. The swan may have been meant to escort the child to the other world.
It is interesting to note that this waterfowl cult persisted in various societies throughout the Neolithic until modern times. In Russia and Siberia, Margarita Aleksandrovna Kiriyak tells us, “[b]irds are a widespread subject of rock drawings in the Neolithic art of north Eurasian tribes. Both waterfowl and birds of prey are encountered among the images.” There are also many carvings. She provides us with a photograph of a beautifully carved, upright goose made of smoky obsidian that is sitting with its neck stretched up, found at the Neolithic Tytyl’ IV site in western Chukhotka. Joseph Campbell points out that “early Russian missionaries and voyagers in Siberia … found among the tribes numerous images of geese with extended wings.” Steven Mithin reminds us that, “[a]mong the nineteenth-century Saami people of northern Europe, swans and waterfowl were the messengers of the gods.” The Canadian High Arctic was peopled by immigrants from Siberia, so we are not surprised to find Palaeo-Eskimo carvings of birds, such as waterbirds, cranes, and falcons, like the carvings of the Dorset (Tuniit) culture (500 BCE–ca. 1200 CE), which long preceded the later Inuit culture. Coastal-dwelling peoples who made their living from the sea revered the seabirds, which were so crucial to their existence. Newfoundland’s Beothuks, for example, appear to have had such “birds at the centre of their belief system.” Beothuks were buried in seaside graves with the feet of actual birds – guillemots – attached to their leggings and with various carved and engraved ivory and bone pendants, of which over 400 have been found, all plausibly identified as representing seabirds’ feet, seabirds’ primary wing feathers, or the tails of Arctic terns in flight. Since one equips the dead with precisely those items needed for the journey to the afterlife, which in this case entailed flight over water to an island paradise, these birds were doubtless crucial helpers serving in their classic role as psychopomps.
In his Folklore of Birds (1958), Edward Armstrong devotes three whole chapters to the ubiquitous cult of waterfowl – geese, swans, and loons in particular – that survives in later, worldwide folklore. This was a tenacious tradition!
Among the long-legged waders, cranes are well attested in Palaeolithic art. Jean-Jacques Cleyet-Merle and Stéphane Madelaine, after careful study of a Magdalenian engraving on a perforated stick of reindeer antler from Laugerie-Basse in the Dordogne region, convincingly established that the engraved wader was a common crane by cleverly fitting two separate pieces back together. They say that there is a striking similarity between this bird and the two engraved on the piece of schist found in the Labastide Cave, which they take to be cranes as well. Crémades and colleagues illustrate a crane-like wader found in the Gargas Cave in the Pyrenees and add three recently discovered engraved cranes, one on a spear point, from Magdalenian sites in the Pyrenees. In the Belvis Cave, there is an engraving on bone of a very odd, horizontal wading bird – longnecked like a crane or heron. In the Morín Cave, there is an engraving on a rib fragment of what appear to be five overlapping bird heads; although Don Hitchcock thinks that they are ducks or swans, I think that they look more like large, long-billed waders – cranes or herons. In any case, this edible, upright, dancing bird, which marked off the seasons by its migration, was obviously very special for early modern humans. It is not surprising, then, that among the special dances performed in ancient Greek sanctuaries was the Crane Dance, performed “with tortuous, labyrinthian movements.”
After the owls in the Chauvet and Trois Fréres Caves, it will come as no surprise that owls figure in Palaeolithic portable art as well. We have at least four very old owl representations dating from about 25,000 BCE at the sites of Dolní Věstonice and Pavlov in Moravia in the Czech Republic. Two are owl pendants, which were probably worn either for clan reasons or as amulets offering protection by a deity, just as one might wear a Saint Christopher medal or a cross around one’s neck today or hang a Magnetic Mary in the car. The other two are baked-clay figurines of owls, neither of which are earless, making them perhaps Eurasian eagle-owls. There is also an Upper Palaeolithic owl carved from an animal tooth that was found in the Mas d’Azil Cave, which is quite similar to the Dolní Věstonice figurines. Lastly, we have a handle of some sort with a carved face of an owl found at the Russian site of Avdeevo dating from about 19,000–18,000 BCE.
Waterbirds and owls do not exhaust our list of birds in Palaeolithic portable art. In Mezin, a Magdalenian settlement near Kiev, six little mammoth-ivory figurines of birds were found dating from about 15,000– 13,000 BCE. They are beautifully and delicately carved with fat bodies and flat tails and incised with delicate patterns of lines presenting our earliest known example of the meander pattern. Some are flying birds and some are not, and none of them seem to be waterfowl. They appear to represent plump, edible birds, and judging by their fat bodies and longish, flat tails, my best guess is that they represent some kind of a grouse, partridge, or ptarmigan. They are linked to the goddess motif by the etched pubic triangles – vulva symbols – on their backs.
Ptarmigan will continue to be an important theme in art when we move into the Neolithic. In far northeastern Russia in Chukhotka, among the many small stone bird carvings, we find a number of ptarmigan.
It is noteworthy that grouse and ptarmigan were also revered in western Europe. There is a detailed carving of a grouse, with the head missing, on the end of an atlatl, or spear-thrower, made of antler that was found in Mas d’Azil. The Gönnersdorf Cave, an Upper Palaeolithic site on the Middle Rhine with over 150 engravings of animals on slate, also has a few lifelike bird engravings from around 15,000 BCE, one of which is a ptarmigan. A bird that Armstrong, probably rightly, takes to be a ptarmigan engraved on a reindeer antler was found in the Isturitz Cave. There is an engraving on a limestone pebble from Laugerie-Basse that is either a corvid – scavenging bird – or a capercaillie.
There is a bird engraved using the sunken relief method on a flint flake found at the open-air site Cantalouette II in the Dordogne region. It is interesting because of the sunken relief technique and its Aurignacian origins (33,000–29,000 BCE). It is one of our oldest pieces of Palaeolithic bird art – along with the Hohle Fels waterbird and the Chauvet owl – and it may be a grey partridge or a common quail.
The grouse/ptarmigan can hardly have been a fortuitous choice for carvers; to assume that it is just a pretty design is an anachronistic assumption. Upper Palaeolithic and Neolithic artists did not work that way; this crucial winter food source was probably chosen for clan and totem reasons or because the carvings were seen as fetishes and carried with one to please and appease the grouse spirit. These carvings were not baubles.
There seem to be few Palaeolithic representations of birds other than waterbirds, birds of prey, namely owls, and birds of the grouse type in our early portable art. There is a bird pendant carved from a cave bear’s canine tooth that was found in the Solutrean layer (20,000–15,000 BCE) of the Buxu Cave in Spain. It is thought to be some kind of crake or other member of the Rallidae family, although that is doubtful. There are a few bustards, like the two from the Gourdan Cave, one from Laugerie-Basse, and one from Abri de la Madeleine, although they can be hard to tell from geese. There is a bird, together with a bison, engraved on sandstone in the Cave of Puy-de-Lacan, and it is usually thought to be a long-legged duck or goose, although it is much more likely a bustard. Apart from these edible birds, there are hardly any others.
The great tradition of Palaeolithic art came to an end around 9500 BCE after at least 25,000 years, “perhaps the greatest art tradition humankind has ever known.” The uniformity of subjects and techniques over so long a period is astounding.
What we see in these bird drawings, figurines, pendants, and engravings is a 20,000-year continuum of representations of various birds that demonstrates the persistence of the bird as cult object and sacred amulet throughout the Palaeolithic. It is not accidental that birds, snakes, Venuses, and penises turn up so regularly in this animistic culture, where humans need all the help that they can get to survive. It will not be surprising if earlier finds from the Middle Palaeolithic (298,000–48,000 BCE) turn up, and if they do, we can bet that among them there will be birds.
As we prepare with regret to leave the Palaeolithic and enter the Pre-Pottery Neolithic (10,000–6500 BCE), what can we conclude about the role of birds in human eyes up to this time? Any thought that birds were just pretty or edible creatures that could serve as the subjects of objets d’art must be banished. As Armstrong puts it, “to man in the Old Stone Age [or Palaeolithic] birds were not merely acceptable as food but symbolized mysterious powers which pervaded the wilderness in which he hungered, hunted and wove strange dreams.” Birds, in various forms, from diving birds to owls and grouse, were sacred and thought to have spirits whose help was sought for coping with life and death. Birds were carved from mammoth ivory, bone, antler, and stone, depicted on atlatls, worn on the body as pendants, buried in the grave with children, carried as fetishes, or simply kept as cult representations deep in caves, where they were painted or etched on the walls of inner sanctum rooms in positions of honour that reflected the degree of sacredness imputed to these feathered deities. From our earliest Upper Palaeolithic finds at Hohle Fels and Chauvet to our youngest ones at Lascaux and Mas d’Azil, the importance of birds for humans remains paramount.
The featured image shows, “Margaret (‘Peg’) Woffington (the actress),” by Jean-Baptiste van Loo, painted ca. 1738.
The Sana’a manuscripts were discovered in the Grand Mosque of the city of Sana’s, Yemen, in 1972, by construction workers, who gathered up all the old, rotting pages, stuffed them into potato bags, and left them beneath some stairs. Nothing was done until 1981, when Professor Gerd R. Puin, the leading scholar of Arabic orthography and Koranic paleography, undertook a systematic study. In this interview, Professor Puin speaks of the discovery and his study.
He is interviewed here by Professor Dr. Robert M. Kerr, the current head of Inarah, the foremost institute for the study of early Islam. Inarah publishes a yearly collection of work, of which the most recent edition is now available. Dr. Kerr’s work has appeared frequently in the pages of the Postil, including his recent article on the true meaning of “Mecca.”
This is a truly a fascinating interview…
Unfortunately for English readers, the majority of the important work being done on early Islam is in German and French. Perhaps, in the future, this will be rectified by way of good translations of this important work, which has entirely rewritten the history of the beginnings of Islam.
The featured image shows a leaf from the collection of fragments housed at Stanford University. This is “Sana’a1 Stanford ’07,” recto, which dates to before 671 AD.
The Islamic claim to historicity is well known, but its true history is hidden in countless individual details, each of which requires individual investigation, as has been shown by Inârah’s researches. For Islam, the so-called “five pillars” (arkān al-Islām or arkān ad-dīn “the pillars of faith”) constitute the actual fundamental rituals of Islam, which are considered obligatory by the faithful and form the basis of Muslim life (cf. the so-called Gabriel Hadith). These are:
The Shahāda, the creed of Islam (“There is no god but God; Muhammad is the messenger of God”);
Ṣalāt, daily ritual prayer towards Mecca (location of the Kaʿba), the qibla, which is to be performed at fixed times (awqāt) five times a day and which is also the supreme duty of all Muslims;
The Zakāt, the obligatory giving of a certain portion of one’s possessions to the needy and other specified groups of people;
The Ṣaum, the fast between dawn and sunset during the month of Ramaḍān;
The Hajj, the Islamic pilgrimage to Mecca during the month of dhu l-ḥiǧǧah.
Something about the history of Islam’s development is made clear by the observation that none of these rites can basically be considered exclusively Islamic, which is confirmed by the fact that all these terms are borrowed from Aramaic (which in turn took the last four from Hebrew).
Thus, we have made a small step forward in deciphering the Islam’s path of development, namely the significant role of Aramaic (Syriac)-speaking Eastern Christianity, of which some groups, among other things, rejected the divinity of Christ, and which must be regarded as the actual substrate of Islam.
But here we are largely in the Late Antique Near East, east of the Euphrates, i.e., in Mesopotamia, far away from Mecca in the endless desert of the Ḥijāz, where according to later Islamic tradition the birthplace of a “Muḥammad,” and thus of Islam, is said to be located. After all, the second and fifth pillars of Islam listed above seemingly refer to this city. In the Qur’an itself, however, the word Mecca (Makka) is explicitly mentioned only once, in Sura 48:24: “And He it is Who hath withheld men’s hands from you, and hath withheld your hands from them, in the valley of Mecca, after He had made you victors over them. Allah is Seer of what ye do.”
It is often asserted, usually accompanied by claims to otherwise unknown phonetic changes, that the mention of Bakka in 3:96 also refers to this city: “Indeed, the first House (inna awwala baytin) established for mankind is surely the one at Bakka, blessed, and a guidance for (all creatures in).”
And according to most commentators, 14:37 is supposed to describe this location in more detail: “Our Lord! Lo! I have settled some of my posterity in an uncultivable valley near unto Thy holy House (ʿinda baytika l-muḥarami), our Lord! that they may establish proper worship; so incline some hearts of men that they may yearn toward them, and provide Thou them with fruits in order that they may be thankful.”
The precise relationship of Mecca to Bakka remains unclear, and linking them together requires a leap of faith, especially since Mecca itself is only attested very late and then only in Islamic sources which are otherwise uncorrelated. The Qur’an only speaks of an unspecified valley.
Bakka, on the other hand, according to the Qur’an, is home to “the first house,” which in our opinion was not founded for the people, but by the people (lilnnāsi – li– then here as the so-called Lamed auctoris). If “the first house” means (the) temple, i.e., the supposed earthly dwelling place of God, which would then also be the “holy house,” it is conceivable that 14:37 actually refers to this, which could mean a valley known as Bakka.
Islamic orthopraxy, being itself relatively late, offers no support in this regard. Islamic tradition itself notes that the original direction of prayer was not towards Mecca, but northwards or towards Syria (aš-šam); Muhammad is said to have changed this only in Madīna, after the Jews there refused to convert. But in the Islamic sources, the creation of legends is widespread and, as usual, quite contradictory with many subsequent attempts at harmonisation.
Thus, Mecca as the (original) point of reference for Islamic prayer is clearly an invention of later tradition – it should be mentioned in passing here that qibla in the sense of “direction of prayer,” in the Qur’an only 2,142- 145, can probably be interpreted more meaningfully as Kabbalah in the older Jewish sense of this term, namely as “(previously) revealed scriptures” (esp. the Hebrew Bible, excluding the Torah).
As for the pilgrimage (to Mecca; cf. the Hebrew term ḥag, which is used in the biblical context for the three Jewish pilgrimage festivals of Passover, Shavuot and Sukkot and from which Hajj ultimately derives), this is attested in the verse subsequent to the mention of Bakka, i.e. 3:97: “… And pilgrimage to the House (ḥiǧǧu l-bayti), is a duty unto Allah for mankind, for him who can find a way thither…”
The Islamic pilgrimage to Mecca consists of various elements: on 8 Dhu l-Ḥiǧǧah in Mecca after entering the consecrated state of Ihram, the first Ṭawāf (the sevenfold circumambulation of the Kaʿba) is performed; this is followed by the Sa’i, the run between the hills Safa and Marwa (aṣ-Ṣafā wal-Marwa); after this pilgrims drink from the Zamzam well, after which they go to the plains of Mount ʿArafāt to keep watch; then they spend a night on the plains of Muzdalifa, and a symbolic stoning of the devil is performed by lapidating three pillars. Afterwards, the pilgrims shave their heads, perform a sacrificial ritual and celebrate the three-day festival ʿīdu l- aḍḥā.
Julius Wellhausen postulated that the original Hajj was a ritual that only included the stations in the ʿArafāt plain, in Muzdalifa and in Mina, but had nothing to do with the Meccan sanctuary of the Kaʿba (Reste arabischen Heidentums, Berlin, 1897, 79-84). We will then leave the former out of consideration here; in the Qur’an, the Kaʿba (Arab. “Parthenon;” that is a shrine originally dedicated to the virgin mother of Dushara/Dionysus/ Bacchus) is mentioned only twice, 5:95 and 97 (“Allah has made the Kaʿba, the inviolable House, a place of prayer for mankind (l-kaʿbata l-bayta l-ḥarāma qiyāman lilnnāsi“), as well as the sacred month and the sacrificial animals and the animals with the neck ornaments.
This is so that you may know that Allah knows what is in the heavens and what is on earth, and that Allah knows all things”), whereby the reference to a specific place is not given. According to today’s understanding of the Meccan part of the rite, only Safa and Marwa (aṣ-ṣafā wal-marwa) can be located near Mecca, the course between these two hills being given by 2:158: “Lo! (the mountains) As-Safa and Al-Marwah are among the indications of Allah. It is therefore no sin for him who is on pilgrimage to the House (of Allah) or visiteth it, to go around them (as the pagan custom is). And he who doeth good of his own accord, (for him) lo! Allah is Responsive, Aware.” Again, there is no direct reference to Mecca here.
The conclusion so far, briefly summarised:
Mecca is mentioned once in the Qur’an (48:24), but not in relation to the Hajj. Another verse (3:96) mentions a “first house” located at Bakka, which is possibly also mentioned in 14:37 (does the one and only Allah inhabit more than one house?). A pilgrimage to the “house” is suggested in 3:97.
The run between Safa and Marwa (aṣ-ṣafā wal-marwa), which forms part of the Islamic Hajj, is conditionally prescribed in 2:158. From this patchwork of Qur’anic verses, the Islamic pilgrimage in and around Mecca emerged at some point, when cannot be ascertained hitherto. In the Semitic languages, the noun bayt “house” can also be used in the sense of a temple dedicated to a deity, often in a genitive compound (“in the house of the Lord,” bə-ḇêṯ-Yahweh, e.g. Psalm 134:1).
In biblical tradition, this term in the cultic sense actually always refers to the Jerusalem Temple; its use for an unknown, historically at best insignificant sanctuary far away in the Ḥijāz seems strange.
With regard to Jerusalem, however, in the Jewish Antiquities Flavius Josephus’ account of Alexander the Great at Jerusalem, where he is said to have sacrificed to Yahweh in the Temple according to the instructions of the High Priest (here, since our interest remains purely geographical, the historicity of the event is insignificant), we read XI.329 (ed. Whiston): “And when he understood that he was not far from the city, he went out in procession, with the priests and the multitude of the citizens. The procession was venerable, and the manner of it different from that of other nations. It reached to a place called Sapha, which name, translated into Greek, signifies a ‘prospect’ (σκοπόν), for you have thence a prospect both of Jerusalem and of the temple (τά τε γὰρ Ἱεροσόλυμα καὶ τὸν ναὸν συνέβαινεν ἐκεῖθεν ἀφορᾶσθαι).”
This place is none other than Mount Scopus in Jerusalem (today the main site of the Hebrew University), one of the highest places in that city (cf. one of the Arabic names: ğabal al-mašārif). The Hebrew name har haṣ-ṣōfīm “Watchman’s Mountain” confirms Josephus’ indication. In postbiblical Hebrew, a ṣōf is a pilgrim who has seen Jerusalem, cf. another Arabic name ğabal almašhad “Witness Mountain” (cf. above on the ‘first pillar’). This mountain in Arabic rendering is then none other than aṣ-ṣafā.
In the biblical tradition (cf. 2 Chronicles 3:1; the Targum to Song of Songs 4:6 etc.) the Temple Mount (har hab-báyiṯ is Mount Moriah (har ham-moriyyāh; where according to Genesis 22:2 the sacrifice of Isaac almost took place), i.e. in Arabic, Marwa. On the basis of these explanations, we have in Jerusalem the “house” (scil. of God – báy(i)t), undoubtedly in the monotheistic understanding “blessed and a guidance for the worlds” (Q3,96), on the Temple Mount, that is Moriah/Marwa as well as the second mountain Scopus/har haṣ-ṣōfīm/aṣṣafā. All that remains is Bakka (3:96) and a “barren valley” (or wadi 14:37) near to the “house of God” (bi-wādin ġayri ḏī zarʿin ʿinda baytika l-muḥarrami).
A valley named Bakka, however, is mentioned in the Bible, Psalm 84:7: “ 5 Blessed are those who dwell in your house (bêṯäḵā); in whose heart are the ways of them. 6 Who passing through the valley of Baca (bə-ʿämäq hab-bākkā – lit. “Valley of Weeping”) make it a well; the rain also filleth the pools. 7 They go from strength to strength, every one of them in Zion appeareth before God. 8 O Lord God of hosts, hear my prayer: give ear, O God of Jacob. Selah. 9 Behold, O God our shield, and look upon the face of thine anointed.”
To all appearances, in this conception rendered here by the Psalmist, the valley of ‘weeping’ or Bakka (from the root bkw, also the origin of Bacchus, see above) is not far from Jerusalem. In the Targum of this psalm verse, the valley of tears/ʿämäq hab-bākkā is rendered “valley of Gehenna”, also the Talmudic understanding, because those damned to hell are said to wail and shed copious tears due to their infernal fate (Eruvin 19a). The Gehenna Valley, where child burnt offerings were once made to Yahweh (Joshua 15:8; 18:16; Jeremiah 19:2) was close to Jerusalem.
The historical site of the pre-exilic Moloch sacrifices (apparently the present-day wādī ar-rababi) was not, however, the same as that of Late Antique biblical exegesis, which called it the Kidron Valley (Hebrew naḥal qiḏron “the valley of darkness;” its upper course, significantly, in Arabic is wādī annār “the valley of fire”) or the Jehoshaphat Valley, according to Joel 3:1-3/4:1-3: “For behold, in those days and in that time, when I shall bring again the captivity of Judah and Jerusalem, I will also gather all nations, and will bring them down into the valley of Jehoshaphat, and will plead with them there for my people, and for mine heritage Israel: whom they have scattered among the nations, and parted my land. And they have cast lots for my people, and have given the child for the harlot, and sold the girl for wine, that they might drink.”
This infernal valley is by definition barren and, moreover, adjacent to the Temple Mount (ʿinda baytika l- muḥarami), vividly illustrating the contrast between ‘high’ and ‘low’, ‘light’ and ‘bright’, ‘redeemed’ and ‘damned’. This Judeo-Christian exegetical tradition is carried on without exception by the Islamic tradition, the valley is here called wādī al-ğahannam “Hell Valley,” suspended over which at the end of times during the Last Judgement, will be aṣ-ṣirāṭ (“way, path, road,” here rather “bridge”) connecting the Temple Mount and the Mount of Olives, which in Islamic eschatology must be crossed by the deceased to reach Paradise.
This eschatological gangplank is said to be as thin as a hair, and underneath it is the abyss to hell: those who have no trust in God will falter and waver and thereupon fall thither, those however who trust God and are forgiven their transgressions shall cross unhindered. Wellhausen’s insightful suggestion to separate the Meccan parts of the Hajj rite from those taking place extra muros is thus seemingly accurate – the proto-Islamic pilgrimage clearly went to Jerusalem, which is actually hardly surprising. Here are located the “House (of God),” the barren valley of Bakka, as well as aṣ-ṣafā and al-marwa.
Not only is their geographical location in (post)biblical tradition assured, they also fulfil a significant function in sacramental economy that is entirely absent in Mecca. In later Islamic tradition, some Umayyad caliphs were accused of having diverted the Hajj from Mecca to Jerusalem – in the 7th century, however, one cannot yet speak of “Islam” in the proper sense – here we are probably dealing with a later memory of a past time in which pilgrimages were still made to Jerusalem, which was then considered heretical after the complete transfer of the sacred geography of the rite to Mecca.
What we have then is a memory of a time in which the Hajj was to Jerusalem, which naturally later was seen as heretical. Thus, it is clear that the roots and motifs that define the Hajj stem entirely from biblical tradition; only much later were they recast so as to fit in with emerging innovative Islamic orthopraxy.
ProfessorDr. Robert M. Kerr studied Classics and Semitics largely in Vancouver, Tübingen and Leyden. He is currently director of the Inârah Institute, for research on Early Islamic History and the Qur’an in Saarbrücken (Germany).
This month we are greatly honored to present this interview with Professor Andrzej Waśko, the foremost authority on Romantic literature in Poland. He is the author several important books and currently serves as the advisor to Mr. Andrzej Duda, the President of Poland. Professor Waśko is here interviewed by Dr. Zbigniew Janowski, on behalf of the Postil.
Zbigniew Janowski (ZJ): Let me begin this conversation with a question about your recent article about the popular band Queen. You are a scholar of Polish Romanticism. You wrote your first major work, which received a national award, on Adam Mickiewicz (the prince of Polish Romantics) and your second on Polish conservative Romantic Zygmunt Krasinski. The role they played in Poland (along with the third major poet Juliusz Slowacki) may be compared to Byron, Shelley and Keats in England.
All of them belong to an epoch which existed two hundred years ago. The English rock group Queen was popular in the 1970s and 1980s. How come a professor of literature writes about about popular music?
Andrzej Wasko (AW): These topics are not as far apart as they seem. The aesthetic revolution, called Romanticism, which broke out in Europe after the French Revolution, began earlier with the rehabilitation of popular songs and with the ballads of Goethe and Schiller; and later with Wordsworth and Coleridge, Mickiewicz and others.
A similar phenomenon occurred in the 1960s, in the genre of popular song on the “lower” level of culture. Joan Baez and other folk music performers began their careers with the same or similar folk ballads. At that time, the post-war generation, largely made up of university-educated workers’ children, was knocking on the gates of the middle class. These people needed their mythology and it was provided, at least to some extent, by popular music – Joan Baez, as already mentioned, Nobel Prize winner Bob Dylan, and many others.
Here, I see a certain analogy to the situation that took place in the 19th century. Romanticism gave a cultural identity to the bourgeois and popular masses that began to build modern nations on the ruins of class-based society. The history of pop music is the story of what happened to society in the second half of the 20th century. Besides, today there is a radio in every car. Popular songs are a topic that a literary historian can talk to a taxi driver about.
ZJ: Your last remark reminded me of Allan Bloom’s conversation with a taxi driver. This is what he wrote in The Closing of the American Mind (1987): “A few years ago I chatted with a taxi-driver in Atlanta who told me he had just gotten out of prison, where he served time for peddling dope. Happily, he had undergone ‘therapy.’ I asked him what kind. He responded, ‘All kinds—depth-psychology, transactional analysis,’ but what he liked best was ‘Gestalt.’ Some of the German ideas did not even require English words to become the language of the people. What an extraordinary thing it is that high-brow talk from what was the peak of Western intellectual life, in Germany, has become as natural as chewing gum on American streets. It indeed had its effect on this taxi-driver. He said that he had found his identity and learned to like himself. A generation earlier he would have found God and learned to despise himself as a sinner. The problem lay with his sense of self, not with original sin or devils inside him. We have here the peculiarly American way of digesting Continental despair. It is nihilism with a happy ending.”
One may draw many conclusions from Bloom. One such is that once high-brow ideas fall to a level of ordinary people, the inevitable result is nihilism. Let me invoke the lyrics of Queen:
Empty spaces. What are we living for? Abandoned places. I guess we know the score. On and on. Does anybody know what we are looking for? Another hero, Another mindless crime Behind the curtain. (“The Show Must Go On”).
Queen’s song and Lennon’s “Imagine” – “no heaven, no hell” – can be said to repeat the basic building blocks of Existentialism, especially the ideas we find in Simone de Beauvoir and Sartre. De Beauvoir and Sartre considered the world without God to be a reason to rejoice. Camus, on the other hand, was deeply troubled by it; he understood that in such a world the only jurisdiction of philosophy is suicide. This is not different from what we find in Queen: “does anybody know what we are looking for?” Are these songs existentialist philosophy of the Parisian cafes turned nihilistic?
AW: The fact that the songs you quote and probably many others show traces of the existential philosophy of Parisian gurus, such as Sartre and Camus, seems very likely to me. Certainly, Lennon welcomes the vision of an axiological void and proclaims it as “good news,” just like Sartre.
Both the philosopher and the ex-Beatle call for a revolution, each in their own way. In practice, however, Lennon’s way turns out to be more effective, because his song is pretty, it reaches the masses and moves their emotions. But the lesson Lennon gives his followers leads to nihilism – in a world where there is nothing to die for – “nothing to kill or die for” – there is nothing to live for.
This was understood by Camus and I think also Freddie Mercury, whose lyrics, on the contrary, are not cheerful. “What are we living for?” – in a world devoid of essence, without absolute values and absolute norms. Of course, this is also existentialism for the people. But at the same time it is a lamentation over a world ruled by nihilism.
Taxi drivers I speak with in Poland are more likely to lament and never say anything about psychology, which is otherwise a very fashionable field at universities in Poland. Rather, it is the establishment that thinks like the Atlanta taxi driver Bloom writes about. This is pure and self-conscious nihilism – but it is rather rife among teachers and students at universities.
ZJ: You made a connection between the aesthetic revolution of Romanticism and the post-French revolutionary world. In 1833, Benjamin Disraeli wrote in his Diary: “My mind is a continental mind… It is a revolutionary mind.” What Disraeli is referring to is the influence Romanticism had on him. What made Romanticism such a powerful social force?
Second, for all the greatness and beauty of Romantic poetry, Romanticism turned out to become a political outlook which shuttered the old order no less than the French Revolution. Is there a connection between the slogans of the Revolution – equality in particular – and the Romantic exaltation of self-consciousness as the source of truth and a fountainhead of artistic creativity?
AW: What made Romanticism a social force was certainly the democratization of the language of literature and art, an example of which is the turn to ballads. In his Preface to the Lyrical Ballads, Wordsworth tells us that poetry should speak the language that people actually use in their lives. The explanation lies in the saturation of art with emotions. Wordsworth and Coleridge talk about this in the Preface as well. This is the hallmark of Romantic literature – unlike the classics, the speaking subject in romantic poetry is always in a state of some emotional agitation, a mood he then communicates to his audience.
This is simple, and pop culture of the 20th century has similar features – it expresses the emotions and infects its audience. And contemporary people living in an extremely rationalized world, living in Le Corbusier’s “machines for living,” do not become machines – on the contrary, they want to react to the coldness of social institutions in which they find themselves. They want to cry or feel euphoric. They want to feel “like gods,” or lose themselves in a “great whole” – a service provided by, along with drugs, ecstatic music. In this regard, pop music of the second half of the 20th century uses some elements of Romanticism in an intensified and simplified form.
Your second question concerns individual self-realization and creation, which are inventions of literary Romanticism. Based on idealistic German philosophy, Romanticism builds the concept of the subject as creator – of poetry (from the Greek poiesis – creation), but also a creator of various geniuses. Napoleon changed the world thanks to his genius. Byron changed the world thanks to his genius, too. It’s a status of the self in society and in politics. It is a challenge for everyone, including me. Perhaps this is what Disraeli thought.
ZJ: Should we take the idea of genius to mean a way of democratization of politics as well? I do not mean democratization in the sense of universal suffrage and an electoral system; but in the sense of opening the public and political realm to people who in the past could never see themselves as social or political leaders. Being a genius became a form of political passport, if you will. It provided a new form of socio-political legitimacy. Poets became national bards, unelected national leaders.
AW: Yes, both the cults of genius artists (“prophets”) and the cults of charismatic political leaders have something to do with democratization in the sense you suggested. The genius embodies the characteristics of the community that recognizes him as its representative, as the medium of its thoughts and feelings, as the embodiment of the aspirations and goals it pursues. As Rzewuski put it: “There is a sympathetic bond between a genius and his people.”
ZJ: You mentioned Byron, an artist, who saw himself as having a social, political message. Let me quote here a stanza from Childe Harold:
Hereditary bondsmen! know ye not Who would be free themselves must strike the blow? By their right arms the conquest must be wrought? Will Gaul or Muscovite redress ye? no! True, they may lay your proud despoilers low, But not for you will Freedom's altars flame. Shades of the Helots! triumph o'er your foe! Greece! change thy lords, thy state is still the same; Thy glorious day is o'er, but not thine years of shame.
This is his message to the Greeks, calling on them to rekindle past greatness, to shake off the yoke of the Turkish oppression. This kind of message, formulated by poets, seems to be common for the Romantic period. We find it also in Juliusz Slowacki’s Agamemnon’s Tomb.
Could one say – call it a wild guess, if you want – that Romanticism created a path to a new political reality, wherein artistic geniuses (poets, writers, painters) but also all kinds of political charlatans, madmen and social reformers could call on a nation, or the world, to action? First it was done under the banner of liberation (as in Greece), or unification (as in Italy, or Germany), and later, in the 20th century, as a call to a regeneration of national spirit (as in Hitler’s Germany and Mussolini’s Italy). Now, in the 21st century, we hear an echo of national slogans: “Great China,” “Making America Great Again,” “Poland – A Great Project” (the name of an annual conference), and so many others.
Politics, before the American and French Revolutions, was a domain of one class, the upper class. But 19th century Romanticism changed it.
AW: Yes, Romanticism paved the way for charlatans as well; it gave them a certain role model. But you cannot blame the Romantics for the actions of charlatans like Hitler or Mussolini, who adopted the dress of geniuses. Otherwise, you could then also accuse Rubens or Rembrandt of paving the way for picture forgers. Morally and politically, everyone is responsible for himself.
Also, we should not toss together all political slogans designed to mobilize supporters with references to the greatness of the nation or the greatness of some future project. This is just commonplace in the politics of our times. Ordinary people want to feel that they are participating in some great collective endeavor. And PR specialists give it the form of slogans. I do not see anything wrong with that, although of course in totalitarian regimes it has a different dimension and can be terrible. But don’t overdo your concerns, remembering what the difference is between the present conditions and the regimes of the kind we lived in before 1989.
ZJ: One often links Romanticism with nationalism. There is a good reason to accept the assumption that the latter sprang from the former. When you read books about Romanticism, you come across a number of terms or expressions that their authors use to characterize Romanticism. Here is a handful: genius (that is, someone who defies rules by his untrammeled will), individual spirit, nation, mythological history of a people, authenticity, creative self-expression, self-assertion, the worship of heroes, and contempt for reason.
The genius of Romantic poets notwithstanding, reading their exaltation one gets the impression that this form of emotional exhibitionism, if you want, could happen only among people who have lost their minds, who rejected Reason, as they did. They were the first ones to believe that they can create nations, a people’s soul. As Herder once wrote, “A poet is a creator of a people; he gives them a world to contemplate; he holds its soul in his hand.”
Add messianism to this, which is a consequence of such a belief, and you have a fuller picture – we no longer deal with an individual genius who has risen above others but a nation which believes – rightly or wrongly – that it has a mission, that it has been given a special task to save others, or save even a civilization itself. Since there are no clear rational criteria for judging reality, the political realm must, it seems, become an “irrational” domain operated by individuals – leaders, if you will – who believe that they can lead the nation. As it happens, sometimes things went very wrong. In view of this, could you say a few words about the connection between Romanticism and nationalism.
AW: First, Herder’s words are the words of a literary critic, who is referring not so much to the times of his own epoch, but to the beginnings of civilization. “Philosophers are the children of civilization, but the poets are its fathers” – this is how what he says should be understood. The original language of humanity was, according to Herder, poetic language. Prose and the attitude to the world based on reasoning came later – Homer preceded the birth of philosophy in Greece.
The Romanticism of the early nineteenth century was an apology for poetry understood as the original path of cognition, earlier than philosophy and science. You can partly agree that something like creative imagination actually exists and at times helps to solve some problems that seem unsolvable at first glance.
A feature of political Romanticism, as Carl Schmitt understood it, was the transfer of certain aesthetic rules and preferences to the field of policy thinking. If there is one language and one German literature, there should also be one German state. Genius can work in different fields. Thus, a brilliant poet plays a role within his own national community, etc. Under Byron’s influence, in the first half of the 19th century, extreme (that is, pre-20th-century existentialism) individualism wen hand-in-hand with dandyism, with mal du siècle, boredom (ennui), and the search for strong impressions.
All of this goes beyond nationalism; and all of it can be an object of criticism – and has been repeatedly criticized from the point of view of reason. But the Romantics were right in that man is not (and never will be) a fully rational being. If the process of modernization, which began in the West in the 17th century, is identified (as Max Weber would have it) with the process of rationalization of social life, Romanticism is an expression of rebellion against this rationalization, a rebellion rooted in the irrational characteristics of human nature. And it did not end in the 19th century. In the 1960s, it found expression in popular culture.
ZJ:Isaiah Berlin, in a series of articles on Romanticism, offered a number of insights that can explain why the currents hidden in Romanticism became pernicious.
One could distinguish several layers which created conditions that later led to the horrors of the 20th century, beginning with the sense of humiliation that stems from another nation’s cultural superiority. Such is the case of Germany vis-à-vis France, and the disruption of the old way of life, as happened in Russia under Peter the Great and, to a lesser degree, in Frederick the Great’s Prussia.
The old class becomes displaced and psychologically unfit, and creates a new synthesis, a new vision or ideology that explains and justifies resistance to forces working against the convictions and ways of life of the old class.
Finally, when a nation is at one with other forces, such as race and religion, or class and nation, we have all the conditions that can turn into a political force represented by the State. “One form of these ideas was the new image of the artist,” writes Berlin, “raised above other men not only by his genius but by his heroic readiness to live and die for the sacred vision within him… It took a more sinister form in the worship of the leader, the creator of a new social order as a work of art, the leader who molds men as the composer molds sounds and the painter colours.”
Heine, as Berlin explains, foresaw the future: “these ideologically intoxicated barbarians would turn Europe into a desert,” writes Berlin, quoting Heine, “restrained neither by fear nor greed… like early Christians, whom neither physical torture nor physical pleasure could break.”
To be sure, the legacy of Romanticism was not as morbid among the English, French, Russians or Poles as it was among the Germans. However, in the case of the Poles, and perhaps Russians, Romanticism survived as the worship of poets as national bards, men who — because of later communist oppression – filled a political void. (Mickiewicz and Slowacki, for example, are buried alongside Polish kings at Wawel Castle in Krakow). Now that Poland is a free country, is there as much room for the adoration of poets as there was before?
AW: Isaiah Berlin, as well as other well-known analysts of nationalism in English-speaking countries – Hans Kohn, Ernest Gelner, Eric Hobsbawm, Zygmunt Bauman – built the following historical sequence: romanticism – nationalism – Hitler.
All these thinkers had roots in Central Europe and brought their trauma to Anglo-American sociology from Central and Eastern Europe. It was a trauma of the persecution of Jews that ended in the Holocaust.
A similar interpretation was applied after World War II by the Communists in the German Democratic Republic. Because the roots of Nazism were said to be rooted in German Romanticism, in Jena, where the “Romantische Schule” was born, the Communists demolished part of the historic old town with the old buildings of the university and erected a gruesome modernist tower in its place, where they built a new communist university to break away from the traditions of Fichte and Novalis.
In reality, this was all much more complicated. In Poland, for example, there was a sharp conflict between the ideology of modern nationalism, represented by Roman Dmowski, and the Romantic tradition, which this nationalist and social Darwinist openly fought in his writings.
The Nazis, with whom, moreover, Polish nationalism had nothing in common, during the occupation fought fiercely against the memory of Polish culture, led by Chopin’s music and Mickiewicz’s poetry, whose monument in Krakow was demolished in August 1940. How do these facts reconcile with the theory of Romantic sources of nationalism and Nazism?
The claim that Romantic writers (but not only Romantic ones) contributed to the awakening of “nationalism,” or simply national consciousness among Lithuanians, Ukrainians, Serbs and Croats, seems obviously true. Pushkin, who wrote anti-Polish poems after the Russians suppressed the November Uprising in 1831, could also be called a Russian nationalist. So what?
The obsessive tracking down of nationalism leads only to the belief that communism was better in Eastern Europe, “threatened by nationalism.” However, it is also true that Polish literature of the 19th century, including Romantic literature in the first place, was the main bridge leading to the assimilation of the Jewish intelligentsia in Poland.
The poetry of the Romantics, both great and smaller but equally popular, was something that could fascinate in Polish culture and which could be relatively easy to accept, along with language, regardless of any other differences. Therefore, educated Jews got Polonized in the nineteenth-century; and among writers and historians of Poland of the next century we have many of them.
ZJ: The post French Revolution world created two categories: Liberalism and Conservatism. In his essay on Alfred de Vigny, sometimes referred to as, “On Conservative and Liberal Poets” (1838), John Stuart Mill makes a list of characteristics of Conservative and Liberal literature. One of the functions of Liberal poets or writers is, as Mill states, “to lay open morbid anatomy of human nature,” which is “contrary to good taste always.”
In short, Liberalism created a new realm of literary possibilities, where vices can no longer be swept under the rug, treated as vices, but as ingredients of human nature, which should not shock us. In fact, we should find enjoyment in reading about characters who embody these vices.
What comes to mind as examples supporting Mill’s interpretation are writers such as, Balzac, Zola and Dostoevsky; but above all Ibsen; hisA Doll’s House, where “sweet hypocrisy” is exposed for what it is. Yet Nora, who breaks social and moral norms, is by far a more sympathetic character than her husband, and as much as we may not like her decision. But it is impossible to feel sympathy toward her husband. Anna Karenina is another great example. And, let’s remember, Tolstoy came to regret writing it.
If Mill is right with respect to what constitutes the elements of Conservative and Liberal literature, is the liberal imagination an indisputable winner in this literary contest? Good literature is no longer a teacher of virtues and vices, has no unambiguous moral message; it is not supposed to give us moral warnings.
AW: The moral message, apart from moving emotions and satisfying the taste, was mandatory for a classical poet, of the type that reigned in all our literatures, before Jean-Jacques Rousseau, although he himself was not a poet and his La Nouvelle Heloise has a built-in moral core. Rousseau paved the way for “liberal poets,” because he recognized that it is not the individual who is morally responsible for evil. Rather, evil comes from a society corrupted by civilization. Byron’s heroes (and this is his influence), who commit crimes, are at the same time victims of the existing social order and the embodiment of interpersonal relations in this system.
Similarly, we can sympathize with Nora and Anna Karenina. It is Rousseau as a philosopher who is responsible for this, and since he is also one of the founders of liberalism, Mill’s opinion makes some sense. But literary currents are not simple equivalents of modern political ideologies. Dostoyevsky with his Demons is probably a conservative writer. But was Chateaubriand conservative or liberal? And Mickiewicz?
However, Mill’s biographer, Nicholas Capaldi, suggested that the roots of Mill’s argument for freedom of speech can be traced to the Romantic concept of imagination, without which an argument such as this could hardly be made: why should I allow you to say something I disagree with, unless I believe that your soul, your self, can express a truth, something which reason alone – common to us and praised by Enlightenment thinkers – cannot.
Here is what Capaldi says:
“Mill will remind us that Coleridge is the English bearer of the continental tradition, and especially of German Romanticism… More specifically, Mill will argue that modern liberal culture, as best exemplified in England, cannot be adequately explained and defended except with the resources of Romantic continental thought… The French Revolution of 1789 had momentous symbolic significance for liberals everywhere. It became the symbol of the overthrow of feudalism and the dawn of a new day of freedom. Liberals as well as conservatives in Britain were later horrified by the excesses of the revolution, but the destruction of feudal privilege was looked upon as a necessary prerequisite for a truly free and responsible society.
“The stress on imagination, as opposed to intellect, is a familiar Romantic theme. It reflects the nineteenth-century rejection of the eighteenth-century’s narrow rationalism… The first consequence of this view of the primacy of imagination is the recognition that ultimate values are apprehended through imagination… One of the reasons Mill will be so adamant about opposing censorship and encouraging debate is that it is only in the imaginative re-creation, the rehashing, of the arguments that we come to understand truly the meaning of ultimate values and to make that meaning a vital part of who we are.”
Is there anything else in the realm of political ideas that belongs in the Romantic tool-box?
AW: Creative imagination as a tool for learning about the world is undoubtedly a hallmark of romantic trends all over Europe, but these trends were very diverse, and the ways of understanding them were different. If the German readings influenced Coleridge, as Professor Capaldi reminds us, it must be remembered that earlier German translations of Edmund Burke’s On the Revolution in France inspired the Schlegel brothers and their entire generation in Germany. Thus, the exchange between England and the Continent was mutual. Liberalism is older than the Romanticism, as is republicanism, which is important to Poles. So, there were liberal and conservative romantics, and the great Polish romantic, Juliusz Słowacki, described himself as “republican in spirit.”
Hence Mill’s brilliant thought that the genesis of the idea of freedom of speech must be the Romantic idea of imagination, may be true in some cases, but historically speaking not at all. In short, the specific influence of Romanticism on the understanding of politics may consist in giving politics an eschatological dimension (messianism), in referring to pre-philosophical national traditions as an expression of the community spirit, in the observation that the poet has a special type of power – over the work he creates and over their recipients – and that authority should have such a character in general, and that the poets thus should be the charismatic leaders of the nation.
Let me add that in the 19th century the cult of poets (Mickiewicz, Słowacki, Krasiński) gained political significance in Poland; and in the 20th century, in popular culture, we are dealing with something analogous, when, for example, Bono from the band U2 speaks about politics, and all world agencies keep repeating what he utters.
ZJ: Nihilism which we’ve mentioned was not the only social worry of the second half of the 20th century. One can argue that hedonism is as pernicious as nihilism. I would like to invoke another song by Queen, “I Want It All;”
I’m a man with a one track mind, So much to do in one life time (people do you hear me) Not a man for compromise and where’s and why’s and living lies So I’m living it all, yes I’m living it all, And I’m giving it all, and I’m giving it all, It ain’t much I’m asking, if you want the truth, Here’s to the future, hear the cry of youth, I want it all, I want it all, I want it all, and I want it now, I want it all, I want it all, I want it all, and I want it now.
Each time I hear it, I think that this song is the utmost expression of hedonism, which is a product of an infantile mind. Only children want it all and want it now. It is their perception of time which makes them want to satisfy their wants and needs right away. They want immediate gratification. Adults know that you can’t have it now. But there are more serious problems that go beyond the song. First, immediate gratification of all desires would be deadly for moral discipline. Liberalism is the only political philosophy that tells us that we have a right to satisfy our wants. Would you agree that this kind of thinking – nihilism mixed with hedonism – is what our world today is made up of.
AW: I don’t know if this song is so clearly about a hedonistic attitude. Your question about modern hedonism is much more serious. Westerners, when they believed in God, wanted the salvation of their souls – eternal life beyond this world. Then, under the influence of humanism and the Enlightenment, happiness became their goal. Happiness on earth, not in the afterlife. But that happiness did not have to be immediate; it could be the achievement of some ambitious goal or perfection (per aspera ad astra), or the pursuit of perfection itself. In the end, happiness was equated with pleasure, which was independently invented by the Marquis de Sade and 19th-century Liberals. It appealed to simple people, because pleasure is not some abstract ideal, but something concrete, sensually experimental. And why shouldn’t we experience it too, here and now?
This ethical turn, which took place in the West in the 19th century, seems to be something permanently present in people’s attitudes to life today. In the second half of the 20th century, it coincided with the triumph of technology and capitalism, which turned out to be capable of producing an inexhaustible amount of consumer goods; that is, those that both satisfy our needs and provide us pleasure. Since constant enjoyment has become easy and readily available for all, a new hedonism has indeed spread in the society of “well-being.” It is based on the pursuit of immediate satisfaction of our whims. And after satisfying them, new needs appear, which are also immediately satisfied, and so on.
Mandeville noted, as early as the 18th century, that people who are accustomed to luxury buy more things that, objectively speaking, they could live without. In this way, which may not be beneficial to themselves in the long run, they nevertheless make money for the craftsmen and merchants, who supply them with these luxuries.
So, the need for pleasure drives the economy to work. The capitalism of our time creates these artificial needs in people in a systemic way, stimulating them through advertising, and by presenting the model of a human being present in pop culture, whose success lies in the fact that he has everything, here and now.
The contemporary ideal image, spread in commercials, in television series about the lives of millionaires, in photo essays about celebrities, is therefore the image of a hedonist – an ideal, i.e., the ever-insatiable consumer. So, hedonism drives sales – that is, the entire economy – and thus promotes it.
The problem is that all civilizations of the past that fell into this trap collapsed. While we can make our toys endlessly, we are not in danger of collapsing because of the wear and tear of our accumulated goods – waste was condemned by moralistic people since antiquity, but that doesn’t help.
The process of ceaselessly satisfying an appetite that is continuously, artificially stimulated, is destructive in itself. We need stronger and stronger stimuli, bigger and bigger doses of new stimulants. And in the end, they kill us – like the drugs that have killed a legion of stars of modern pop culture.
The biggest problem of any civilization, at some point, ceases to be the struggle with nature and hostile tribes, and it becomes the need to fight our own weaknesses, which come to us as a result of our own success. We are safe, rich; we have free time – and we don’t know what to do with all of this. This is when the self-destructive process begins. Giambattista Vico already knew that.
ZJ: Let me go back to what you said about the democratization of language, and that the success of Romanticism lies in using the language people use and emotions that they feel. As always, what at the beginning sounds like a well-intentioned idea, later can have unintended consequences. We talked about John Lennon and Queen, nihilism, and hedonism. One could still argue that they translated high-brow philosophical ideas into language that the ordinary people could understand as their own. Neither Lennon nor Queen are guilty; they just “expressed,” in the form of popular music, what philosophers said decades earlier.
Now, 50-60 years later, it is not Romanticism or Existentialism which stand behind the new trends in music. It is the naked, ugly reality of the street, to which once high-brow philosophy led society. In America it is called rap. Rap spread everywhere like a tsunami. It started as a form of expression of the feelings – or more likely resentment – of the destitute, undereducated Black segment of American population. However, because of its vulgarity and outright racism it is listened, for the most part, by Blacks, and it terrifies most of the Whites. Yet the liberal media bow to it.
One of the Founding Fathers of rap, JZ, is a musical icon, interviewed on National Public Radio and television in the US. University professors organize courses about JZ. When you listen to his public pronouncements you get the feeling that rap is not music but a form of mental imprisonment of someone who never grew up. Do you have an explanation as to what happened and why? Is rap the last phase of the Romantic rebellion led by adult children, like JZ?
AW: Paradoxically, I agree with this last sentence, at least to a certain extent. Yes, I can see that music videos of this type tend to be soft pornography and praise the lives of gangsters – obviously I’m not attracted to the stupidity of it all. There are also nobler forms of this music; but I do not follow or analyze them either. Both rap and hip-hop are artistic styles with their own rules and structure. I can imagine a masterpiece in this genre, although I cannot name it. Perhaps it is because of my own ignorance, or perhaps a rap-style masterpiece has never been created and will never be.
But since rap exists as a separate style – the existence of outstanding songs of this type is also possible and probable. In Poland, where all Anglo-American musical styles are imitated, the band Kaliber 44 enjoyed a short-lived fame some time ago, whose young soloist was considered a genius; but his life was short, because he killed himself jumping, out of a window under the influence of drugs.
This is hard to approve of in any way, but the interpretation you are proposing here also seems possible. Rap is a peculiar rhythm that is based on the intonation of individual sentences and crossed with relatively regular versification. The content of the rapper’s monologue is important; the music has a secondary role; it accompanies the recitation of the text and emphasizes its meaning. These are features that are well known from the folklore of bygone eras.
Thus, the romantic theory of nature poetry, which is born spontaneously among simple people, lacking knowledge of the conventions and rules of official art, fits it. Rap with its style and place of birth (in the dangerous neighborhoods of New York) fits well with this romantic theory.
Besides (probably) rap performers cannot be suspected of illustrating Sartre’s theses. So, maybe this is not a simplified adaptation of high culture, but a real inflow from below – the music of the roots? On the other hand, it is also not ordinary folklore, because in the process of producing recordings, the simplicity of style and the primitiveness of picture-suggestions are combined with technical and technological refinement.
ZJ: Going back to your remark about the use of ordinary language by the Romantics. Is this the beginning of the process which led to the birth of what we call “popular culture” – as opposed to High Culture? Today no one uses the distinction between High and Low/popular culture. The educational system in Western countries is structured in a way that what belonged to the Treasure of Western Culture or Kultur, is no longer taught. It is at best tolerated. The last attempt at defending High Culture was probably T.S. Eliot’s Notes Towards the Definition of Culture (1959). Do you see where we are today as a result and the end of cultural mutation of Romanticism?
AW: I prefer to think of Romanticism and pop-culture, and, more precisely, of the specific elements of these different, certainly broad and difficult to define phenomena, not as mutations, but as cultural modalities. In similar cultural phenomena, the actualization of similar potentials, constantly inherent in human nature, takes place. Cultural updates are historical and the potentialities of nature’s people are unchanged.
ZJ: Thank you Professor Wasko for this wonderful interview.
Andrzej Waśko is professor of Polish Literature at the Jagiellonian University, Krakow. He is the author of Romantic Sarmatism, History According to Poets, Zygmunt Krasinski, Democracy Without Roots, Outside the System, and On Literary Education. The former Vice-Minister of Education, he is curretnly the editor-in-chief of the conservative bimonthly magazine Arcana and is presently Adviser to Polish President Andrzej Duda.
The image shows, “Sielanka (An Idyll),” by Józef Chełmoński, painted in 1885.
Dr. James Patrick has spent his life teaching, and in this book he seeks to tell on a larger scale the story of the Christian mind as it developed according to what he refers to as the “adventure” of the Holy Spirit. Indeed, the Christian mind moved from faithful intuition to writing and composing original ideas of concrete truths, and this in turn led to inspired foundations upon which a new kind of world became possible. Patrick does not wish the reader to think the Christian mind has ever intended to create utopia on earth or to proselytize, rather that the dynamic Christian intellect indicates a human heart made new and from this newness still spring horizons of hope and culture.
The Christian mind is, says Patrick, not only inspired and moved by the restless Paraclete, but revolves around the event of Jesus Christ. Christian history is therefore best understood not simply as chronology of events but as the vision of “the new heart in time,” one that strives to be like that of the one who sent the Spirit into history.
“Matthew: The Making Of The New Heart”
Matthew was the Gospel. When early Christian writers turned to a source of Jesus’ words and deeds it was to Matthew, or what became Matthew, that they turned. And within Matthew, their pattern of quotation suggests, they turned first to chapters five through seven, containing the Beatitudes and the dominical transformation of the law from the propositions of the Mosaic law as these were understood by the observant Jew to an interior, life-forming participation of the heart in the will of the Father. Jesus sat down, opened his mouth, and taught them. Thus began the Sermon on the Mount. Luke knows something of this text (6:20–49), but neither Mark nor John contains obvious parallels. Jesus’ words in Matthew 5–6 as he transforms the Mosaic law held a hope for the regeneration of the human heart greater than the virtuous life Aristotle had taught in his Ethics and Cicero in his On Duties.
The opening verses, the eight Beatitudes, are at the center of the moral vocabulary of Christian mankind, although on any showing they are challenging at first sight. They are not prescriptive but descriptive, proposing no course of action but promising beatitude or blessedness to those possessing the right state of soul or, as in the seventh and eighth, able to bear persecution. In this way they are truly kerygma or preaching, a proclamation describing the blessedness that accompanies those on the Christian way. The Greek makarios is sometimes translated “happy,” but “blessed” is better, for happiness is a subjective state of contentment or well-being, while blessedness is the state of being fulfilled by God at his will and in his presence. Blessedness is not a virtue, not a natural virtue that the best efforts of man can achieve at least episodically, or even a supernatural virtue given silently at baptism, but a gift following upon that supernatural infusion of grace, life lived in the Christian way, the steady result of day by day, charity-inspired cooperation with the Holy Spirit. They are echoed in what Paul knows as the fruits of the Spirit: love, joy, peace, patience, kindness, goodness, faithfulness, gentleness, self-control (Gal. 5:22).
In this Matthean text Jesus does not tell the disciples how to seek blessedness; he does not, as elsewhere, urge repentance. The Beatitudes are gifts, and they are proleptic, looking forward to the coming of the Kingdom. Blessedness will come at Pentecost, when hearts will burn within and the question will be “Brethren, what shall we do?” Jesus is waiting: “I came to cast fire on the earth, and would that it were already kindled” (Luke 12:49). But now, on the threshold of the last day, is the time to prepare the disciples for the new life that is coming, to give them words that they will remember when Jesus’ first great promise, “I will send the Holy Spirit, the Advocate or Counselor,” is fulfilled.
This is the life prophesied by Jeremiah: Behold, the days are coming, says the Lord, when I will make a new covenant with house of Israel and the House of Judah, not like the covenant which I made with their fathers when I took them by the hand to bring them out of Egypt. [. . .] I will put my law within them, and I will write it on their hearts, and I will be their God and they shall be my people. And no longer shall each man teach his neighbor, and each his brother, saying “Know the Lord,” for they shall all know me from the least to the greatest (Jer. 31:31–34). And Ezekiel: “A new heart I will give you, a new spirit I will put within you. And I will take out of your flesh the heart of stone and I will give you a heart of flesh. And I will put my spirit within you and cause you to walk in my statutes and be careful to observe my ordinances” (11:19). When Peter stood up at Pentecost he declared the descent of the Spirit to be the fulfillment of the prophecy of Joel: “And in the last days it shall be, God declares, I will pour out my Spirit on all flesh, and your sons and daughters shall prophesy” (Acts 2:17–18, Joel 2:28–32). In that Day they all will possess the Prophetic Spirit. But the new way must possess the mind as well as the heart; the gift will be fulfilled in those who have been taught: “Go, baptize, teach.”
The best of the Greeks and Romans had known that the good all men seek is not some possession extrinsic to the self but a state of soul. Aristotle’s Ethics, with a spirit echoed in Justin’s day by the stoic Epictetus, begins by asking what it is that all men seek for its own sake, not as an instrument leading to something greater such as wealth or wisdom, which we may desire because they promise happiness. Rather, happiness itself, eudaimonia, is what all men desire for its own sake. But quickly Aristotle turns to the observation that happiness is not possible without goodness.
So the Philosopher does not, as Epicurus would later, propose happiness as the complement of pleasure, but as the best state of the soul in the righteous man. And this, famously, is to be achieved not through the appropriation of theoria, not through the exercise of intellect, but through the practice of the moral virtues—justice, temperance, prudence, and courage—and that not in a world-pleasing way, but as a good man might practice them. The means was the natural capacity of the self-commanding man to become virtuous. Aristotle’s Ethics is the high summary of the best of Hellenism’s moral proposals. Yet it neither elevated the eye of the soul above the realm of nature, which Aristotle would have considered impossible, nor purified the will.
When after Pentecost Christians looked at the world around them, they saw the ravages of the flaw that would be called original sin, ignorance and that deformation of the will called concupiscence, which five centuries of the best of Greek and Roman moral advice had not been able to repair. Against this was set the moral proposals and the moral power of Jesus. Christ came not only with good advice but with the ability to change hearts. And first came the revolutionary ideas found in the fifth chapter of Matthew’s Gospel, the prophetic descriptions of the Christian life called the Beatitudes or blessedness, a reward attached to each, and then the transformation of the law from divinely given rule to the very form of the redeemed heart.
Given the classical expectation regarding happiness and virtue, Aristotle’s eudaimonia or good-spiritedness as the result of natural virtue, Jesus’ words in the Beatitudes disappoint; many would find them puzzling, some would find them impossible, for the heart of natural man does not reach out to embrace poverty of spirit and mourning, to say nothing of persecution. Yet the Beatitudes are signposts along the royal road that leads citizens of a fallen world to the vision of God, to sonship, and to citizenship in the kingdom of heaven, a description of the realm of Our Father that stands contrasted with the kingdom of the earth.
Humility, sorrow for one’s sins, gentleness, desire for God, mercifulness, purity of heart, peacemaking, acceptance of persecution for Jesus’ sake; Jesus is describing God-given dispositions of the heart that may or may not always be evident to the world in actions. Indeed to the degree that any Beatitude excites public notice, it is in danger of betraying its divine purpose; humility and piety displayed already have their reward (Matt. 6:1). Later, in the series of dominical sayings beginning with “You have heard it said but I tell you,” there will be specific teaching that tells the blessed heart how to live in the world (Matt. 5:21–7:29).
The Beatitudes have been the subject of commentary by great teachers, but generations lacking scholarly insight have also understood his words as they walked in the way. Jesus, who knew what was in mankind (John 2:25), begins with the counsel that one who would be blessed will be humble, which means seeing oneself as one really is: a creature, clay in the Potter’s hands, helpless in the one thing that matters most despite possessing many impressive competencies, reliance upon which as justifying before God is always deceptive (Isa. 29:16, Jer. 18:6, Rom. 9:21). “Blessed are the poor in spirit.” God is forever ordering the moral universe by putting down the mighty from their seat and exalting the humble (Luke 1:52).
Jesus reminds his followers to seek the lowest place, assuring them that the order of this world is not the order of the kingdom of heaven; there many of the first shall be last and the last first (Mark 9:35). He opposes the proud but gives grace to the humble (James 4:10). “He has scattered the proud in the imagination of their hearts [. . .] and exalted those of low degree” (Luke 1:31– 32). God’s opposition to the proud is a lesson humankind must repeatedly learn, rooted in the very nature of God, in whose sight a lie cannot stand, and who while summary of power and majesty, expresses his life in Trinitarian self-giving, the divine Son humbling himself for our sakes, “who being in the form of God did not count equality with God a thing to be grasped” (Phil. 2:6). To fail of humility and to cultivate pride is to fail to see things as they are; a broken and contrite heart God does not despise (Ps. 51:17).
This was the great lesson given Job, a good man, whom God never accuses of sins, but a man “wise in his own conceits” (37:24), clinging in the most subtle and unrealistic way to his own rightness before God, redeemed only when, having had his ignorance and littleness demonstrated by the Almighty most dramatically (38–41), he falls silent before the gift of the vision of God: “Now my eye sees Thee” (42:5). So, the Beatitudes open by declaring blessed one who is ptōxoi in spirit, a word for which the least dramatic definition is “poor in spirit,” but connoting a deeper range of meanings that include “crushed, beggarly, mean or low.”
The reference is clearly not to lack of this world’s goods, but to that abandonment of self which opens upon the faith of the elect. There was a reason for Saul’s having changed his name from that of the great king to Paul, which resonated with the Greek word for mean, of no account. The central psychological mystery of the religion Jesus taught is the necessity for that reordering of the soul that sees one’s self in the order of reality as of no account in the light of God’s glory, as deserving his wrath in the light of his justice.
The self-deception called pride is the natural defense of every man from this truth. Enjoying justly some human esteem, avoiding public shame, capable of good deeds—God never accused Job of moral failure— mankind will find it easy to ignore that fact that our decency is fragile, our self-interest perfect, our thirst for something other than the righteousness of God ever-present. There is a sweetness in reality, always hard for the sin-encased soul to see, and perhaps especially hard to see in an age when self-esteem is considered a cardinal virtue. But it is the locating of one’s self rightly in God’s just order that is a sign of blessedness, and this awareness of who we are is the basis of every other Beatitude and the ground of every gratitude. The poor in spirit are blessed because theirs is the kingdom of heaven.
The interior greatness of every human action on earth is rooted in the acknowledged littleness of every man before the glory and majesty of God. This humility, this poverty of spirit, has as its companion the reality of sorrow for sin and sinfulness (5:5). “Blessed are those who mourn; they shall be comforted.” Christians are never encouraged to ruminate on past failures; we are ever to be putting behind us the past with its failure and looking to the future, “forgetting what lies behind, pressing forward and straining forward to what lies ahead” (Phil. 3:14).
But for the burden of our actual sins, forgiven but perhaps still bearing the debt of undischarged penance, our weakness and instability in the face of temptation, not despair but holy sorrow is the medicine for the soul. The great spiritual writers seem inhumane when they counsel against light-mindedness and denounce hilarity as being inappropriate to the pilgrim, but life is in the end no laughing matter. To have holy sorrow is to begin to hate that to which we have been attracted. This is the happy sorrow that is blessed. God, we are promised, will wipe away every tear from our eyes (Rev. 21:4), but to enjoy that supernatural friendship there first must be tears of sorrow.
The word translated meek (praus) in the third Beatitude is equally well, or better, translated “gentle.” Jesus will say, “Learn from me, for I am gentle and humble of heart, and you will find rest for your souls” (Matt. 29:11). And again Jesus quotes Isaiah: “Your king comes to you, gentle, seated upon an ass, and upon the foal of an ass” (Matt. 21:5, Is. 62:11). It is these, the meek, the gentle, who, contrary to the claims of power, will inherit the earth when it is God’s earth again. The adjective used in Matthew 5 occurs only four times in the New Testament, but as the abstract noun “gentleness” Paul includes it among the fruits of the Spirit in Galatians 5:22.
To be gentle is to refrain from using power rightly possessed to achieve a purpose that, while it may be just, reads out the moral requirement of the second commandment, love your neighbor as you love yourself, by imposing one’s own just will without mercy. Jesus assures his followers that it is not the grasping and aggressive but the gentle who will inherit the earth. The divine ground of Christian gentleness is the Lord’s willingness to show us just so much of himself as we can bear, to enwrap his power in his humility. He did not cling to his divine nature in a way that prevented his display of that divine gentleness that is the unvarying companion of his majestic justice. The images of Jesus with the woman at the well, calling little children to himself, not condemning Peter and the twelve when they cannot watch for one hour, and washing his disciples’ feet, have always engaged the Christian heart.
Gentleness is the choice of reserve rather than rashness; in its most common form it is the gentleness of politeness, standing aside for another, not claiming the highest place, that will find fruit in the gentled civilization founded upon the Beatitudes. What inheriting the earth means is surely that these will inherit the new creation when Christ returns, but it may also means that even now the gentle will know the good life of the soul as it belongs to this present age.
The fourth Beatitude describes the blessed soul as one who hungers and thirsts for righteousness. Jesus is not speaking of the desire to be righteous as the Pharisees on a certain day might have understood righteousness, but of the desire to be in communion with God, to be right-hearted in relation to the creator and redeemer, which disposition has itself a justifying power. This is the desire, itself a gift of grace, that shapes life in Christ.
Whether the words belong to the playwright Robert Bolt or to a contemporary account, we are told that when Saint Thomas More mounted the scaffold he tipped the executioner with the words, “Do your work quickly for you send me to God,” to which the cleric standing by replied, “Are you so certain Sir Thomas?” More replied, “He will not refuse one who is so blithe to come to him.” Those who hunger for righteousness will be satisfied. This blessed hunger, this holy restlessness, made ever memorable by Augustine’s words, “Our hearts are restless until they find their rest in Thee,” is the gift to every person who will listen, for we will in the end achieve what we have desired.
If our wills are formed to the neglect of God who is reality, the end may be darkness and waste. But for those who can grasp just one of the rays of glory that God has scattered across the world, who can long for something other than themselves, there is the promise of satisfaction, of the fullness of which the world offers a thousand intimations.
This hunger for God leads through the trials of life to our sharing in the great banquet that every Eucharist foreshadows. “Blessed are the merciful for they shall obtain mercy.” The Christian call to mercy is founded in God’s own mercy to us. That mercy, rooted in his justice, began in his will never to abandon his rebellious creation but rather to heal it through long ages. In the fullness of time his plan was perfected in the merciful gift of his Son who brought regenerating life with water and the spirit, giving those he called the white robe of justification at baptism (Tim. 1:4–7, Rev. 7:9).
At the sixteenth-century Council of Trent when, Luther’s advocacy of justification by faith alone having raised the issue, the question arose as to whether, having been made righteous once and perfectly through the gift of baptism, the wayfarer at life’s end, having marred the robe of baptismal purity, required and would be offered a second justification by the merits of Christ’s passion, the conciliar conclusion was in the negative. Christians are assured that, while called to be perfect, “If we say we have not sinned we deceive ourselves and the truth is not in us. If we confess our sins he is faithful and just and will forgive our sins and cleanse us from all unrighteousness (1 John 1:8–10).
For our post-baptismal sinfulness the Church offers the repentant the mercy of true forgiveness, sealed by the power of the keys (Matt. 16:19, John 20:19–23). And for the still imperfect heart, marked with holy sorrow and freed of any note of rebellion, there is the merciful fire of purgatory, a state imagined differently in different ages but one whose end is certain: the fruition of life in the vision of God. This is the ultimate mercy promised by the fifth Beatitude: the merciful will obtain mercy. This greatest mercy, this perfecting love, rooted in God’s own mercy, is the hope of Christians, shining down the days of every life and inspiring the gentling of the world by those who have been shown mercy. The apostle James writes, “So speak and so act as those who are to be judged under the law of liberty. For judgment is without mercy to one who has shown no mercy; yet mercy triumphs over judgement” (2:13).
Since Paul wrote to the Corinthians of the necessary purification of the elect by fire, it has ever been the teaching of the Church that those faithful in whom love exists but which has not found full fruition will by the mercy of Christ be perfected in holiness after death (1 Cor. 3:10–15). But pure in heart we all then will be. This mercy is then the ever present background for the making of the pure heart which has as its purpose and reward the renewal of that conversation which sin interrupted in the garden. This is the mercy of the love that will not let us go until we are fit for the innumerable company of angels, the spirits of just men made perfect, and God who is the judge of all (Heb. 12:22). “Blessed are the pure in heart for they shall see God.” The creation of the clean heart is ever the master-work of the apostolic mission, a work which while it begins with the proclamation of the Gospel is effective in the sacraments, with the elect, God’s chosen, being perfected by the means to holiness Jesus purchased with his death, when the Holy Spirit came with his regenerating gift of baptism and with forgiveness and communion that light the Christian way.
The heart sees; it has an eye which, sin-clouded, cannot behold its maker. Purity of heart is a way, a praxis, that requires more than emptying the soul of evil like the demon-cleansed house in Matthew 12:43–45 that soon was to be filled with demons more vicious than the first. Purity of heart requires that the house of the soul be filled with the light of grace by the Holy Spirit; the human heart cannot be purified of sin without being filled by God, and then, the eye of the soul wiped clean, we will see. Peacemakers, says the seventh Beatitude, are the sons of God, whose will is that peace of the kingdom that Augustine calls the order of tranquility.
The rhetoric of the world has as its underlying purpose incitement to strife, to emulation, to aggression, to self-pity, grievance, and ultimately to perpetual warfare. God’s sons, his children, bring peace into the world by bearing rather than striking, by walking the extra mile when one has already walked as far as justice requires, by giving more than is just. The presence of evil in the world is never mitigated until it is borne. Those who enjoy the blessings of the first seven Beatitudes will be rewarded with citizenship in the kingdom of heaven, and inevitably will be persecuted by that mystery of evil called the world.
For the first three centuries, and even now, faithfulness might mean death. But presently in the West that persecution will not often be with rack and rope; it cannot be resisted with any violence, only with patience and finally suffering, but it will nonetheless be real. Christians living through modernity know what it is, if not to be reviled publicly, to be held in gentle contempt and on a certain day to be thought an enemy of all that is best by one’s neighbor. Less obvious is the persecution inherent in the world that while it assaults the senses allures with the enchantment of technology’s transcendence over nature, offering comforts that often seem to render restraint and discipline pointless.
This new war with the world does not threaten with the executioner’s fire and lions, but with the subtle luring of the soul into self-willed pusillanimity. Bearing the cross and denying oneself in a culture whose ignorance of the true dimensions of life makes such actions meaningless, may seem harder to bear than the inquisitor’s fire. Yet living a life that bears witness when one can never know the world is listening makes Christians part of that great company who, beginning with the prophets whom Israel despised and persecuted, have been a light in this world, and who have ever been rewarded with the presence of God.
Jesus’ description of the gift of blessedness to the soul is followed by the images of salt and light that establish the character of Christian witness in the world. Christ’s followers are the salt of the world, and in that sense a gift to it, but if the salt has lost its savor, “What is there left to give taste to it?” It is Christian witness that lifts up the world in hope. This witness is a light that is not to be put under a barrel but lifted high, set on a lampstand so that the Christian way can shine brightly before men who see its good works and glorify our Father in heaven.
Having described the blessedness that belongs to the kingdom, its consequences for believers, persecution, and the necessity of their witness in the world, Jesus turns to the question raised persistently by the charge of the Pharisees that he and his disciples have no regard for the Law of Moses. His disciples pluck grain from the fields on the Sabbath (Matt. 12:1); he eats with sinners, and without ritual purification (Matt. 15:1). So, Jesus will assure the Pharisees of every age: “Think not that I have come to abolish the Law and the Prophets; I have come not to destroy the law but to fulfill them. For truly I say to you, till heaven and earth pass away, not an iota, not a dot will pass from the law until all is accomplished,” until the holy ones who are the citizens of the kingdom are called and fulfilled.
And then the warning and the promise to teachers: “Whoever relaxes one of the least of these commandments and teaches men to do so shall be called least in the kingdom, but who obeys them and teaches them shall be called great” (Matt. 5:13). And the new standard: Unless your righteousness exceeds that of the scribes and Pharisees, those whose whole work is fulfilling the propositions of the law while leaving the heart in shadow, you will never enter the kingdom of heaven. And how is this to be achieved? By entering perfectly into the love of the Lord through the door to that interior castle, the will. Hardly a new idea: “You shall love the Lord with all your heart, soul, and mind.”
But what Jesus does not reveal in this place is the fact that this new law will require a new heart which can only be formed by his Pentecostal gift his death will bring. Six times the phrase “You have heard it said” is repeated, to be followed by “But I tell you.” What has been said by men of old is the Law of Moses. What Jesus teaches those listening is the new law of the heart that places moral weight not in good deeds, although these will follow, but in the renewed will. It is not what goes into a man that defiles him, the working of the world upon us is to be borne; what makes the man is that expression of the heart that forms our words and actions (Matt. 15:11).
The renewal Christ commands surpasses the righteousness of the Pharisees for it will make men and women of a flawed and fallen world citizens fit for eternal life in the kingdom of the new heart. The first contrast between what has been said and the new law teaches that the death and destruction that characterize life and history begin with contempt, anger, and insult, which can only be amended by the willingness to ask forgiveness, perhaps even when just grounds for anger are present. Be reconciled to your brother before you offer your sacrifice. Litigiousness and contentiousness unlamented lead to prison from which you will not escape until justice has been fully served (5:25–26). It is not enough to refrain from adultery; one must reject from the heart the desire for the pleasurable possession of one not yours but another’s, for the settled desire is as good as the deed done (27).
There is then the new law of language: abjure hyperbolic claims that presume a power you do not have. Jerusalem is not yours but is the city of the great king; you cannot make one hair of your head white or black (5:33–36). And do not take refuge in ambiguity; let your pledged word be sealed with a yes or no (37). This means that in the kingdom of the new heart the duty of the rhetor and the author, of every man as he speaks and writes, is to be ever obedient to the reality of the thing, whether it be an object or an idea or an emotion. And as for revenge, give it up, putting it away with the willingness to bear something, to do more than the importunate or the would-be oppressor asks. And this turns upon the extension of the second great commandment to include not only the neighbor, but the neighbor who wishes you harm (5:43–48). “An eye for an eye and a tooth for a tooth” had been at the heart of justice as the Old Covenant commended it. It was a principle of Greek morality that revenge was the justifying motive of morality, but among Jesus’ followers, something is to be borne.
Of the six contrasts through which Jesus teaches, the most shocking to his hearers was surely the abrogating of divorce, which had been allowed, as Jesus would tell his disciple in the nineteenth chapter of Matthew, because of the hardness of men’s hearts, but which now was to be done away with in obedience to God’s will as expressed in the primordial unity of man and woman in the Garden; “It was not so in the beginning” (19:8). This renewed vision of marriage would be developed by Saint Paul with the analogy of the relation of husband and wife to the indissoluble union between Christ and the Church (Eph 5:25). But in the context of Matthew 5, Jesus only teaches that, assuming the divine justice of the Edenic disposition to be true, putting a wife away inevitably sends her into another household and to another husband, if not into the street, and by doing so makes both her and the head of the household into which she may have been taken adulterers. Jesus’ teaching on divorce would be put forward fully in chapter 19:3–12, where divorce would be seen as a violation of God’s will that “the two shall become one” (5).
The disciples answered for fallen mankind: “If it is this way between a man and woman, better not marry.” This might have been said of the entire body of Jesus’ teaching in the Sermon on the Mount. If it is this way; forego revenge, love your enemies, abjure contempt and insult, walk the second mile, achieve purity of heart, who can bear it? But the divine teaching of Matthew 5 does not consist of moral maxims addressed to the world but to citizens of the kingdom of the new hearts that Pentecost will bring. These six recastings of the law in Matthew 5 offer the clear outlines of the new way of life that marks the kingdom. They are redolent of the nobility of the faith and presuppose the humility the giver of the new law displayed on the night he was betrayed (John 13:1–17).
Jesus’ sermon on the mountainside was the foundation, laying down the principles of the way that would blossom from his words after his sacrifice made the new heart a possibility and a reality through the gift of the indwelling Advocate and Comforter at Pentecost. “I tell you the truth: it is to your advantage that I go away; the Counselor will not come to you, but if I go, I will send him to you” (John 16:7). The Spirit comes with power to confirm memory and to lead into all truth, to comfort, to convict, and to convert, and to give the peace the world cannot give, and finally, our work done, to bring us to himself.
The Holy Spirit redefines the meaning of life and of history. Sin is now not simply a violation of the law but failure to believe Christ’s words and to accept the gifts that make for holiness. Righteousness is rightness of the heart formed by faith and by participation in Christ through his sacramental gifts so as to become a new creature. Mankind is made for the holiness that pleases God, enabling the sons of Adam at last to enter the conversation that was forestalled when our first parents chose the serpent’s way.
The entire Pentecostal faith, with its promise of forgiveness and the reward of communion introduced the waiting world to the great adventure that gave every man the possibility of becoming a new creature. Thus it would be that when Christians began to write they would turn to this text, to Matthew 5 and 6, to discover the foundations of the kingdom of the new heart. Other Matthean texts would be cited by writers of the post-apostolic age, the apocalypse of chapters twenty-four and twenty-five would find a permanent place in Christian faith, and the Gospel parables have never ceased to form Christian conscience and imagination: the wicked servant who, having been mercifully forgiven his debt, grasps his fellow servant by the throat demanding payment of the small debt owed him (18:20–35); the householder who gave those who had labored little as much as those who had labored long because it was his to be gracious as he chose (20:1–16); the king who gave a wedding feast to which many refused to come, and one who did was cast out as not being properly attired (22:1–14); and the parable of the talents.
These would always engage and teach, but it was the words of Chapters 5 and 6 that rippled out from a mountainside in Galilee to make a new world. The teaching of the new way issued in a new piety, with prayer, almsgiving, and sacrifice; things not to be done in order to be seen by men or to earn their approval, but privately and without calculation (6:1–15). Jesus’ followers do not need to storm heaven with many words, for they do not like the prophets of Baal need to arouse God with their shouts. Christian prayer is made in the knowledge that Our Father in heaven knows what we and every other creature needs this day, for the new heart beats within its living relationship to the ever-providential God who made it.
The first petition of the great prayer recognizes with praise that God’s name, that is his being, is holy, asking that his will, reigning gloriously in heaven, may soon be perfected in the Church and in the world. The words, “Give us this day our daily bread,” have been variously understood because the word for “daily” may be understood to mean “supersubstantial” rather than daily in the ordinary sense, so that the prayer for daily bread refers as well to Eucharistic bread.
There follows the petition that our debts or transgressions may be forgiven as we forgive others, a reference to both the fifth Beatitude above and to 6:14–15 below. “If you forgive men their trespasses, your heavenly father also will forgive you.” Always considered the first Gospel, Matthew, with the Beatitudes and Jesus’ perfecting of the law, “You have heard it said of old, but I tell you,” laid the foundation for the life of the new heart that his sacrifice would bring to the world, accomplishing in the elect the perfect virtue that the philosophers and Pharisees had foreseen but which the fallen could never accomplish apart from the cross of Christ and the regenerating Pentecostal gift he bought.
When Jesus sat down on a hillside in Galilee to teach, his words made a new world.
The image shows, “Sermon on the Mount,” by Ivan Makarov, painted in 1889.
Celebrated with great pomp at the end of the last century, the bicentenary of the French Revolution (1789-1989) did not fail to rekindle debates and controversies over the interpretation of the event. Many French intellectuals and academics were still dreaming of the “blessed” era when Clemenceau invited them to take the “Revolution as a bloc.” After all, it was justifiable or excusable for them to pass over in silence the Terror, the Vendée “genocide,” the terrible treatments inflicted by the Republic and its leaders on “monsters,” “sub-humans,” the “execrable race,” that it was appropriate to “exterminate” or “purge” the nation.
Under blows from foreign authors, in particular English-speaking ones, it had to be admitted that the “heroes” of the revolutionary gesture could not escape historical research. The corruption of Danton, the intrigues of Mirabeau, the paranoid delirium of Robespierre, the fanaticism of Saint-Just, the violence of Marat, the deceit of Hébert, the villainy of Barras were very troublesome. These men hardly corresponded to the idealized image that Republican education (primary and secondary school) had long given of this period to legitimize the foundations of a regime that had become uncertain. How many already seemed old and outdated, such as, the Robespierrolatry of a Laponneraye (1842), or the hagiographies of Danton by Quinet (1865), of Saint-Just by Hamel (1859) or of Hébert by Tridon (1864). But on the whole, the myth of the Revolution as a veritable monolithic bloc still held firm. No one imagined the magnitude of the earthquake that a group of researchers and academic historians would cause in the late 1980s.
For nearly two centuries, the theories of interpretation of the Revolution have opposed each other and clashed. But justification, advocacy, and respect for the vulgate remained the rule of research and higher education – a strict, imperative prescription that no reasonable researcher could break without risking his career.
Diverse and contradictory, the theses and interpretative theories of the French Revolution can be grouped into three categories. Of course, the historiography of the subject cannot be reduced to these three antagonistic schools, but this classification at least has the merit of clarity and convenience.
The first school of thought sees the Revolution as a mythical phenomenon, as a revelation of absolute values pushed onto the stage of history under the pressure of Justice, Liberty and the People. Suddenly enlightened and responding to the call of revolutionary divinities, the People spontaneously revolted against tyranny. The archetype of this dogmatic literature is the Histoire de la Révolution française by Jules Michelet, published from 1847 to 1853. It is perpetuated, to varying degrees, in the spirit of primary and secondary education textbooks and in cultural news delivered by the mainstream media. We find it sometimes in the liberal-Jacobin form, sometimes in the socialist form, the latter mainly deriving from L’histoire socialiste de la Révolution française, by Jean Jaurès (1901-1904).
Finally, a third school, that of the “traditionalist” or “counter-revolutionary” current (Edmund Burke, Joseph de Maistre, Louis de Bonald) considered the Terror as the fruit of the principles of 1789 and, more generally, that revolutionary logic inevitably leads to terror. One part of this approach, the supporters of a conspiracy theory, refers primarily to the works of the Jesuits Augustin Barruel and Nicolas Deschamps, or to those of Crétineau-Joly and Monseigneur Delassus. According to them, the French Revolution was the fruit of a triple conspiracy hatched by Jansenism, Masonry and other sects such as the Illuminati of Bavaria. This conspiracy theory has been the subject of fierce criticism from pro-revolutionary historiography, deeming it fanciful and untrustworthy. However, it received an unexpected reinforcement from Marxist or socialist historians, like Albert Mathiez, and Freemasons, like Albert Lantoine and Louis Blanc, who, without using the term “conspiracy,” insisted heavily on the “project” and on the “plan” of the Jacobin group and of the Masons, which could not be fully realized, solely because of the lack of maturity of the masses and their ignorance.
The proponents of this third school of thought point out that for the most conscious protagonists of the Revolution, the revolutionary movement was imagined and executed against Christianity, against the Church and in the last analysis against God. This is the thesis set out in the works of Louis Daménie, La Révolution (1970), and Jean Dumont, La Révolution française, ou, Les prodiges du sacrilège (1984), for whom the Revolution was persecuting and oppressive of the Church and the people, of God, because it was anti-Christian, capitalist and bourgeois.
Since the 19th century the various currents dominating French political life have not ceased to oppose and tear each other apart on the subject. On the right, for the Orleanists, the Bonapartists and soon the nationalists, 1789 is sacred, 1793 is hated. For legitimists and traditionalists, the distinction is not appropriate: 1789 announces 1793. With them, Maurras’s Action Française placed a heavy responsibility on an Old regime that had been contaminated for too long. On the left, they chose 1793. The left said, “No” to so-called human rights that it stigmatizes as individual, formal and bourgeois rights. The fascists of the 20th century followed suit. Drieu la Rochelle explained that Hitlerites and Mussolinians wanted to break with the legacy of 1789, which was liberal, but not with that of 1793, which was Jacobin and totalitarian.
For more than a century and a half, the battles of the Revolution, like its internal struggles, were an inexhaustible fuel for the political battles and ideological quarrels of the time. Under Louis Philippe (1830-1848), after the adventures of the Revolution and the Empire, French liberalism drew lessons from the double experience. It refocused on the right. The golden mean, eclecticism, compromise, seeking the middle ground were now the watchwords. A moderate historiography was forged by Thiers (Histoire de la Révolution, 1827) and Lamartine (Histoire des Girondins, 1847). But gradually the official discourse was radicalized on the left.
At the turn of the 20th century, outside of the usual minority, the “Revolution” was taboo. Its protests were sometimes seen as unpleasant, but it was also seen as the necessary step in achieving universal equality, freedom and prosperity. The basis of the consensus rested on a few words: “Let us forget, and do not question what is achieved.”
The first specialized chair in the history of the Revolution was created at the Sorbonne in 1866, on the initiative of the Council of Paris. It was occupied by Alphonse Aulard. The act was clearly political. Aulard until then taught only literature and philology. On the other hand, he was an ardent republican, appreciated by the authorities and by Clemenceau. Radical and aggressive, he was soon overtaken on his leftism by his pupil and rival, Albert Mathiez. The master was radical and anticlerical, the disciple was radical-socialist and Robespierrist. The two antagonists imposed their truth on the Sorbonney.
Allied to communism in 1917, Mathiez presented himself and imposed himself for succession to Aulard in 1926. To his posterity belonged primarily Georges Lefebvre, Albert Soboul, Michel Vovelle and Claude Mazauric – and later, in the 2000s, the pure Jacobins, Jean-Pierre Jessenne and Michel Briard. All were or had been militants, sympathizers or “fellow travelers” of the Communist Party. They reigned almost unchallenged over the French University for more than forty years. “The Revolution,” historian Pierre Chaunu would say, “was the privileged place of ideological manipulation padlocked by a Sorbonicole nomenklatura from Mathiez to Soboul… Masters who knew the way, ensured the scholastic self-functioning in a vacuum closed by the monopoly of recruitment.” They have thus built “one of the most beautiful monuments of institutionalized stupidity” (Le Figaro, December 17, 1984).
After the Second World War, the ideological and cultural hegemony of Marxism oriented and directed official historiography. In the 1960s, Albert Soboul still appeared as “the great specialist whose work is essential.” Intellectual terrorism marginalized or condemned to silence the independent, non-conformist researcher. The revolutionary catechism mechanically identified revolutionaries with the capitalist bourgeoisie.
This catechism made 1789 the first step in a process of which 1917 and the Russian Revolution was the final step. This thereby legitimized the Jacobin=Bolshevik equation.
But times and fashions change. The 1970s and the beginning of the 1980s were marked by a major break. English-speaking historians, little suspecting of espousing the quarrels of French academics, were the first to open the breach. Let us take two titles among others. The first, The Debate on the French Revolution, 1789–1800 by Alfred Cobban, was published in 1950 and translated into French in 1984, after the author’s death. This incisive book helped shake the commonplaces and conventionalisms of the Marxist vulgate, destroying the simplistic thesis of a bourgeois and capitalist revolution which would have replaced an old feudal regime.
Not everything is memorable in Cobban’s work. Thus, he is wrong when he insists on the population explosion. Pierre Chaunu demonstrated, with Jacques Dupâquier and Jean-Pierre Bardet, that France was the country in Europe where the population had increased the least (from 22 to 28 million in a century), and whose demographic dynamism was broken, everywhere, twenty years before 1789. But we must nevertheless salute in Cobban the first truly operative iconoclastic approach.
A second English, quite remarkable, should be cited – The French Revolution and the Poor by Alan Forrest, 1981 (translated into French in 1986), in which the author masterfully dismantles the mechanism of the evils of revolutionary ideology, the deadly refusal of realities on the part of revolutionary leaders.
François Furet and Denis Richet took up where these two English-world authors left off. In La Révolution française (1965), they tackled the already old thesis of the slippage from a first liberal revolution of the elites to a second Jacobin revolution. From a position that was still on the left, since they refused to take the plunge and to think that 1793 could have been contained to a certain extent in 1789; or, in other words, they refuse to think that the logic of the revolution carried massacre, extermination and genocide within it. Nevertheless, they did undermine Marxist dogmas.
A former communist (1947-1959), François Furet did not yet distinguish clearly enough between Jacobin liberalism (Latin, essentially egalitarian), from English liberalism (essentially elitist or even aristocratic). But in 1978, in Penser la Révolution, he rehabilitated the forgotten and proscribed analyses of Tocqueville, of Taine, even of Augustin Cochin. Notably absent in his book is Edmund Burke, the brilliant Irishman who differentiated 1793 from 1790. Furet’s work was later continued by Patrice Gueniffey (see, La politique de la Terreur: essai sur la violence révolutionnaire, 1789-1794). But it may also be useful to recall the words that Pierre Chaunu confided to me: “When Furet and I discuss in private the origins, causes and consequences of the Revolution, know that we are 90% in agreement.”
An important point must be stressed – the reflection initiated by French academic historians on revolutionary terror comes at the very moment when Marxist ideology is experiencing its first major cultural setbacks. At the top of the state (François Mitterrand was then president), reactions were quick to come. Max Gallo, spokesman for the socialist government, was sounding the alarm bells.
Gallo, historian, novelist and essayist, a former Communist who joined the PS in 1981, then reacted as the guardian of the temple. He left the Socialist Party and supported Sarkozy’s UMP in 2007, but in the 1980s, he was at the forefront of the political and cultural struggle of the Mitterrandist left. Censoring the new Muscadins in an Open Letter to Maximilien Robespierre, he churned out articles and virulent statements against them in the media. The politically condemned academics were accused of nothing less than Vichyism, even Nazi nostalgia. They were “guilty,” he said, of spreading a “right-wing” vision of the Great Revolution. Behind him were the ex-fellow travelers of the communist organizers, responsible for more than 100 million deaths around the world. All shamelessly set themselves up as masters of republican morality. Ridicule is not fatal!
It did not matter to Gallo and his political friends at the time that non-university historians, such as Jean-François Chiappe or Jean Dumont, published anti-revolutionary works. What was unbearable and unacceptable to them was “the betrayal of the University.”
One of the main targets of the socialist authorities was Pierre Chaunu, professor at the Sorbonne, member of the Institut de France (of the l’Académie des sciences morales et politiques). The prestige of this Protestant historian was considerable. Renowned Hispanist (author with his wife Huguette Chaunu ofSéville et l’Atlantique, 1504-1650, in 11 volumes), specialist in classical European civilization (La civilisation de l’Europe classique), and enlightenment civilization in Europe (La civilisation de l’Europe des Lumières), founder of “quantitative history,” he was one of the outstanding figures of French academia.
The genocide thesis was supported by Reynald Sécher first in 1986 and 25 years later in Du génocide au mémoricide. The Robespierrist point of view, denying the genocide, is still developed in particular by Jean-Clément Martin. The losses are estimated at a minimum of 100,000 souls from a total population of 800,000 inhabitants.
Clearly, the death of Lenin-Soviet eschatology has done immense damage to the Marxist and crypto-Marxist historiography of the French Revolution. The simplistic idea, popularized by vulgar Marxism, that the French Revolution is a bourgeois revolution which destroyed feudalism and replaced it with a new, essentially capitalist regime, is totally questioned. The objections are significant.
Professor Emmanuel Leroy Ladurie, himself a former Communist, sums them up in these terms: “The first is that the bourgeoisie which made the revolution is not a capitalist class of financiers, traders or industrialists, who were then ‘apolitical’ or ‘aristocrats.’” The bourgeoisie was thus juridical; it was composed of officers, civil servants, lawyers, doctors, intellectuals, whose role and action could not consist in giving birth to an industrial revolution. Second objection, the example of England shows that in a rural society, like 18th century France, the evolution towards agricultural capitalism passed through the great seigniorial domain. On the contrary, the Revolution tended towards the fragmentation of farms and further retarded their technological progress. Finally, the third objection, “it put a definite halt to big capitalism, that is to say, colonial capitalism, foreign trade and big industries.” Foreign trade did not regain its high level of 1789 until 1825. The Revolution “represented in a sense the triumph of the landed strata of society, conservatives, large and small, including many former nobles… a landed bourgeoisie… and finally small peasant owners” (Le Figaro, December 17, 1984).
The revolutionary explosion of the summer of 1789 appears to be the culmination of the contradictions of the Ancien Régime, which was unable to reform in time. At the origin of the Revolution there was the financial crisis – the debt had become too heavy a burden for the finances of the kingdom. The expenses of the American War were too great. After forty years of economic expansion and prosperity, the situation deteriorated in the 1780s. A succession of bad harvests, the great drought of 1785, and a particularly harsh winter increased the difficulties.
At the same time, an “aristocratic reaction” from the traditional nobility and the nobility of the robe challenged absolute monarchy and demanded parliamentary control, which would allow it to better retain its privileges and prerogatives in the face of the rise of a bourgeoisie that desired its share of power. To this can be added the evolution of ideas, the social critiques of Jean-Jacques Rousseau and the encyclopedists, the determining role of “Sociétés de pensée.” Finally, we must also take into account the errors of Louis XVI, who was undoubtedly a good man, but who was not on top of things.
Scientific history has shown that the Revolution ruined France; that it broke its economic momentum; and that it downgraded it. This is the conclusion of the most serious studies. Le livre noir de la Révolution française, published in 2008, leaves little room for doubt. But while academic research has shed all kinds of light on the horrific gray areas of the French Revolution, its results still needed to be accessible to the general public. Pierre Chaunu achieved this objective, thanks to a comprehensive, rigorous and attractive work, Le grand déclassement (1989), about which it is appropriate to say a few words.
Republican, Protestant and Gaullist, hardly suspected of sympathy for the “complex of counterrevolutionary sensibilities,” Pierre Chaunu (1923-2009) has undermined the sacrosanct myth of the two revolutions, one liberal, the other authoritarian, centralizing, liberticide – striking head-on one of the pillars of official historiography. And he got it right.
Let us sum up his argument. In 1789, France was roughly fifth in size, in Europe; but in power, it commanded nearly a third of available resources. Overall, she was pretty much the first. An example – the literacy rate was higher in England, Scotland and a few provinces of Prussia, but France had many more literate people than England, Scotland, Prussia and practically as many as the rest of Europe. Between 1710 and 1780, the number of those who reached the stage of independent reading and fluent writing tripled and quadrupled. After the great ebb that the Revolution brought about in this area, in which progress did not resume until 1830.
In 1789, France had at least 28 million inhabitants. Its population growth rate of 0.5% per year was one of the lowest, if not the lowest, in Europe. 16% of the population was urban. The distribution of the population was relatively more equitable than in the rest of Europe. Two million households owned 40% of the land (with some 5% of communal property). The rest of the land belonged to the nobility (25%). Finally, 10% was Church property, and 25% bourgeois property. The Third Estate therefore owned 65% of the land and the so-called “clergy” were, in large part, social assets, that supplied schools and hospitals. Peasant property was encumbered with seigneurial rights, but they were more irritating and vexatious than limiting. Common land was more expensive on average than noble land.
Overall, seigneurial rights were less heavy in France than anywhere else on the continent, except in England. Nowhere else was peasant ownership so widespread.
England broke the record in the West for the concentration of land in a few hands. But in France, the Revolution would not change anything. Since taxes were generally heavier afterwards, the levy on the peasant mass was roughly the same in 1815 as in 1789. Social upheavals affected only one tenth of the population at most. The Revolution only distributed a tenth or a fifth in value of a good part of the land, and therefore brought wealth and prestige to just a minority of its apparatchiks and associates. It was all really restricted to a few permutations at the top.
In 1758, the tax burden per capita was double in England, being around 190 in 1789, while France was at 100. At equal wealth, from the second half of the 18th century, the English paid at least one and a half times as much as the French. France, a tax haven, would nevertheless engage in a rotating strike. Almost 15% of the GNP and 3.5% of the population were in the service of the state. The King of France had 10 times fewer men on hand to control his capital than the King of Prussia, or the British Parliament.
The entire 18th century was driven by the halt that the Parliaments, recklessly reestablished in their prerogatives by Louis XVI, brought to the ministerial reform initiative. Here was the drama of the monarchy. From 1774 to 1789, the Parliaments, where only the privileged strata of society were to be found, were the winners across the board. The Ancien Régime was paralyzed by the encroachment of the law. Parliaments do not represent society, either in their composition or in their thoughts. The court was never less costly, yet its usefulness never less evident. The system was jammed, unable to match its resources to its needs; it was considered tyrannical when it was only powerless.
In 1789, most French people were Catholics and most were devout – 97 to 98% of the French people believed in God, more than 80% were attached to their Church. On the intellectual and moral quality of the clergy and on their generosity, which redistributed a good half to the poor and a share to hospital and school assistance, there was no real criticism, no bad marks. Better, the almost unanimous claim of the register of grievances is that the priests, who were well-loved and whose worth was widely felt, should be give more.
Finally, no one died had of hunger since 1709. It was not until 1794-1795 and run-away inflation that the specter of famine loomed again and that people died from it as before. In the 1780s, faced with a population growing at a rate of 0.5% annually (a growth rate lower than the English rate), production increased at a rate of 1.9%.
Paradoxically, in general, it is prosperity, not misery, that carries the risk of revolution. French society remained sufficiently open. France lived, changed, evolved. The state was jammed, motionless, paralyzed. Between the two, tensions continued to grow.
The Revolution began with a plunder, the easiest – that of the property of the Church. Monastic France was soon sold. The finest jewels of Romanesque and Gothic art were broken. They were removed, disassembled, sawed apart, broken, looted. The artistic rampage was immense. No modern war has destroyed so much wealth.
The Revolution was not the mass phenomenon that they want us to believe. There were 50,000 Parisian sans-culottes, 80,000 profiteers of national property and 200,000 onlookers. The number of angry, hateful and guillotinous dechristianizers hardly exceeded 40,000. But you only win and lose if you convince the small active number.
When, on July 12, 1790, the civil constitution of the clergy was adopted, only 4 bishops out of 136 agreed to swear to the constitution. 44% (40% after withdrawals) of the clergy swore. This is not much, because not to swear meant the loss of employment, of all resources, misery, the threat to freedom and life, banishment from the community. Since dozens of episcopal seats had to be filled all at once, Talleyrand, “a pile of shit in a woolen stocking” as Napoleon called, devoted himself to the task. He was the only one of four bishops who accepted to carry out coronations. All those poor jurat priests, some of whom claimed to have rediscovered the simplicity and rigor of the primitive Church, would know by the end of the winter of 1791 what the words of the constituent deputies were worth – a reprieve for the guillotine.
Thanks to the assignat, famine and the ruin of the economy, people died as much and more than from the guillotine during the winter of 1794-1795. The famous paper money assignat was criminal folly. To pay off its promises, fuel its fantasies and finance the war of aggression against a peaceful Europe, the Revolution had only one means – inflation, the most unjust tax.
The mortal sin of the Revolution was, after religious persecution, gratuitous war. The war allowed murder to be legalized, any internal opponent being equated with foreign enemies.
For the period 1792 to 1797, losses amounted to at least 500,000 men. Disease killed more than bullets (3 to 4 times more). If we add the civilian losses, men, women, children (mainly in Vendée), the losses of the revolutionary period came to cost nearly 1 million human lives. The Empire would add a second million to the first. In total, 4.5 to 5 million dead, in a Europe of less than 150 million souls. The responsibility, all the responsibility for the outbreak of war rests with the revolutionary power. It deliberately chose war; it provoked, attacked, invaded.
The war broke France’s growth; it slowed it down everywhere else, even in Great Britain, but in which case the slowdown only affected consumption. In the France-England equality ratio, we go to a gap of 10 to 6. France had, per capita, caught up with England in 1789; it was in the ratio of 100 to 60-65 in 1799. Ten years of assignats and the great massacres definitively downgraded France. The gap would no longer be made up.
Let Pierre Chaunu conclude in a concise manner: “While all the work of history released from the myth establishes that the chaotic process which created the revolutionary vortex was the effect of chance – September (1792), Fouquier Tinville (public accuser of the Revolutionary Tribunal), ruin by the assignat, and the war, the destruction of the artistic, moral and religious cultural heritage, the depopulation and the devastation of the demographic impetus, the genocide-populicide of the Vendée and the populicides of Lyon, Toulon and elsewhere – all this follows implacably from the most implacable revolutionary logic. Once the Revolution is born, it kills. Death is its profession, annihilation its end.”
Product of chance, execution of a deliberate project, direct or indirect consequence of one or more social factors, the debate on the interpretation of the Revolution is not about to end. But one point is clear – for rigorous and serious history, the Revolution led France to a terrible moral, social, economic and political collapse.
Arnaud Imatz, a Basque-French political scientist and historian, holds a State Doctorate (DrE) in political science and is a correspondent-member of the Royal Academy of History (Spain), and a former international civil servant at OECD. He is a specialist in the Spanish Civil War, European populism, and the political struggles of the Right and the Left – all subjects on which he has written several books. He has also published numerous articles on the political thought of the founder and theoretician of the Falange, José Antonio Primo de Rivera, as well as the Liberal philosopher, José Ortega y Gasset, and the Catholic traditionalist, Juan Donoso Cortés.
The image shows, “The Zenith of French Glory: The Pinnacle of Liberty. Religion, Justice, Loyalty & all the Bugbears of Unenlightend Minds, Farewell!”. A satire of the radicalism of the French Revolution. A picture by James Gillray. February 1793.
This month, we are highly honored to have a conversation with Professor Wayne Cristaudo, philosopher, author, and educator, who has published over a dozen books. He speaks with Dr. Zbigniew Janowski about the predominance, in the West, of idea-brokers, metaphysical rebels and triumph of ideational narratives over life itself. Professor Cristaudo aptly points to the great malaise of the West – its fervent addiction to bad ideas.
Zbigniew Janowski (ZJ): Let me begin this conversation with something that my Canadian colleague said to me when I arrived to teach in Canada—in Halifax—20 years ago. “We are Americans without being arrogant and British without being boastful.” Having never been to Canada before, I was under the impression that Canada is very much like the US.
Then I discovered – or at least what I discovered in Nova Scotia, which is very patriotic, somewhat provincial and certainly less cosmopolitan than the rest of the country – that they value their British roots, which defines their national identity. Most of my colleagues were educated at Cambridge, are Anglican, the system of education – tutorials – is much more like in the UK than in America, the city looks like small British towns, and Canadian flags used to hang on many houses, probably to stress their “independence” from the US. In this part of Canada, Britishness is still, or used to be 20 years ago, part of their identity.
As an Australian, someone from a former British colony, can you say that Australians feel like my Canadian colleague?
Wayne Cristaudo (WC): When speaking of Australians, the same kind of cleavages that are occurring elsewhere in the West between tertiary educated elites and more traditionally minded people, plus demographic changes due to immigration, make it hard to generalize.
David Goodhart in his The Road to Somewhere – largely an attempt to explain Brexit, but also the election of Donald Trump – speaks of two classes today: the “Anywheres,” – i.e. those who are largely free to work and live anywhere and whose sense of identity is bound up with their global opportunities and their own “progressive” values; and the “Somewheres,” those whose location and sense of place and national heritage matters, as they see their localities and values undergoing radical transformations.
This later group also sees itself as having lost the cultural and economic wars. My friend Bob Catley, in response to Goodhart, added that this is something of a misnomer, as the “somewheres” are now the “nowheres;” that is, their world is being destroyed daily.
In Australia, I think those who strongly identify with Britain are now in a minority, as the number of immigrants from non-British backgrounds has risen dramatically in the last few decades. When there was a referendum on Australia becoming a republic some 20 years back, the republican model was rejected. But this was not because of love for the “old mother country,” but because the majority did not like the proposed model that had come out of a publicly funded (ostensibly) representative “elite” forum.
Nevertheless, it is true that Australians would probably rather lose to anyone (New Zealand not included) besides England in any sporting event. We are, though, a deeply fractured society and so appeals to unity tend to ring hollow – as hollow as our terrible national anthem which almost no one can sing through to its bitter end. Like most other Western countries, Australian identity is secondary to some other feature when it comes to political disputation.
ZJ: Canada is part of the Commonwealth, just like Australia. On the Canadian dollar one can see a beautiful image of the British Queen. On the other side of the Canadian dollar, we find a loon. I used to tell my liberally-minded Canadian friends, jokingly, don’t think of seceding from the Crown. Why – they would ask? Because you will have to replace the Queen with another loon, a bear, or a bird.
Australians have the Queen, too, and a kangaroo. This sounds facetious, to be sure, but it touches on the problem of national identity. Cultural identity cannot be rooted in nature. Even Thoreau, who lived in the wilderness and praised nature, was a cultured man, who loved the Classics. In his Walden there is a beautiful chapter on education, in which he urges Americans to read the Greeks.
Do you see any similarities in the cultural and political predicament between Canada and Australia relative to your attachment to the British Crown? Or does the geography of Canada (as a U.S. neighbour) and yours – a continent – and different history (no Royalists [or, United Empire Loyalists] who fled to Canada after the 1776 rebellion) make a difference? For one, you do not seem to feel the same pressure that Canadians do to be more “American,” and thus, having your cultural affinities imposed on you.
WC: While I really have no idea if French Canadians feel any particular cultural connection with Britain, Australia does not have the American neighbour syndrome. As for being free to choose our identity, I think that while Australian tertiary educated people are frequently anti-USA – the USA being seen as the imperialist country which creates wars wherever it goes – it seems to me that the same class of people, especially those who are Australian ideas-brokers, take up every liberal-progressive position that is pushed by, and invariably formulated by, US ideas-brokers in the same professions. That is, our academicians, journalists, teachers, et. al. can be relied upon to repeat and vociferously defend any idea that has gained narrative traction amongst progressives in the US. Ultimately this should not be surprising.
Any collective is a collective because of the stories and experiences it shares. The U.S.-led globalisation of stories through Hollywood, Netflix etc., and the normative appeals that are characteristic of those stories, plays a huge part in how people now understand themselves. So, I don’t really see identity as a matter of choosing or not choosing, but as what people identify with, and presume. And what is occurring is that where narratives are shared and replicated, as part of daily social reproduction, common ways of talking, similar presumptions, expectations, habits (i.e., similar features of identification) are formed.
For example, the elite in Australia see Donald Trump in exactly the same way as the readers of the “New York Times” or humanities students in elite universities in the USA. At the same time, the people who voted for Brexit and the people who voted for Donald Trump have a great deal in common because they have experienced a very similar kind of loss with respect to their more traditionally based social and economic place in the world.
Interestingly, though, early nationalist theorists such as Herder held that the nation was commensurate with a more tolerant and (dare I use this term) enlightened and cosmopolitan world. Membership of a nation meant that one could connect with others through initially bonding around shared stories, experiences, sentiments, tastes, loyalties and commitments, and only after that would one be in a position to form further bonds of solidarity with others. The older notion of nationhood takes for granted that members of a nation are very different in the roles they must play and the sacrifices they must make. So, a nation bonds the different into a greater unity.
The contemporary anti-nationalist, on the other hand, sees identities as based on the will, and the body itself based on the will (sexual/gender fluidity, for example); and what really matters – indeed the only thing that matters – is that the principle of emancipation is adhered to.
Conversely, one has a stake in the future because one can demonstrate that one is of the oppressed and hence a contributor to the great emancipation. Of course, this is the triumph of the abstract – there is absolutely no need to understand people as complex characters in order to think like this. And indeed, most people I know who think like this are completely lacking in psychological acumen, historical and genuine cultural sensitivity.
ZJ: When I taught in Canada, part of the program was WWI poetry. I vividly remember teaching a poem by Wilfred Owen, which I would like to quote here: It is a poem you know: “Dulce et Decorum Est:”
Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys! - An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime. -
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues, -
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum estPro patria mori.
The poem is very timely in a perverse way. We live in times when nationalism is under attack, thought of as evil; patriotism is ridiculed; globalism is the new faith – but it is a faith of someone who is attached neither to his country, his religion, his civilization, or his culture. In fact, it is a faith of someone who has neither fatherland nor culture. All kinds of semi-ideologies, like climate-change, vegetarianism, etc., have become an ersatz for cultural identification.
The last line of the poem seems to ridicule or question the idea that goes back to the Romans and the Greeks.
When I taught this poem in 2001, the Canadian students were somewhat divided about the idea, about it being a lie to die for one’s country. However, one student – whose parents I knew rather well, a very old Nova Scotian family – blurted out: “I have no intention of going to war and dying for American IBM or the Canadian Postal Service; we had Royal Post and now we have a big nothing that does not even deliver mail on time.”
I thought it was an interesting answer. It expresses a deep human sentiment – the need to be attached to national symbols, country. Even death has cultural ramifications. People want to have a reason to die; they do not want to die as cogs in some global machinery – needlessly, senselessly. What is your take on it? Are Australians similarly minded, or are they going to go to war to die for Starbucks, and dying for Starbucks or Amazon is the new truth, whereas pro patria mori to gain glory is “The old Lie?”
WC: I think my last answer anticipated this question somewhat. So, let me leap ahead again and address what I think is the really important aspect of your question. As you have gathered, I am not at all comfortable trying to speak about Australian-ness as if I were somehow a representative of it, or as if it were some sort of essence. Its meaning is very loose and mutable. And, as far as I can tell, in so far as it exists today, I think it is largely limited to the “somewheres,” though the “anywheres” might support their one national team in sports such as cricket, rugby, soccer, the Olympics, etc.
The following example is pertinent. Recently, a Christian rugby player (one of the few star players in our national team) lost his contract because he tweeted that liars, adulterers, drunkards, homosexuals and others were going to Hell and he called for them to repent. He had violated some ethical code that the sponsors (Qantas) had dreamed up. Of course, it was not the adulterers, liars, drunkards who were offended, but the gay lobby group. The country was deeply divided – and the irony was delicious.
Most of the “anywheres” wanted him sacked because what he said was “hateful,” yet few of them actually believe in “Hell;” most of those who supported him were “somewheres,” and many were not Christians, but simply did not like a corporation having so much power, and they also don’t like the idea of their jobs being reliant upon not being allowed to express their opinions.
The “anywheres” present themselves as defenders of the minorities and marginalized, which means they put gays, “people of colour” (so all non-whites can be treated as oppressed), and Muslims all in the same box. I very much doubt that if the rugby player had been Muslim, he would have lost his contract. It would have gone into the “too hard to deal with” basket.
The globalist or elite understanding of identity requires simplifications which fit the larger narration of their idea of a better world, and that is somehow (inanely) supposed to bring together (non-European, and non-Christian) traditions and culture with modern sexual freedom and gender (now non-binary) roles. But the more archaic understanding of identity was based upon more primordial aspects of collective suffering and sacrifice, founding and forming.
The ancients knew that life is sacrificial – and the ritual of sacrifice is a figurative display of one of the most primordial truths of human existence – collective life requires of people that they yield something of themselves to the collective, and each member plays a role – those roles are not equal, of course. How could they be?
Equality is abstract; our original divisions of labour are driven by real problems not abstract ones – someone must grow the food, someone must stop others from making raids, someone must pray that the gods support us, someone must judge and so forth. Each kind of sacrifice has a specific value, and pay-off – warriors have weapons and extract from the food supply, but they risk their lives; food producers have security but are vulnerable. Life is not a geometrical puzzle composed of equal parts.
ZJ: So are you saying that the pre-modern understanding of the sacrificial dimension of social life has been replaced by a more abstract understanding that makes life more manageable?
WC: Exactly. The abstract nature of modern appeals goes hand in hand with an approach to social life generating leaders/elites who have to justify their authority: they are moral paragons who know all that needs to be known, and they will “save” us all by educating us to think just like them. But who wants to sacrifice themselves for a world that is part Brave New World (sex/ drugs/ infantile distractions and self-absorption) and 1984 (complete conformity down to what one thinks or thought twenty years ago)?
The world that is supposed to be totally emancipated will become the most slavish society ever; and the irony is that it will do so largely because the modern elite have no understanding of the sacrificial nature of existence – for our contemporary ruling class, sacrifice always means oppression.
The archaic and pre-Westphalian “people” or nation was a collective formed across generations, in which roles enabled different groups to operate upon, and open up, different “fronts” of the real: it identified with a certain history and destiny, and hence is as apposite as it is for tribes, cities or empires.. The nation in this sense is a source of collective sustenance; and as such it commands sacrificial service. To be sure, because something is held together by its sacrifices does not mean that those sacrifices may not be in vain, nor that there was never cruelty, or “oppression.”
Let me also tie this together with the point you make about what the young may be willing to die for – not, say, Starbucks, or a bank. We know that humans are quite ready to throw their lives away for something they believe in. And as I said, people generally seem to need to serve something higher than themselves. For a lot of people today it is climate – and there is a faith in the earth as our mother; and if we but treat her well she will treat us well.
This is a good illustration of the polytheistic nature of the modern – but this is all concealed because we use what Vico identified as demotic, rather than poetic language. And hence we make issues around climate a matter of “science,” reinforced by ideology and mechanisms of political authority.
So, the way I see it is that it is the spiritual hunger that is driving the various progressive/utopian narratives – and these are, in turn, shored up institutionally and economically, so that those who learn the narratives and share the spirit will become the priests, and their narratives become the prayers that the rest of us are meant to live and swear by.
But those whose economic agency and social existence is not at all nourished by this god, and this priest-class, look back to what has provided nourishment from the past – and that is the more traditional forms of communal solidarity: family, workplace, church, and the nation. But, sadly, for them and perhaps for us all, the fracture is so great that I do not think repair is possible.
ZJ: Let me ask you a related question about death. Albert Camus wrote the essay “The Myth of Sisyphus,” which opens with a strange idea: There is one, and only one, philosophical problem – that is, suicide. I was always puzzled by it. Here is someone in the middle of the 20th-century, who claims that the entire effort of Western civilization was pointless unless it addressed this one question. Accordingly, only a few thinkers would qualify to do philosophy in this sense: Pascal, Kierkegaard, Dostoevsky, particularly his Dream of a Ridiculous Man. None of them, let’s note, figure in history of philosophy books.
Camus goes on to say that the question is whether it makes sense to go on living. In other words—Does life make sense? And he answers by saying that there are only two ways, of which the Don Quixote way is the only solution. What he means by it is that we have to invent sense. I like the Don Quixote metaphor. What happens in the novel is that Don Quixote wants to revive chivalry, an ancient, medieval way of life. He fights with windmills, glorifies a woman from low background by elevating her, in his imagination, to the status of a lady. Everybody is laughing, thinking that he has lost his mind, and to indulge him in his insanity; everybody plays the game. However, as they play the game, they get caught up in living in his world – the world of imagination.
One way of applying it to Camus is that only by elevating our status as human beings through imagination which creates values. Can we elevate ourselves without thinking about dying a senseless death? Do you think that what I said can be translated into contemporary social or political categories of national culture, patriotism, of defending oneself against the onslaught of globalist ideology, which leaves people helpless and contemplating death because they see nothing to live for? The suicide rate in the US went up 30 per cent or so in the last 10 years, and it is highest among young people.
WC: I love Camus – and it was very wise of him to make suicide a central issue, though the importance of collective suicide is something, I think, he addresses in The Rebel, a book I admire even more than the Myth of Sisyphus because it provides one of the most important diagnoses of the rise of totalitarian philosophies and politics.
At the heart of the book is the idea of metaphysical or cosmic rebellion, which I think is his greatest idea. Metaphysical rebellion is the defiance of life itself that involves resorting to absolutist abstract ends such as freedom, equality, justice, identity (the Nazis) which can never be actualized but which pull us ever further into violence and murder.
Camus compares this with rebels who make a pact to improve their specific lot and know that sacrifice and murder will be part of the deal – but in the knowledge of what they are doing, they bond together around the limit of their pursuit for overthrowing a specific group of people who are doing very specific acts of injustice. This is very different from someone saying that an entire system is unjust and that one must destroy the system/totality and replace it with a new one based upon perfect principles.
Metaphysical rebels – which is what the modern intelligentsia largely are – do not own up to their murderous incitements or deeds, and they find their absolution in the perfection of their ends which exist in such stark opposition to the world that they make.
I think it is also pertinent to your observation about Don Quixote. Cervantes is another great critic of modernity, who sees essential features of it and hence consequences for the modernization of humanity at the moment of modernity’s birth. His imagined world has a depth of meaning that the mundane world has lost – and it has lost it because it has sapped the inner resources of the imagination by constraining them in such a way that they are either directed to technique or technology, or entertainment and art.
Nietzsche saw the problem of nihilism, but he thought he could manufacture a myth that would make life for the strong worth living (“the eternal recurrence”). I think this is another symptom of the insane hybris of modern thinkers who think their scanty and threadbare ideas – their little bit of learning suffices to make a world (again, Descartes springs to mind, with the World being the title of his posthumously published magnum opus, though he limited himself to the natural world).
It would be a very good thing if people stopped revering intellectuals and operated from the basis that none of us know very much. One reason I like monotheism is that it accepts our need to divinize and serve, but also restricts it to one power. I am astounded, for example, by how little Marx and Nietzsche knew, compared, say, to Herder, who seems to have never stopped finding out stuff – not that I know that much, but my point is that none know that much compared to the infinite quantity of what there is to know.
ZJ: Since you mentioned Descartes, the question arises – his mechanical model of the world and man, his nature, whose operations can be explained in scientific terms, does not make room for values?
WC: Modern myths are really “make believe” and they are predicated upon conscious decisions. I think pre-modern myths work exactly in the opposite way, which is why pre-modern myths are so fecund and modern ones so narrow and limited in their social appeal. This also relates to the other part of your question about national culture and globalism. National culture was a name after it was a fact, or rather an amalgam of practices, commitments, processes, appeals, symbols etc. long before there was such a thing as “nationalism.”
Thus, it was that when nationalism became a coherent ideology, it required retrieving a past and its symbols as powers for intensifying the solidarity that was already there in a particular collective formation – people felt part of something before they gave a name to what they were doing and had been done. The nation was actual before there was nationalism; nationalism, though, was invoked to overthrow powers that could be identified as serving other national or imperial interests. (Of course, the modern nation and modern nationalism also introduced novel political elements which were part of the great transfer of power between political elites).
Typically today academics see something like the nation as a confirmation of their belief that societies are constructed – the presumption being that they can create/ construct the kind of society they want. I think they confuse what it is they are doing and want to achieve with what other people before them have done. They focus upon intention, and completely miss the vast array of world-making that simply happens and is neither conscious nor intended.
ZJ: Once, in our private conversation, you mentioned Allan Bloom’s book, The Closing of the American Mind. The Great Books Program, of which Bloom was a great defender goes back a hundred years. if I am not mistaken, Harvard University Press or the University of Chicago Press were the first to introduce a set of readings – books – that every American should read. The Great Books Program became a standard of education in the US.
Bloom’s Closing started a furious debate over Western civilization in the States. Even Jesse Jackson, not known for his learning of Western Classics, said, “hi, hi, ho, ho Western Culture’s got to go.” It’s gone. The consequence – serious education disappeared from American college campuses, which became a mecca of cultural barbarism.
Here are a few questions. What kept Americans together, what formed national glue, was the reading of Great Books—the European Classics, which kept them close to Europe in the 20th-century.
What kept, or still keeps Australians (culturally) together? How did you ensure the sense of European identity in Australia?
WC: Let me first say something about Great Books in general, their importance and Bloom, then the US and lastly Australia.
I have taught the great books ever since I started academic life. One course that I taught for many years at the University of Adelaide had the title, “Great Ideas of Western Civilization;” another “Great Ideas in Literary Texts.” (Though the problems that have come to light with Australian universities wanting to stop, or undermine, the attempt to introduce courses in Western Civilization by the Paul Ramsey Foundation, indicates that, in many campuses, I might not be able to run courses with such titles today).
The reason I taught these books is that for a book to be considered great, it has to have had a great impact. The greatest, say, the Bible, the Koran or the Iliad have been people/nation-forming. The next greatest have been human-type forming. And finally, less impactful, but still important, the genre or subject forming or developing. Socrates and Plato formed a new human-type (the philosopher). Of course, the Pre-Socratics are their precursors in this project. Aristotle does not do that, but he certainly improves and contributes to philosophical ideas in a “great” way: One simply cannot talk about the Middle Ages without talking about the Medieval university and scholasticism – and as soon as one talks of them, one must speak of Aristotle. For Aquinas, Aristotle was simply referred to as “the philosopher.”
A great book is not just a matter of quality. This is where I think Harold Bloom got it wildly wrong and why his book on the Western Canon ends up as a list that exponentially increases because there are more and more people writing and a lot of it is very good. In some cases, the literary quality of a great book may have nothing to do with its greatness. Goethe’s Faust is a great book in its depiction of the modern predicament. But as a work of literature it is terrible – poorly cobbled together (over a life-time), haphazard, and containing episodes of very uneven quality, ding-dong poetry, etc. But none of that matters. To be greatly crafted and even imagined does not mean a work is canonical.
While Harold Bloom makes too much of literary qualities when it comes to great or canonical works, Alan Bloom makes another kind of mistake – though he is so much better than most of his critics who were just ideologues. Alan Bloom (in this he is just like his teacher, Leo Strauss) treats the great books on the basis of their perennial character. Like Strauss, he detests relativism and historicism. I don’t want to go into the grain of the arguments concerning historicism. And as for relativism, I think it is just a very unhelpful word, and I am suspicious of the way that disputes, where the details matter, become cordoned off into an “-ism.”
But what Alan Bloom and Strauss (to those who read German, this pairing of teacher and student is pretty amusing) tend to do is make of their student homo perennial as well as the book. So, once they start engaging with Plato or Machiavelli or Rousseau, you also find yourself caught up in the American constitution as well as arguments that ultimately require you to give yourself over to how Alan Bloom or Strauss see the world, which is ostensibly very reasonable, and which ostensibly owes so much to Plato or whoever. All sense of “growth,” of collective engagement and lessons that transpire over time and across the ages, that arise from very different kinds of circumstances and ways of world-making is simply brushed aside as “historicism.”
I don’t like this at all, because I think their students are usually very weak in their ability to enter more closely into other worlds and deal with problems that are not their problems, but which if they took seriously might considerably broaden their horizons, and their imagination and their capacity for empathy as well as their appreciation of human and collective nature and development. I have always found Straussians somewhat like Marxists. Girard tends to attract similar types: they all think what they know is essentially what they need to know.
So, Great Books – yes, great. But their point – for readers of today – is not merely to draw us into one person’s take on the real – no matter how brilliant. Rather such works serve as entrances into worlds far beyond what we think we know. They are revelations, founding acts of creation, as well as entrances into the creation of a new “world.” And one must realize how much contestation is going on within them, and how they are an opening to a great array of circumstances and problems and points of view, and they do not spare us our own tribulations and need for resourcefulness. There is no human master whose feet we can sit at while supping forever off their words. Life is one great trial after another.
ZJ: How does it relate to Australia, your sense of identity, and can one claim, as Americans did, that identity can come from reading certain books?
WC: As for the US and Australia and great books, as far as I know, the curriculum in the Arts and Humanities in Australia (up until the 1980s and 1990s) generally included works that would also be considered great. At the same time, I think already in the 1920s and 1930s, a scientistic spirit had entered into the university as behaviourism, and positivism took hold of the social sciences. Philosophy was beginning to focus upon problem-solving and moving away from a knowledge of the history of its subject.
But it was really the 1960s politicization of the curricula that led to the disciplines and their founding/core texts (great books) undergoing such a transformation that the minds of the students who entered them were left in tatters, only glued together by ideology. The same process, more or less, happened in Australia.
I think the identity that was cultivated had far less to do with universities, which were for the relatively few, and far more to do with schools and churches, and also clubs and associations. Here the Bible mattered a lot. As for Plato or Rousseau, etc., not that much. I suspect, but am happy to be corrected on this, that Montesquieu and Locke mattered far more for the historic moment in which Jefferson, Adams, Madison and Hamilton et. al played their part (and because they are founders, their ideas and reading really matters) than in times when the creation, diffusion and variety of ideas and practices are implicated in events that don’t have overly much to do with humanities subjects in universities.
Indeed, my criticism of Alan Bloom and Strauss is apposite here, in trying to figure out the values and collective decisions that were important in the U.S. and Australia. In the second half of the nineteenth century, or much of the twentieth century, I would not be primarily looking to universities, certainly not primarily to the study of Plato, Hegel, etc. when thinking about the US or Australia but to larger events and more variegated narratives, and the insights of journalists, writers, clerics and other well read cultural figures: the cultural unity was not primarily philosophical because it was not an ideational/ ideological fabrication. The importance of the Bible I just mentioned confirms the point I wish to make: the Bible is not a book of “ideas” – indeed it confounds rational explications of human behaviour or ethics. It is a book of stories, events, mysteries, relationships, trials and failures, broken and kept promises, sin and redemption. It is a story, a love story between the Lord and His “servants,” told across many ages, involving many people and events – not a philosophy. It spawns countless interpretations because it is full of contingencies – which is the way life is; philosophies, on the other hand, smooth out contingencies to make them align to what we or someone can rationally think about them.
However, in the 1960s, I think this changes because there we can definitely recognize (a) that the rise of mass education will impact upon those who go into professions and (b) that the ideas which were part of the social revolution of the 1960s have gained increasing social traction – in part again because teachers, journalists, etc. go to universities where these are the narratives and ideas they get trained in. This also happens to occur at times when the other sites of social induction (the church and clubs and associations) decline in terms of influence.
So, the attack upon authority coming out of the universities, which then enters schools, newspapers, tv shows, movies, etc. changes the entire culture and aesthetics of appeal and value, and indeed the moral economy, so that now being hostile to tradition is affirmed by one’s grades, employment opportunities, moral status.
To put it bluntly, the destruction of national identity, which is common to the entire Western world, is a direct corollary of the creation of an elite group of educators that is essential for the social reproduction of professionals who are needed to run the private and public sector. It was this class that created the Russian revolution, and it is this class that is creating the global revolution. And in both cases what was being thrown away was the features of identity and solidarity that are not the results of elite manufacturing.
Unfortunately, our elites can only think in terms of elite manufacturing. This is our tragedy – that our social and economic dependencies are dependencies of destruction – conscious attempts to rip up ways of life in which many people still have a stake, and replace them with new ones in which the stakeholders are mainly paid for words, ideas, and enforcement of those words and ideas, and practices that fit them.
ZJ: Several years ago, the Polish philosopher, Ryszard Legutko, published The Demon in Demon in Democracy, the book you read and liked. It sold 16,000 copies within a year. It may not be Bloom’s million, but it is totally unprecedented. It was translated into German, French and Spanish. It provoked good reactions for the most part. How do you explain its success? What is it about Legutko’s book that explains why so many people read it?
WC: When Closing of the American Mind came out a lot of people could see there was a kind of madness coming out of higher education, especially, but by no means only, in the USA. That book gave an explanation for it, and it also offered hope that there was a better cultural way. Sadly, I think that way has no institutional support.
Having said that and perhaps to offset my pessimism, it is also the case that institutions are bearers of spirit, and spirits die; and then it is up to us to give birth to new institutions that better enable us to carry on across the times, as we gather and transfer our powers to future generations. So, what I am seeing in its destructive throes is also the occasion of new unpredicted responses and creative acts that may well help us outrun these diabolical stupidities of the modern mind and heart.
Legutko’s book, which I learnt about through Nick Capaldi, is about the diabolical nature of over-politicization and the tendency of that within democracies. One should bear in mind about democracies that they have never endured for very long; and that while they solve problems, they also create a problem for any class or group that wants its way. This is the problem being faced now – democracy is taught as a good thing and is defended by journalists, etc. until the moment when the electorate do not want what their elites – especially those who live off narrative formation, instruction, etc. – want.
The EU is the model of the Western post-democratic future, though it may just fall apart. Again, I think there are many people who agree with the diagnosis provided by Legutko of how liberal-democracy is proactive in forming a totalitarian mind-set – confirmed, of course, in practice, by the hostile student attempt to stop him speaking at Middlebury. Again, it only showed how desperate our ideas-brokers are to preserve really bad and fragile ideas.
ZJ: What I find surprising, and I do not say it to diminish the originality of Legutko’s book, is that we do not find anything shocking in the book, and yet it became a philosophical bestseller. When I read it, I thought, it is very good, persuasive, very well-written – but he says things that should be obvious to everyone. Yet he infuriated the professors and students in America, at Middlebury College, for example, to the point that his lecture had to be cancelled because the college could not guarantee his security.
Under Communism, we would have loved to hear a speaker who said things which were controversial. In today’s America, we shut down people who even dare to think differently. Is the situation in Australia the same?
WC: Identical! Again, it has to do with class rather than culture; or, more precisely, class can also affect culture. The Left thinks it is making such great strides in human emancipation when it is just ensuring that we are replaceable, that we are resources to be managed and directed by those who have the ambition to rule, manage, and control the future on the basis of their certitudes about the nature and purpose of life. This is why global corporations can, and indeed do, ally themselves with socialist or “woke” “radicals” and causes – BLM, Antifa, etc. Forgive me being bleak again – but this is why the faith I have in humanity comes from spontaneous, unpredictable acts of loving kindness, friendship, etc.
Those people who booed and shut down Legutko showed that they are the real enemies of creative freedom and are the enemies of a more convivial future. But they cannot see themselves. If, as they get older, and they wake up a little from their “wokeness” and look back upon what they have done, and if they have any spark of soul left, they will be ashamed of what they have done. The millennials are just re-enacting what my generation did some fifty years back; and so a number of us also look back in shame at our younger selves.
ZJ: Let me go back a bit. You do not have, and have never had a Great Books program; nor did the Canadians. Only Americans did. All three of you were former British colonies, yet only in America’s case was the national identity guaranteed by “pumping” European heritage into the students’ minds; not in Australia, not in Canada. How do you explain it? Is the presence of British heritage stronger there than in America? Or is it connected with the idea that the U.S. had become much earlier a country of immigrants from all over the world, rather than from Europe or Britain?
WC: As I mentioned, I did teach Great Books, and for a long time. Although people did not teach subjects called Great Books, parts at least of the curriculum of the BA was steeped in Great Books. English literature students studied Paradise Lost, some Shakespeare, Blake, etc. Philosophy students some Plato, or Hume and Locke, and so on. So, I think the kind of “pumping” process was occurring. But as I said earlier, I think, the Bible excepted (and even that spreads through rite and ritual), the cultural formation should not be understood solely through books.
The British heritage was strong in Australia – but not so much now, though the other cultural forces are more diffuse. But the American influence (music, television, film, books, ideas) is huge. I don’t want to segue too far into American identity, but I will just say that I think Americans tend to see the world as themselves writ large, and Australians also tend to do this. There is, in my opinion, too much blah-blah about identity. Where real identity exists, one often doesn’t talk about it; one just carries on a certain way. Where people insist upon identity for political gain, it is usually because they want to dictate how people with certain features or interests must behave. It is very self-serving, and has little to do with any reality. It is true that if one’s world is under threat, then identity may be important. Context matters – there is a big difference between identity being appealed to from the ground up to bind people together because they are genuinely under threat and are treated as identical by enemies wishing to harm them than an elite defining what constitutes an identity so that they can make clients and dependents of a group with certain common features.
ZJ: Americans are obsessed with their founding. Each year we have another book about the American Revolution, and how great it was that we separated. One of the myths is “persecution” and “freedom” – which from European and particularly British perspective, sounds strange. It was the dissenters – the troublemakers – who fled, colonized the continent and, as a distinguished English historian, Jonathan Clark, sees it, 1776 was the last war of religion, and the unfolding of European history in the New World.
This is not so in Australia (or Canada where the Royalists fled [and known as the United Empire Loyalists). You do not have the same national myths, and your relationship with your “mothership” does not seem so stormy. Where might such a difference come from? What is Australia’s relationship to Britain now?
WC: We were settled by convicts, though not South Australia. The Australian myth is one of rebellion, mistrust of, and refusal to kowtow to, authority. Our founding myth is the Anzac defeat at Gallipoli. We are a nation of losers, so to speak. But there is also a sense of betrayal by the mother-country, of us being sacrificed in a larger game which we did not control. The other part of the myth was the Outback. But Australians largely live on the coast and most are urban dwellers.
Now the tertiary educated, who dominate our ideational narratives, see Britain as a colonial power wreaking destruction on the world, so we should distance ourselves from it. (They are so historically ignorant that they do not see the relationship between resource competition, the scale of territorial power, military conquests and alliances, the need to find resources to maintain military power, and hence the logic of empire as expansionary but also cross-cultural).
Thus, we went from having a bit of a chip on our shoulder about the British, to seeing ourselves as their moral betters – though we still have bits of shame and guilt to pour on ourselves with respect to the treatment of indigenous people. Given that the British, like the Americans, are also caught up in their own guilt and past shame, this too is a more global phenomenon within the West – Chinese and Muslims certainly are not using their own sense of shame as a means of moral, economic and institutional opportunity or gain. What matters for them is pride in their past – and their shame comes from the power they have lost, not the power they inherited!
Our old myths really have little leverage in Australia today. And all myths to the contrary, we are, in fact, a terribly bureaucratic country. The urban/regional split also means that those Australians who are more like the mythical Australian (laconic, irreverent, more given to practical action than talking) tend to be seen as stupid by urban Australians.
One only has to tune into our national public broadcaster to see that our tertiary educated urban population are a nation of groupthink. Try questioning climate change in any public forum, or within a university – good luck! So, we are a torn country. Presently, many argue we should not celebrate Australia Day because it is celebrating conquest, if not outright genocide. Our professional classes are as given to moral absolutes and hyperbole as the Americans and other Western European professional classes – on very similar issues. Once again, it is symptomatic of the globalisation of industry and ideas, and the divide between the old national members and the new globalized elites.
ZJ: Let me recall a historical fact that few people remember or know of. In 1975, the Australian Parliament got dissolved by the British Queen because it suffered from gridlock. In other words, it became dysfunctional. We cannot do this in the US. In fact, we cannot do it anywhere with full democracy. In your case, it worked and it proved that a mechanism like that is needed because a parliament or congress cannot dismiss itself. Monarchy – however limited – seems to work. Look at Brexit… Parliament is helpless.
WC: Well, in that instance, it was the Queen’s representative that broke the gridlock. Many still call this a constitutional crisis, even though the election quickly followed the sacking of the elected Prime Minister. In a sense you have answered your own question. Britain is a monarchy; but parliament is helpless in times of a crisis. A political system is ultimately only as good as the political culture which sustains it. Thus, our crises are cultural crises played out within systems – and tearing them apart. A system does have a fair amount of cultural capital stored within its practices, but that cannot last forever where the wills of its opponents are powerful and unified.
It is probably obvious from the answers I have already given that I think Western democracies are in serious trouble. There are structural and cultural aspects of that crisis. Structurally, the crisis has come about through the elevation of a class who see themselves – and indeed have become – global and national leaders. They are like Nietzsche’s higher men – except they actually achieve their elevation by deploying narratives of equality and identity, narratives Nietzsche associated with the herd.
This is actually cleverer than Nietzsche (and it is not even the kind of clever that was consciously decided; rather, it is clever in terms of the interests it unifies through self-serving decisions), because Nietzsche failed to realize that the new elite would need to be seen to be serving the mass, even if they were creating a scaffold for their own in-breeding (the elites don’t generally marry down) and taste.
ZJ: 1492 – for centuries now, the date was associated with Columbus’ discovery of America. Today, in the US, it means genocide! Genocide of the Indians. Several cities in the U.S., including Washington DC this year, renamed Columbus Day as Indigenous Peoples Day. You, as Australian, probably have views on the question. But before I let you answer, let me make a few remarks.
First, even if one would grant some validity to the objection, the problem is of judging the past by the standards of today. Second, it is a childish way of looking at history, thinking that it would have been good, but bad people made it evil, which is a demonstration of lack of knowledge as to what happened everywhere; that people would conquer other lands; and, as the philosopher you know well, Hegel, said, history is a slaughter bench on which millions have been sacrificed. This is not to say that we should continue slaughtering each other, but since it was a mechanism of history, people who claim it was genocide, do not seem to know how anything operates.
WC: This is exactly the problem. A knowledge of history that also takes into account social formation and transformation, and where conflict and resource competition fits into the picture, should cure people of utopian idealism – though there are plenty of historians who still read history as if they were God presiding over the Day of Judgment, and hence relate history as if history were a morality tale, and that its actors could and should have done differently.
History is neither a metaphysical nor a moral problem, but the accumulated experiences of decisions, actions and circumstances that have created the world we have to dwell in. What we also know is that our political moralists of today have what they have because of their history – which is our history.
To want to create a better world may be admirable, but one cannot forget that one is part of a world in which sacrifice, strife, competition for resources and group survival were primarily existential choices, not purely moral ones. This is as much the story of the ancients, of tribes, cities and empires, as it is of the moderns with our civil and world wars.
But genuine social betterment requires genuine alignments of solidarity, common loves and commitments, not the enforcement of principles and ideas. Having an idea that humans are basically good, or that we actually have rights that were not derived out of political and social experience, or that we can just apply a set of axioms about human behaviour, is the opposite of helpful. We have to work on the little bit of reality before us; and if we do not see forces that threaten to extinguish a group as we are focussed only upon our ideals, then we will go under.
ZJ: A few years ago, in Vienna, where there was a monument dedicated to the Polish king, John III Sobieski, who stopped the Turkish forces from invading Europe, in 1688. It was desecrated and a sign attached: “Genocide.” The king who was celebrated as defending Europe from Muslim invasion stands condemned for the very same reason – as the defender of the West, just like Columbus, stands condemned for bringing the West to the New World. Do you see a similarity, and what exactly, in your opinion, stands behind the two so different occurrences?
WC: When Columbus first arrived in the Bahamas, he thought he had found a new world free from violence. He quickly learnt otherwise. The idea that the Europeans created violence in the new world is a fantasy. Think, for example, of how the enemies of the Aztecs assisted Cortes. That Europeans brought a new kind of havoc that had really terrible consequences for the indigenous peoples of the “New World” is not something I dispute. I simply note that imperialism is a very ancient modality of social and political organization, and that scale and technology matter.
In part, though, I do see the hostility to certain founding myths as a fair enough response – up to a point. That is, the 1960s generation and their more left-leaning professors from a previous generation were not wrong to expose peaceful foundational myths as untrue. But this does not mean that the “New World” did not have its own survival strategies in which violence was a common enough occurrence.
I would also qualify this by saying where resources are spread widely and groups are small enough and can stay out of each other’s way, then it may be avoidable – at least up to a point. But anthropological finds of grave sites do indicate how common violent death generally was amongst tribes. The city and the empire are also, in part, a means for walling out violence. But, of course, as groups grow and empires subsist alongside each other, violence again enters into the picture on an even larger scale.
The problem is not that we should not be honest about conquest and violence – and once the United States was formed and the land expansion drove out the native Americans in the 19th-century, it was really shocking, though not altogether unlike how other tribes within antiquity had acquired land. A case can be made that, had the U.S. remained under the British crown, its history may have been far less bloody.
Of course, counterfactual history is only partially helpful. But that so many Western educated people believe that the West was somehow unique in its deployment of violence for securing territory and resources is silly – and, I repeat, making moral judgments about the past is meaningless, especially when the people making them are the beneficiaries of the bloody deeds that are their own history: What was unique was the technology and accompanying systems of commerce and administration which created greater opportunities for power enhancement and expansion.
But the idea, to take your second example, that Islam was not an imperializing enterprise from the very beginning, or that Muslims were pacifists and innocents, and Christian nations uniquely imperial, is historically mad (those poor Turks attacking Vienna!). But once you simply treat Muslims as a minority, you will project all sorts of virtues onto a group because they suit the narrative that you live off of and define your place in the world by.
Likewise, those Muslims who have aspirations to really fulfill the injunction to bring the world to peace through all submitting to Allah, will gladly support this narrative, and will gladly represent themselves as victims of genocide in Vienna, as if they were in solidarity with native Americans, whose people were subject to genocidal levels of violence. But, unlike the Westerners who fall for this, they at least know what they are doing.
ZJ: Given the logic of the genocide argument, we should conclude that neither conquest nor colonization should have ever happened – which means, no Persian Empire, no Greek colonization, no Roman Empire, no Mongol, Ottoman, British, Portuguese, French, Spanish Empires. What I have enumerated is only a tiny portion of what history looked like, which does not give much support for politically correct claims and visions of history, let alone human nature. But given all the PC activists’ ignorance of history, the question emerges: Does PC behaviour stem from ignorance or something else?
WC: I think I have already made clear what I think about PC anthropology. It is, as others have rightly labelled it, “Disneyfication.” As you know I am a great admirer of J.G. Herder, who unfortunately is usually just viewed as a “romantic,” when he is a complicated and a very profound thinker.
Herder made the point (one which you can also find in Augustine) that a group’s survival depends upon it having something lovable about its world. So, just as I cannot accept the romantic view of indigenous life, a life that like all social forms, has strict and often brutal means of enforcing group survival,
I do not deny that it was a dwelling place on earth with its own rewards and sacrifices. Hence, too, I also do not want to underestimate the cost of civilization. Our conversation is largely about the sacrificial component of civilization and how precarious our circumstances are right now.
And, as much as I disagree with the liberal-progressive view of life, I also acknowledge that it exists because of all manner of problems (including the last World War) which provided the backdrop for people wanting to “Give Peace a Chance” and “Imagine” a better world. So, I think, one may well have important discussions about different life-ways; and what is won and lost as one world is destroyed.
Now the indigenous worlds were destroyed because they had found ways to survive that ultimately (and I do not mean this in any disparaging way) curtailed the need for the kind of human inventiveness that developed with empires, and at their most sophisticated levels with the crucible of the West and its wars and revolutions.
I have said it many times now: Inventiveness is forged in the furnaces of war and horror, which is as true for the scientific revolution as for the formation of the modern nation state. The experience of the West was such that one crisis after another led to a certain kind of “advancement” – specifically, technological, administrative, socioeconomic and even political.
Fortunate were those (at least relatively) who could stave this off, until, that is, they found themselves in competition with outsiders over their resources. History cannot be unmade, and so any strategy of solving our problems which requires cultural romanticism is doomed to fail. Worst of all, it condemns the living to a lost past, so that they themselves become like ghosts and more like pieces in the imaginations of those who wish to dictate their own narratives and future for the living.
Culture, like everything else, is not an essence but an adaptive process. So, pretending that the powers of the modern world can be simply blocked out by a romantic retreat is to condemn people to powerlessness in their world. Although policy and public narrative commonly romanticize the past, imagine a government that said: “Sorry we did wrong, so what we will do is give you back a vast amount of territory, then build a fence, and leave you alone. No phones, cars, roads, hospitals, medical supplies, TVs or anything else that modernity has made will be available to you. You are free to return to a past world. We will not mine there or allow any of our people to enter. But once you go back you are not allowed to return.”
Can you imagine the outcry of indignation? Being in a world comes with a price. Our freedoms come at the cost of widespread depression, anomie, ennui, isolation, medication, infantilism, and so many other afflictions, including romanticism and utopianism and their institutional ensconcement.
The reason I am an Augustinian when it comes to human nature is that we all live off the violence and crimes – the sins – of our forefathers. Real dialogue is impossible, if we start with a mythic idealisation.
ZJ: Are the contemporary problems of the USA, Canada, Australia those that the Britishness of those countries created, by which I mean Protestant religion, common language. Again, to be clear, many of the problems that feminists see, such as the use of pronouns (he and she) are laughable from the point of view of someone who knows languages and knows that gender (masculine, feminine and neuter) is grammatical; it is not social categories. But in the English-speaking world, precisely because English no longer uses gender in its grammar, these problems have been created, which could not have sprung-up elsewhere. Yet, these English-language problems, because of American dominance, have become global problems.
If I think of the suicidal tendencies within the West today, it seems to me that they do come out of the appeals to freedom and social equality that are the outgrowth of the European experience and responses to their circumstances, including, perhaps most significantly, wars and revolutions.
That the European experience is predicated upon Christian culture, as well other sociological and geopolitical contingencies, seems to me very obvious. Calvinism, in particular, though not of British influence plays a decisive role in helping shape what will become modern republicanism. It will also play an important role in generating a moral and aesthetic orientation to personal and social life that will then become secularised.
I really like John Cuddihy’s book on the Calvinist influences upon the USA, No Offense: Civil Religion and Protestant Taste. A certain sensibility, which combines a sense of (divine/ moral) election, the overcoming of all evil, the doctrinal (moral) transparency of all souls within the community (see, Joseph Bottum, An Anxious Age: The Post-Protestant Ethic and the Spirit of America) has prevailed within our elites (and this is as much the case in Canada, the UK, Australia, as the USA) – which is manifestly Calvinist in original form. but with the kind of content that comes out of the atheistic socialistic, progressive mind of the nineteenth-century.
This sensibility simultaneously combines guilt and a desire for the “kingdom.” So, without Christianity, it is pretty impossible to imagine this modern elite and our narratives of emancipation. But they are also anti-Christian and heretical, diabolical even – total faith in human knowledge, the human will, and the self/identity. The Islamists, the Chinese, the Russians, etc. think the West is killing itself. That is what I fear as well – and I hope I am completely wrong.
ZJ. Thank you so much for this conversation, Professor Cristaudo!
The image shows, “1807, Friedland,” by Jean-Louis-Ernest Meissonie, painted 1861-1875.